Berlin Syndrome

Suspenseful, psychologically creepy, realistic which made it even more freaky, especially for females traveling alone. Be very careful about who you talk to while on vacation or anywhere.

If you are hanging out for a good thriller with real style then this will capture you as surely as the girl at the centre of the story is caught.

Clare (Teresa Palmer), a young Aussie tourist travelling alone in Berlin meets handsome Andi (Max Riemelt). They have a one-night stand in his apartment in a rundown neighbourhood of Berlin. However when she goes to leave next morning she finds that Andi is a man with unexpected interests and likes having her around so much that she isn't going anywhere.

"Berlin Syndrome" has been compared to "The Collector", the old William Wyler movie with Terrance Stamp, but that was an overly mannered number compared to this.

If the film reminds me of any other, it would be "Something Wild" starring Carroll Baker and Ralph Meeker as the kept and the keeper. Made in 1961, there are big differences, but that film had a dose of Stockholm syndrome before we realised there was a Stockholm syndrome (named in 1973).

Of course the Stockholm syndrome is a theme in the "Berlin Syndrome" and if I have any criticism it is that the title "Berlin Syndrome" is a bit too obvious for a film that takes a fresh approach in nearly every other way.

Director Cate Shortland ("Somersault", "Lore") tells her stories as much visually as she does verbally; she isn't afraid of silence, and her choice of actors is inspired.

Teresa Palmer is disarming. Her Clare is a little shy, but she also invests her with sexiness, and feistiness. Her character epitomises those youthful, adventurous spirits that parents wave off at airports all over the world hoping that nothing like what happens to Clare will befall them.

Good looking Max Riemelt's Andi seems so intelligent and grounded at first that it is a surprise when his true nature is exposed; perfect casting against type.

"Berlin Syndrome" oozes quality from the engaging actors to great locations, photography and an understated, atmospheric score. Cate Shortland has cast just as fresh an eye on the psychological drama/thriller genre as Canadian Denis Villeneuve did on "Prisoners".

'Berlin Syndrome' was setting itself up to be something great, but it just couldn't quite deliver the knock-out punch. I love the idea for the story. It's creepy and a little too real (this kind of thing happens more than people realise). The characters were also well created. They were believable and charming in their own dark ways. Then there were two very fine acting performances by Teresa Palmer and Max Riemelt. So why didn't I enjoy this film as much as I should have?

The problem lies in the story development. There really isn't any. The film sets itself up and then just drifts along for the next two hours. Some films can get away with that but not when they run 20-30 minutes longer than they needed to. There was a lot that could have been left on the cutting room floor in this one. Then the ending came around and it was about as "meh" as you could possibly get. Very disappointing. Not a bad film, but if you're looking for something great, look elsewhere.

Australian Clare Havel (Teresa Palmer) is backpacking in Berlin. She meets a local named Andi and goes home with him. Next morning, she tries to leave after he left for work but finds that she's locked in.

A normal beautiful-woman-getting-kidnapped movie usually involves a violent shove into a murder van. The interesting change in this movie is that Clare willingly walks into her cage. It's a Venus flytrap. The moment of realization is great. I love the camera pushing in on the locked door. I would delay smashing the window. On the negative side, I don't think I care about the guy and his life. He's not original enough. This is a slow creepy movie.

Wow! This film really builds up the tension. I don't want to say much about the third act, except that I think it was good. I particularly enjoyed the sound design in this film, and how it added so much to the suspense and mystery. I wasn't immediately sold on the actors, but they sort of grew on me. They certainly played their roles well, I just felt like maybe they were lacking a bit of emotional range or chemistry with each other. It didn't detract from what is a truly excellent horror film of its genre. It is brutal, genuinely scary, haunting. You truly feel the hopelessness and anguish of the female character. The sheer dread of her situation. You wonder how you would behave if you found yourself in that same scenario. That's what good horror is all about.