Le Testament caché

Superb adaptation of Sebastian Barry's book. It tells the story of Ireland's dark, and for years deliberately hidden, history with regard to the inhuman attitudes towards & treatment of unmarried mothers & their babies. Excellent performances from all but Vanessa Redgrave is simply outstanding.

I had to cry in the end. I just imagine how many have suffered similar faiths. It is a wonderful film. Great actors. Great photography.

One thing that also makes me sad, almost every film has lower ratings than it deserves! I honestly don't understand people who have to be so harsh on everything. That is why I give 10 stars to every film of tv show I loved!

Great job everyone, this was a well made story.

Just caught the Gala premiere at TIFF and was stunned by this film.

Vanessa Redgrave and Rooney Mara play older and younger versions of Rose Clear, a woman out of place and out of mind in WWII Ireland. The film is based on the novel of the same name.

The acting in the film is beautiful. Director Jim Sheridan called VR a legend in his introduction to the film and the crowd gave her a standing O at the end. Mara does the incredible job of matching her beat for beat. Theo James (who I've only ever seen in the getting- worse-by-the-minute Divergent series) is downright terrifying as the priest who becomes obsessed with Rose. The photography and direction are top notch as well, and take full advantage of Ireland's natural beauty.

Only criticism is that the plot may be hard to follow if one isn't familiar with the details of Irish/British history. It also becomes a bit predictable, but by the time revelations are made the tears are already flowing so all is forgiven. Otherwise, the story weaves really nicely through the intricacies of being a single woman in that particular time and place. The material is heavy, and rightly so. It's interesting to note the contrast between the way women are treated in the film and the way the plot is so female driven and the two female leads are clearly so respected and credited by their director.

Between this, Una and Lion I wouldn't be surprised to see multiple Oscar nods for Mara.

This is a surprise film. Almost my favourite. Because I don't know when the last time I wetted my eyes. I'm not ashamed to say that I love sentimental films. This was not like a thorough tearjerker, but it gets there at some point. It was like I have been waiting for such film a very long time, so that I ended up liking it more than I was anticipating.

An Irish-English language film with a wonderful cast. Because of those actors I have watched it, despite it was not promoted big like the Hollywood films. It's not in the mainstream films list. That's why not many people do not know about this film. Rooney Mara's one of the best performances. The remaining cast too had big roles, but was not powerful as hers.

Films has genres, books has genres, but not all of those works converted to each other form works out. This is such a rare genre where both formats triumphs. Watching this film is almost as experience of reading the book. You know those literatures explaining the events, character deeply, emotionally, that's quite matching in this film with beautiful locations and nice background score.

The suspense kept me expecting every moment of my watch. The end twist was not that difficult, but not all the viewers can predict it easily. It is a tale from the first half of the 20th century. But most of it was split into early and the later events. Overwhelmed by the flashback, the film reveals an old and a last woman in a mental asylum to evacuate the building to a new location. So those last moments of her stay in there, she explains why she's refusing to leave.

-xX] There's a sickness in people that stops them seeing the truth. [Xx-

A doctor from another place is now reviewing her case, has to go through her story to understand the situation and act accordingly, that's accompanied by a nurse. So she reveals her secret romance when she was young, when the whole town turned against her. Particularly a young priest. How she had ended up in the mental hospital, and after 40 years, now denying to leave the building. The story ends emotionally.

The film was like the mix of 'The Little Prince' and 'Neverwas'. Because the reality and the other way around were nicely put together. Only it all were told from the grown up's perspective. They are showing something means does not you have to believe it. So it all comes to the final twist, how it ends by revealing what. No doubt if it resembles someone's real life, perhaps in the past, because in the earlier centuries, such fate, particularly for women is so common. That's where it's heart-wrenching.

A perfect title for what it narrated. The older version of the lead role was too well performed. The romance part was short, but mystery extended till the final scene. Overall, the focus given to what to narrate and what not were nicely done. A very satisfying film, glad that I saw it.

I don't know everybody would like it as much I did, but surely worth a try. Since the story was told from a woman's point of view about her struggle in the men dominated world, they might like it better than others. Because, as I know in the recent, the women's empowerment rising to equal men than never before. All I say is, just watch it!

8.5/10

Sebastian Barry's brilliant novel SECRET SCRIPTURE has been transformed into an eloquent touching film Johnny Ferguson and Director Jim Sheridan. With moody cinematography by Mikhail Krichman and a musical score by Brian Byrne (with a lot of help from Beethoven) and a perfect cast of actors, this radiantly beautiful film should satisfy a large audience – those who love period pieces, Ireland, sweet romance, ad twists of plot.

Roseanne McNulty (Vanessa Redgrave) must vacate the soon-to-be demolished mental institution in Roscommon, Ireland that she's called home for over 50 years. The hospital's psychiatrist, Dr. William Grene (Eric Bana) is called in to assess her condition. He finds himself intrigued by Roseanne's seemingly inscrutable rituals and tics, and her fierce attachment to her Bible, which she has over the decades transformed into a palimpsest of scripture, drawings, and cryptic diary entries. As Grene delves deeper into Roseanne's past, we see her as the young woman Rose (Rooney Mara), whose charisma proves seductive. We learn that she moved to Sligo to work in her aunt's café, fell in love with a dashing fighter pilot Michael McNulty (Jack Reynor), and that a local priest Father Gaunt (Theo James) fell tragically in love with her. The elderly Lady Rose is institutionalized because it was rumored that she murdered her only child at childbirth. Dr Grene and a nurse (Susan Lynch) are supportive of Lady Rose as the story unfolds in the most sensitive manner.

There is much to be praised in this film – the manner in which the conflict between the Irish and the British altered personal lives and relationships, the horrors of the early 20th century insane asylums, the struggle Catholics priests at times endure with their celibacy vows, and the beauty of Ireland – but the cast is so fine that they shine with this material. This is a very fine film.