Bullet Train Explosion

If you're looking a lazy afternoon-watch this weekend that doesn't want you to think too much, this Japanese-version of 'Speed' but on a Bullet Train might be worth considering.

The film was fairly decent until the major reveal that was not really convincing at all, but if you forceful yourself to apply the logic you often see in the news about 'bad actors', you could maaaaybe see why/how it all makes sense.

But like I said, if you don't want to think too much, or at all, this might be one of the decent films for this weekend, or even for passive viewing as you do the dishes or fold your clothes away. Could have been so much better but I didn't care that it was not that and it doesn't feel like a let down.

With all due respect to my fellow critics-whose insights I genuinely admire-I must gently (but firmly) tap the brakes on this recurring assertion that Bullet Train Explosion is little more than a Japanese Speed. Yes, both films hinge on the same pulse-quickening premise: a vehicle that must maintain velocity or detonate spectacularly. But before we declare Speed the originator of this trope, let's give history its proper due-and a little reverence.

Because long before Keanu Reeves fired off "Pop quiz, BLEEP," and Sandra Bullock white-knuckled her way into action-movie legend, there was The Bullet Train (Shinkansen Daibakuha, 1975). A Japanese thriller that introduced the world to a high-speed train wired to explode if it dipped below a certain speed. Sound familiar? It should. This was the first film to plant a bomb squarely under the concept of velocity. And it was brilliant.

But the lineage doesn't stop there. Even Speed's screenwriter, Graham Yost, credited his inspiration not as some divine spark, but as a cinematic handoff from Runaway Train (1985)-another nail-biter about an unstoppable locomotive hurtling toward oblivion. Here's where it gets even juicier: Runaway Train was originally the brainchild of none other than Akira Kurosawa. Yes, that Kurosawa. The auteur behind Seven Samurai and Rashomon. He wrote the screenplay in the 1960s, envisioning a deeply human, existential thriller set aboard a runaway engine. Though he never got to direct it, his vision survived and roared to life years later under Andrei Konchalovsky.

So let's be clear: Bullet Train Explosion isn't some derivative knockoff trailing behind Speed. It's part of a long, cross-cultural cinematic tradition that spans continents and decades. It stands proudly in a lineage that includes Kurosawa, Konchalovsky, and yes, Jan de Bont. To reduce it to "Speed, but Japanese" is to miss the point-and miss the artistry.

As a Gen-Xer, Speed is sacred to me. It defined a decade of action cinema. It made "mass transit terrorism" an oddly specific genre. And it will always be brilliant. But brilliance doesn't need to be first. And homage is not theft-it's a love letter. Bullet Train Explosion is exactly that: a loud, stylish, blood-soaked valentine to its forebears.

So instead of side-eyeing the similarities, let's celebrate the shared DNA. Let's honor Bullet Train Explosion as a continuation-not a copy-of a global cinematic conversation about speed, stakes, and what happens when you can't stop moving.

With admiration for my fellow Speed disciples (I am one of you), and with cinematic history riding shotgun, I rest my case.

But this is really good! I like the 3D-effects regarding to the bullet train and I green screen effects where they made it exceptionally clear. In perspective this not really realistic as it is in Japan, 'cause it's too much of actions. But in general I liked the actor's character more their personalities that fits into the movie. I was surprised about the character's performance regarding to bomber that planted the bomb on the train. That felt so good with the twist in the good way. However that is, I'm not gonna spoil it. So watch the movie and enjoy actions felt with sweat and tears. You'll not regret it!

OK so it's over long (losing momentum a bit in the second half), and the villain when revealed is an eye roll that doesn't really make all that much sense. But despite that its a fun and at times tense action / disaster movie, the type of which doesn't get made all that much these days.

The cast are all good, and the sfx are generally good, although they would have benefitted from a slightly higher budget here and there. Some great cinematography too.

I think anyone who likes movies like Unstoppable, Silver Streak, Speed and other similar disaster movies will find much to enjoy in this film.

Not only was the story intense, but I really loved how they showcased the technical operations of the Tohoku Shinkansen - from the control room decisions to the real-time communication between the operator, conductor, and driver. It all felt incredibly authentic, like watching real professionals in action. Their calmness, precision, and teamwork during high-stress moments really stood out and added so much depth. As a Shinkansen otaku, seeing those accurate procedures and behind-the-scenes details was an absolute thrill and made the experience even more enjoyable. The attention to detail was remarkable.