Hellions

It's Halloween again and my thoughts about this film, which I saw at TIFF 2015, are as mixed as ever. Bruce McDonald's art-house take on Halloween horror is terrific until the frustrating non-ending. I was loving the eccentric direction, off-kilter cinematography, sympathetic performances, mysterious killer kids, end the whole dream-or-reality puzzle. But then...

I suppose the short run time should be a hint this is an unfinished movie, but honestly what were the producers thinking, letting this be released? Why not sit down with the director, point out this glaring problem, and offer to scare up funds for some additional writing and shooting to finish a potentially worthy follow-up to his great Pontypool.

All that said, I still can't recommend against watching it; you don't want to miss what there is, but be prepared to imagine a third act.

Hellions is a very well made Horror movie that's for sure but it's more than a Horror movie it plays on fears of childbirth & the terrifying realisation that a girls world is about to change along with her body.

Chloe Rose is the pregnant 17 year old this movie is about & she plays Dora abit of a loner goth type of rebel chick & Rose gives a fantastic performance of all the ranges of emotion & then some & she's acts it brilliantly so i think this girl will do well in the movie world.

One of my all time favourite actors is in Hellions & that's the always good veteran Robert Patrick & here he plays a tough serious local police officer who is there to protect & serve our hero Dora & again although under used his screen presence is always welcomed & gives a solid performance for his screen time mixed up in this crazy nightmare world.

The movie looks BEAUTIFUL most of the time with stunning cinematography & i like the way it starts as a proper Halloween themed Home invasion Horror with demonic trick or treaters & then crosses over into a twilight zone type nightmare world.

There is bits that doesn't make sense or atleast to me & you never REALLY know what is real & what really happened but it's a part of the crazy acid trip dream like charm & you can make your mind up with what plays out.

All in all Hellions is a beautiful Looking Halloween Horror with underlining messages of fear & anxiety about pregnancy.

I think Hellions is a good watch but because it's very weird & dreamlike it's not one to watch lots.

Yours truly is a diehard horror fanatic, but also a sucker for mushy traditions. During the Christmas period I seek out holiday-horror with psychotic Santa's or demonic elves, and on All Hallows' Eve I like to stay in theme as well. And, since you can't watch John Carpenter's "Halloween" every year, it's good to have some alternatives. "Hellions" isn't nearly as good or entertaining as, say, "Trick 'r Treat" or "Tales of Halloween", but I'm nevertheless glad that I watched a genuine Halloween flick with spooky seasonal decoration, gruesome costumes and lots & lots of pumpkins! Perhaps I'm being too generous here, as I was in a festive mood, but I think "Hellions" is a solid film for a mere two-thirds of the running time. Bruce McDonald, director of the - in my humble opinion - heavily overrated "Pontypool", creates an ideally sinister atmosphere and comes up with an efficiently unsettling premise. The rebellious but troubled 16-year-old Dora Vogel finds out she's pregnant, so she's pondering alone at her house while the rest of her family goes out trick or treating. Eerie kids with seriously terrifying masks and outfits soon come knocking at her door, but these little monsters aren't satisfied with regular candy. They want Dora's unborn baby, and anyone who tries to protect her won't survive the night! The set-up of the plot is great, the little demon-kids look petrifying and Chloë Rose is a persuasive young actress. So far so good, but admittedly Bruce McDonald has no idea where his surreal storylines are going or how to lead everything towards a credible finale. The skies over Dora's isolated little town suddenly color purple and pink, along with various other surreal and inexplicably bizarre phenomena, which causes us to suspect that McDonald tries to cover for the lack of content and/or continuity with visual distractions. Nice try, but horror fans really aren't as dumb as some people think, you know! I'll remember it for the handful of authentic frights, but "Hellions" definitely won't become a cult classic.

This movie popped up in an email from Netflix as "something you may enjoy". Netflix, you couldn't have been more wrong.

To be honest, I'm still not sure what the hell I just watched. I thought it started out decent. It felt like I was watching The Strangers, but with children; home invasion and children, two very creepy things in my opinion. The movie quickly turned into "demons from hell" type movie, which I could get on board, if it weren't for the quick turn it made into that direction.

Some people say it's a pro-life propaganda movie, which I could kind of see, but that also may be reaching a little bit.

I thought the acting was good in some spots; I thought the music was definitely creepy (Christmas sounding music with a child like tone); and I thought some of the visual effects and costumes were cool.

What I didn't like were the lingering effects in scenes that looked choppy (the constant shot of her in the hanging sheets). I thought some of the dialogue was extremely lame. And, because the movie kind of goes by so quick, it's really hard to pin down what is actually happening. I felt like the film maker had a bunch of different good ideas in his head, and instead of picking one and running with it, he crammed everything into one movie.

Overall I think the movie could have been so much better. There are definitely good elements there, they just need to be justly presented.

Hellions is the latest film from Bruce McDonald who helmed Pontypool (2008), a film which showed that he was a director who was not afraid to approach old ideas in new ways. With Hellions, it could be said that he is adopting the same philosophy. Its story focuses on a teenage girl who lives in a town famed for its pumpkin crop. On Halloween night she discovers she is pregnant to her boyfriend and very soon finds herself home alone and terrorized by strange, costumed, demonic children who seem to be after her unborn child.

To be honest just going by the synopsis you could be forgiven for thinking this is going to be no more than a routine horror outing with little to differentiate itself from the pack. But in practice it's a whole lot better than that. This is mainly on account of the stylised manner in which its story has been brought to the screen. Once our heroine is in the midst of her struggles, lots of colour filters are used to create a weird Halloween fantasy land which creates quite a nice off-kilter atmosphere. Not only that but this is one of the few recent horror films that actually makes an effort with its soundtrack too; the score by Todor Kobakov and Ian LeFeuvre is a consistently inventive, layered and spooky concoction. Rounding things off there is a strong central performance from Chloe Rose and decent support work from Robert Patrick.

Content-wise, there's nothing especially new here but the manner in which it is brought to the screen shows considerable care and effort. There's quite a lot to appreciate in the visuals and soundtrack in particular, while the creepy kids are donned out in some imaginatively sinister costumes. This one successfully creates its own distinctive ambiance and that seems like a pretty good enough achievement to me.