Esas Oglan

Esas Oglan" promised to be a bold and refreshing take on modern relationships, but it falls flat in almost every aspect. The storyline is painfully predictable, and the characters lack depth and authenticity. The dialogue feels forced and unnatural, making it hard to connect with any of the characters.

Hadise's performance, despite her popularity, comes across as amateurish and unconvincing. Her portrayal of a famous actress feels more like a caricature than a real person. Similarly, Seda Bakan's character, a risk analyst, is riddled with clichés and unrealistic scenarios that make it difficult to take her seriously.

The series attempts to emulate the charm of "Sex and the City," but it fails to capture the essence that made the original so beloved. Instead, it offers a shallow and cringe-worthy imitation that leaves much to be desired. Overall, "Esas Oglan" is a disappointing watch that doesn't live up to its potential.

"Esas Oglan" is a complete disaster from start to finish. The script is weak, the acting is wooden, and the dialogues feel painfully forced. Every scene drags on, making it difficult to stay engaged. The storyline is predictable and lacks originality, offering nothing new or exciting. Character development is nonexistent, and the overall production feels lazy. If it weren't for Hadise, I'd easily rate it 2 points lower-at least her presence adds some watchability. But even she can't save this trainwreck. A total waste of time; I wouldn't recommend it to anyone looking for quality entertainment or a decent show to watch.

Esas Oglan isn't so much a TV series as it is a masterclass in how low expectations can become a collective lifestyle. The plot stumbles along like a toddler in oversized shoes, tripping over every possible cliché known to mankind - and yet, the fanbase applauds as if witnessing Shakespeare reborn in slow motion.

The titular "hero" delivers each line as though he's trying to remember if he left the stove on, while simultaneously trying to act through a fog of protein shakes and hair gel. And yet, online forums light up with discussions like "Did you see how intense his stare was in episode 12???" No, Jessica, that wasn't intensity - that was confusion.

The show is obsessed with drama, but allergic to logic. Each twist is telegraphed five scenes ahead, and yet the audience reacts as if they've just witnessed the invention of fire. It's performance art at this point - not on screen, but in the comments section.

To be fair, Esas Oglan is probably a great watch... if your idea of entertainment is watching wallpaper peel while someone plays a sad violin in the background.

This series is very entertaining and fun. It has a very interesting and new topic. It is about women's problems in their relationships. They examine the personality types of men in different cultural and occupational situations and provide their listeners with their own assessment of these people in the form of a podcast.

I think the reason for its low rating is its erotic scenes, which are against the culture of the Turkish people, otherwise the story of the series and its actors are quite fine.

I have seen all the episodes and I am impatiently waiting for the next episodes and I hope that people's negative opinions of this series will not discourage the continuation of the series.

There are reports that some intelligence agencies have used this series as a torture device, and there are also rumors that the confession rate increased by 74% during the torture.

It may be appropriate for the producer to immediately apply for a petty patent.

Confession rates are significantly higher among those who watch the series with Turkish dubbing and foreign language subtitles compared to those who watch it without subtitles. When it is completely without subtitles, there is an 8% decrease.

This situation suggests that the script plays a crucial role in the process of pivoting the series into a torture device.