The White Orchid

Don't waste your time - not a worthwhile movie.

I can not figure out how this poor attempt at a "film noir" got such a high rating. It is short (1 hr 52 min) and wanders around at the beginning then rushes the ending with what the author must have thought was a plot twist. It is so rushed it leaves loose ends laying around.

The lack of a plot leaves me to believe that it was either the first attempt at a film or was on such a low budget the production could figure how to tie off the various open ends. The climax is so poorly constructed and rushed it doesn't answer what happened.

I started watching it because I went to Cal Poly; I wanted to turn it off after 20 minutes but my wife was doing the ironing and wanted to see if there were more shots of SLO,

With some similarities to the actual black dahlia case from the 1940s, which was never solved.... this was written and directed by steve anderson. Claire (olivia thirlby) is sent to a small town on the coast to investigate the murder of a young, un-identified single woman. When she meets the local sheriff (john lynch, who we know from fargo), she doesn't trust him, and realizes she is on her own. Some fun roles for well known faces... jennifer beals is vivian. Nichelle nichols (lieutenant uhura !) is teresa, friend of the deceased woman. It's okay. It's a little more melodramatic than it needs to be, and the wigs and make-up claire uses make her look like a drag queen. And we really didn't need to spend so long watching the band in the bar about an hour in... that kind of took away from the noir feeling of the story. The first three quarters of the film run in a straight forward fashion, but the ending feels like it was an extra big twist ending , or maybe changed around from what it was originally. Confusing. Produced in association with the humphrey bogart estate. Anderson seems to be employed or partnered with santana productions, which was also the name of bogart's boat. As of today, this is the last project listed for anderson. He also directed the big empty, which is good but also has an odd, mysterious ending. Seems to be his specialty.

I am a bit loathe to criticize a young actor, but ... I know me some acting, and good for her she got job and paycheck, but Ms Thirlby does not command her part or hold up the film as lead. And together with the otherwise in several ways failed realization of a being a good modern 'noir', this movie is a failed use of budget or much of your attention. Even though the script and directing are not tops, all the other actors do their parts well. And yes, as others have stated, Ms Beals shines as always. I wonder if this is an example of using the advantage of blinded male control. Ms Thirlby openly states her bi-sexuality, and is very relaxed and natural in that onscreen. Did that unduly gain her the lead? Otherwise I can see her 'thinking' and visibly 'controlling' her acting, be a 'small' presence on screen, and not commanding as the lead detective/character. And together with her acting, hair and makeup, Ms Thirlby, contrary to the needs of plot and film, is an unconvincing blonde 'beauty' (she is a lovely person and figure in her own self). I was fascinated not because it was good.

As premises go, it's thin: Claire is a freelance investigator for the San Luis Obispo Country Department of Social Services who finds relatives and family members of those who die alone with no known heirs. (Aside: if the count government had such investigators, they'd be working for the probate court, but never mind). Claire is assigned the case of an unidentified murder victim known only as the White Orchid who was killed in a particularly grisly way. She is only supposed to identify the victim and leave the actual murder investigation to the police. Since Claire is a brunette who immediately presents as plain, timid, and inhibited, of course she dives into not only the murder investigation, but the identity of the victim, who was a stylish and (bi)sexually uninhibited blonde bombshell. Just because a movie's premise is thin and implausible doesn't mean the movie can't be good or even great: Hitchcock's Vertigo, which this movie alludes to several times with all the subtlety of a jackhammer tearing up concrete, seems similarly silly on paper, but delivers a great experience to its viewers in its visual style, great performances and direction, and a memorable soundtrack. White Orchid only has visual style going for it. Direction and soundtrack are undistinguished, while the performances are pretty bad, which isn't so much an annoyance as it is a puzzler, since many of these actors are capable of good or even outstanding work (an exception is Nichelle Nichols, who turns in a tiny gem of a performance as a shut-in retiree). It doesn't take long before the viewer realizes what this movie wants to be, and how far short of its goal it fell. You may stay with it for the (unfortunately predictable) plot twists, or you may turn it off before that. I stayed with it despite realizing I would be disappointed.

This is a pretty good modern film noir. The old staple of having the detective become obsessed with the murdered woman here gets an update by having the detective be a woman as well. Olivia Thirlby (Juno) in the lead role does fine as the detective, but is less convincing when she transforms herself later on -- but perhaps her character would be less convincing in that state. John Carroll Lynch (Fargo, Zodiac) is reliable as always as the sheriff saddled with Thirlby's investigation. And there are other familiar faces from the past - Jennifer Beals, Brendan Sexton III, and Lt. Uhuru from Star Trek. All in all, if you like your film noir in color, this movie is well worth a try.