Hellions

To be honest I can't really say I'd recommend Hellions. I found merit in it being quite different, having a decent cast and having some cool effects and not a bad and relatively original premise. The Hellions themselves had great potential and really looked quite cool. The movie eschewed normality for quite a surreal atmosphere and visual palette, there was also some cool original music which was creepy. It all got very confusing however between what was dream, reality, supernatural or whatever. By the end I didn't really care anymore as the narrative was lost due to me being confused generally. Maybe some horror fans may appreciate this movie, do not however watch if expecting a child it was quite graphic in some brief scenes.

Yours truly is a diehard horror fanatic, but also a sucker for mushy traditions. During the Christmas period I seek out holiday-horror with psychotic Santa's or demonic elves, and on All Hallows' Eve I like to stay in theme as well. And, since you can't watch John Carpenter's "Halloween" every year, it's good to have some alternatives. "Hellions" isn't nearly as good or entertaining as, say, "Trick 'r Treat" or "Tales of Halloween", but I'm nevertheless glad that I watched a genuine Halloween flick with spooky seasonal decoration, gruesome costumes and lots & lots of pumpkins! Perhaps I'm being too generous here, as I was in a festive mood, but I think "Hellions" is a solid film for a mere two-thirds of the running time. Bruce McDonald, director of the - in my humble opinion - heavily overrated "Pontypool", creates an ideally sinister atmosphere and comes up with an efficiently unsettling premise. The rebellious but troubled 16-year-old Dora Vogel finds out she's pregnant, so she's pondering alone at her house while the rest of her family goes out trick or treating. Eerie kids with seriously terrifying masks and outfits soon come knocking at her door, but these little monsters aren't satisfied with regular candy. They want Dora's unborn baby, and anyone who tries to protect her won't survive the night! The set-up of the plot is great, the little demon-kids look petrifying and Chloë Rose is a persuasive young actress. So far so good, but admittedly Bruce McDonald has no idea where his surreal storylines are going or how to lead everything towards a credible finale. The skies over Dora's isolated little town suddenly color purple and pink, along with various other surreal and inexplicably bizarre phenomena, which causes us to suspect that McDonald tries to cover for the lack of content and/or continuity with visual distractions. Nice try, but horror fans really aren't as dumb as some people think, you know! I'll remember it for the handful of authentic frights, but "Hellions" definitely won't become a cult classic.

Really weird surrealistic scenes. Sometimes really nice. Totally absurd though . No story line and cause its over the Hill artistic iT never gets scary .

This movie is clearly a piece of pro-life propaganda from about five minutes in and while philosophical stances in movies and using horror as allegory is not always a bad thing, in this case it is just too heavy handed and shallow to really be any good.

There is barely any thought given to character or plot and it is more all about creating striking visuals to drive home the message of how wrong it is to have an abortion. Whatever your stance on the issue it does not mean that you can't make a subtler and more thought-provoking film on the subject, otherwise you are just preaching to the converted.

If you can look past the blatant bias that this movie possesses then there are some cool visuals and a dream-like feel that makes the film pretty unique considering it seems like the people who made it didn't actually care about the substance of their product. Still though I can't recommend a movie for style alone so I would give this one a miss, unless you just want to be told what you already know.

This is some trippy, dream-like metaphor for the fear of young parenthood. Little kids terrorizing a 17 year old who just found out she's pregnant. Does this whole thing take place in her head? It's presented as such, and even if it's not, you know from the way things unfold there's not much reality to the proceedings. This film should basically be a pure atmospheric horror ride but it's too much in the main character's head, a head we don't know that well and we know isn't that important beyond the type it represents anyway.

It's hard to find a tangible connection with this film and I found it hard to engage with the "terror" scenes outside a passing interest in the way they were shot and assembled. They didn't engage me, and in a non-cerebral film like this that's basically a death knell.