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6.7/10
7.7K
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After his single mother dies, a young boy with an excellent voice is sent to a prestigious choir school and has trouble adapting to the culture of the school.After his single mother dies, a young boy with an excellent voice is sent to a prestigious choir school and has trouble adapting to the culture of the school.After his single mother dies, a young boy with an excellent voice is sent to a prestigious choir school and has trouble adapting to the culture of the school.
- Awards
- 1 nomination total
Mackenzie Wareing
- Stephanie
- (as Mackenzie Taylor Wareing)
- Director
- Writer
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OK, I get it. This is a feel good movie. The cinematic equivalent of smooth jazz. Something I can handle about once a year with the kiddies. But did the script have to be so agonizingly predictable? The outcome was obvious about five minutes in. For the balance of the film, I found myself waiting somewhat impatiently for the next bit of choral music, which WAS wonderful.
Also perplexing was the films message or messages. The feel good genre generally delivers up a platitude or two anyone can easily latch on to. The messages here seemed to be, very loosely, only those who become "the best" can expect to receive the love of family and acceptance within their institution of choice. Didn't work for me.
Also perplexing was the films message or messages. The feel good genre generally delivers up a platitude or two anyone can easily latch on to. The messages here seemed to be, very loosely, only those who become "the best" can expect to receive the love of family and acceptance within their institution of choice. Didn't work for me.
6vsks
This movie, released in 2015, had a brief run recently at Princeton's nonprofit movie theater. It's the story of the fictional "National Boychoir School" and features the singing of students from the local, real-life American Boychoir School. ABS has fallen on hard financial times, and if it needed an infomercial to stimulate a really big donation, this is it. The movie stars Dustin Hoffman, Kathy Bates, Debra Winger, and Eddie Izzard in the adult roles, but director François Girard and writer Ben Ripley demand little of their talents. The story dwells mostly on the boys, and one particular boy (Garrett Wareing)—a misfit who arrives at the school unable even to read music, yet such a vocal prodigy that . . . yes, you can guess the rest. When the credits rolled and it turned out the movie had some affiliation with the Hallmark Hall of Fame, that was one of the least surprising moments in a string of non-surprises. Leaving aside its dramatic shortcomings, the creators' generosity with the music lifts the whole production. Actual ABS students are used in the production, according to a local news story, and director Girard said of the school, "It was extraordinary to see them at work. What they accomplish goes way beyond music." A good movie for kids and a pleasant, if unchallenging interlude for grownups, too.
Anyone attending a graduation ceremony at the American Boychoir School, as I did a few hours before seeing this film in Princeton, would be impressed with its tremendous and infectious school spirit. It is a joyous group of young people who uphold one another and love being together. Their enthusiasm has been buoyed up, and deservedly so, by the choir's glowing work in this film. As others have already noted, the singing is glorious, and one hopes is an audience's most lasting takeaway.
One's heart goes out to Stet, at first sight perhaps not the kind of boy one would expect to be smitten to the core within a moment of hearing such music. But he was! Given a chance to join, he is afraid to try at first, because failure and rejection would hurt so much. Time and again, it was the exquisite beauty of what he heard around him that drove him on, even when it seemed out of reach.
Aside from that-- I very much wanted to love this movie more than I'm ultimately able to do. Especially given its every suggestion that it is a portrayal of life in the American Boychoir School (or any choral foundation for that matter), we must bear in mind, IT IS FICTION! For according to the movie, this is a grim life in a hostile place, in which a boy might find no friends, no teamwork, and even a faculty member or two implacably opposed to his very presence. We see only merciless competition and rivalry, sometimes descending to unscrupulous malice for which the guilty peer gets only a slap on the wrist. This is not the stuff of which a great ensemble, as the American Boychoir clearly is, can be made. Alas, in this respect I fear that the scriptwriter and director have done a disservice to the art and institution that they meant to promote.
This is a serious matter at a time when plenty of choir school graduates go on to the most prestigious high schools in the country, and plenty of parents dream of exactly this outcome from the moment their child is born. To a large extent, it is the immersion in great music that does this. Yet the dots don't get connected: there is a shortage of applicants to choir schools, among other excellent boarding schools for children of this age, both here and abroad. Interested families understandably want to be assured that they will find a supportive, nurturing atmosphere in which every pupil is almost guaranteed to flourish happily. This is what such schools provide, as their students and alumni enthusiastically report. Reading music is patiently taught, not a prerequisite for admission. But you'd never guess it from the film.
If others feel that this single reservation I have expressed is too harsh, nothing would please me more. Boy goes to choir school and becomes a success. "Predictable", people say, as if this were a criticism. But oh how right they are.
One's heart goes out to Stet, at first sight perhaps not the kind of boy one would expect to be smitten to the core within a moment of hearing such music. But he was! Given a chance to join, he is afraid to try at first, because failure and rejection would hurt so much. Time and again, it was the exquisite beauty of what he heard around him that drove him on, even when it seemed out of reach.
