Xiang yang: Hua

When I saw Zhao Liying's character, Gao Yuexiang, facing slander and public scrutiny, her reaction was far from a display of tears or self-pity; instead, she boldly demanded compensation. This made me realize that the film wasn't intended as a tragic drama meant to evoke sympathy, but rather an "anti-internal consumption cool film," showcasing a gritty underworld where fists break the chains of fate.

After watching We Girls, I was pleasantly surprised by its overall quality. Its sharp and realistic portrayal truly captured the struggles faced by marginalized individuals in society. Zhao Liying's performance was rich and layered; through her expressive body language and bloodshot eyes, she allowed the audience to witness how a determined woman is shaped into resilience by the challenges life throws her way.

This film accurately shows the lives of marginalized people, exploring self-salvation while reflecting on social issues. It is a worthwhile film, and Feng Xiaogang delivers on expectations. Although the characters Gao Yuexiang and Hei Mei face many challenges, the overall tone is mostly humorous. The story does not dwell on their suffering; instead, it highlights that life often includes both laughter and tears.

What stood out to me in this film was the strong bond and compassion among the women. They are willing to risk their lives for each other, showing that their relationships go beyond friendship to family, with each providing strong support. In the film, Zhao Liying plays White Fox, who comes back to society after being in prison. She faces life's challenges and starts a journey of self-salvation. Her performance shows her growth as an actor and highlights serious issues in today's society.

I am pleased to express my appreciation for the film *We Girls*, which provides valuable insight into the experiences of individuals at the lower strata of society through the lens of incarceration. While the characters portrayed are indeed criminals who have deviated from socially acceptable behavior, it is essential to acknowledge the complexities of their situations. They embody women who find themselves ensnared by the pressures of life.

For instance, the character Gao Yuexiang, portrayed by Zhao Liying, aspires to lead a dignified life while striving to secure a better future for her daughter. She confronts numerous adversities and societal challenges, often portraying herself as a strong woman. Despite their challenging circumstances, she and others in similar situations merit the chance for renewal and the pursuit of a hopeful outlook on life.

The performances delivered by the cast are commendable, effectively engaging the audience in the narrative of the film.

We girls not only look confidently toward the future but also embody the ideals of solidarity and mutual support. This film powerfully expands on the themes of female realism, vividly depicting the survival challenges faced by women who have been released from prison. Gao Yuexiang, as a mother, refuses to rely on men or seek pity; she stands firm in her own abilities and self-reliance. As the saying goes, "Just treat yourself as a piece of iron." Gao Yuexiang represents iron, with life acting as the hammer. After enduring countless challenges, she forges herself into a sharp sword, ready to confront evil and tackle the injustices of life head-on.

Zhao Liying delivers an outstanding performance in this film, which, together with its compelling narrative, leaves a profound and lasting impact on the audience.

We Girls is an excellent female-themed movie, featuring characters who each have their own unique highlights. Despite facing a challenging struggle for survival after being released from prison, they remain hopeful and embody the tenacity of life, striving to live positively. The mutual support among women throughout the film brought me to tears. This film is truly a rare masterpiece. From a narrative perspective, We Girls is also very well-structured. It has a tight rhythm and clever plot design, without any sense of delay, which keeps the audience engaged. The director employs delicate cinematography to authentically portray the lives of everyday people, such as Gao Yuexiang, allowing the audience to deeply feel their joys, sorrows, anger, and happiness.

The Chinese name of this movie is "Sunflower," which symbolizes positivity and happiness. Similarly, the film presents a unique perspective on the resilience of ordinary people who refuse to bow down and bravely confront difficult circumstances. It conveys the message that while life is tough, hope is everlasting. The strength of life and a smile can overcome any hardship.