Aside from that-- I very much wanted to love this movie more than I'm ultimately able to do. Especially given its every suggestion that it is a portrayal of life in the American Boychoir School (or any choral foundation for that matter), we must bear in mind, IT IS FICTION! For according to the movie, this is a grim life in a hostile place, in which a boy might find no friends, no teamwork, and even a faculty member or two implacably opposed to his very presence. We see only merciless competition and rivalry, sometimes descending to unscrupulous malice for which the guilty peer gets only a slap on the wrist. This is not the stuff of which a great ensemble, as the American Boychoir clearly is, can be made. Alas, in this respect I fear that the scriptwriter and director have done a disservice to the art and institution that they meant to promote.
This is a serious matter at a time when plenty of choir school graduates go on to the most prestigious high schools in the country, and plenty of parents dream of exactly this outcome from the moment their child is born. To a large extent, it is the immersion in great music that does this. Yet the dots don't get connected: there is a shortage of applicants to choir schools, among other excellent boarding schools for children of this age, both here and abroad. Interested families understandably want to be assured that they will find a supportive, nurturing atmosphere in which every pupil is almost guaranteed to flourish happily. This is what such schools provide, as their students and alumni enthusiastically report. Reading music is patiently taught, not a prerequisite for admission. But you'd never guess it from the film.
If others feel that this single reservation I have expressed is too harsh, nothing would please me more. Boy goes to choir school and becomes a success. "Predictable", people say, as if this were a criticism. But oh how right they are.
But that's not what really matters in a feel good movie, now does it? If you think it does maybe the actors can convince you otherwise. There's a lot of great acting talent at hand, that should leave you satisfied and occupied during the running time of the movie. Because you may not care too much about what is going on, when you know the outcome all along, the road is what is important.
It's more than finely made and as mentioned with the acting talent at hand you couldn't go wrong even if you tried to. The music is more than integral and will leave you speechless at times, if you're open to it of course. The hardships of following up your dream or at least your goal are always there and may feel like a drag if you've been watching too many movies, but that's not this movies fault
It's more than finely made and as mentioned with the acting talent at hand you couldn't go wrong even if you tried to. The music is more than integral and will leave you speechless at times, if you're open to it of course. The hardships of following up your dream or at least your goal are always there and may feel like a drag if you've been watching too many movies, but that's not this movies fault
Watched the movie on the 2nd day of TIFF 2014.
Before the movie, the director and several actors showed up and talked about the movie.
Dustin Huffman said,"it's a special movie, we hear that a lot. But you know films can be special and not work. And it can be special and work.... Hope you enjoy."
I did enjoy the movie. It flows very naturally and smoothly. I would not say this is a great movie, but it is still a good one.
Everyone tells Stet," you have the voice. you have the talent. Don't waste it".
I guess this is the point. Do not waster your talent. NEVER.
Even if it only stays for a short period, you gotta use your gift!
Before the movie, the director and several actors showed up and talked about the movie.
Dustin Huffman said,"it's a special movie, we hear that a lot. But you know films can be special and not work. And it can be special and work.... Hope you enjoy."
I did enjoy the movie. It flows very naturally and smoothly. I would not say this is a great movie, but it is still a good one.
Everyone tells Stet," you have the voice. you have the talent. Don't waste it".
I guess this is the point. Do not waster your talent. NEVER.
Even if it only stays for a short period, you gotta use your gift!
Did you know
- TriviaDustin Hoffman seriously studied the piano in his youth, but was not considered talented enough to make a career of it, just like his character Master Carvelle.
- GoofsMost of the music in this film is altered from its original versions, in some cases ending up dramatically different. Handel's Coronation Anthem, "Zadok the Priest", for example, is sung for about sixteen bars, when the audience suddenly applauds, some four or five minutes before the authentic piece would have been finished. Very few of these modifications were noted in the credits as "arranged by . . ." Speaking of poor Handel, his name is listed in the credits several times (the film score uses several of his works) as "Georges Friedrich Handel". Why would the French spelling of "George" be used? Handel was German, writing most of his music in England and Ireland. (Even the French-language Wikipedia page lists him as George, with the German alternative of Georg also noted.) And the reference to his "Alleluia" from Messiah borders on criminal. Everyone knows - or certainly should know in a production like this that strives to appear "classical" - that the piece was titled "Hallelujah" in every creditable published edition.
- Quotes
Master Carvelle: Your clock is ticking kid.
Stet: Well your clock is ticking too old man.
- ConnectionsFeatures La vie est belle (1946)
- SoundtracksThe Mystery Of Your Gift
By Josh Groban/Brian Byrne
Performed by Josh Groban, Brian Byrne and The American Boychoir
Strings performed by The Bulgarian Symphony Orchestra-Sif 309
Vocals co-produced by Humberto Gatica and Brian Byrne
The American Boychoir conducted by Fernando Malvar-Ruiz
and recorded at Jungle City Studios NYC by Zach Hancock
Produced and arranged by Brian Byrne
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Box office
- Gross worldwide
- $3,146,094
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