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This film tells the story of an outcast criminal family, who lives in a trailer park somewhere in the United Kingdom. The main character's life is plagued with problems, as they have a controlling father, a mentally challenged brother and two children who grow up under a dubious environment.

"Tresspass Against Us" reminds me of "Captain Fantastic" because of their outcast status and unconventional lifestyle and the focus on the effect on the children's lives. "Tresspass Against Us" tells a more diverse story, as the entire family structure contribute equally to the story. Despite the mostly small time criminality and their obvious disrespect for the authorities, I still have developed much sympathy towards the family's hardship and challenges. I am touched by the Kel' determination for the children to be in school, and by the memorable ending. It is sad that the downfall is brought on by a human trait other than serious criminality. I find this film charming and engaging.

Trepass against us, presented at the Toronto Film Festival in 2016, would like to tell so much, without however having the time and the tools to do so. It is unclear what theme the film is about to focus on. The spectator is confronted with the difficulties of nomadic life, father-son relationship, education and redemption, without however finding the time to immerse himself completely in any of them. The film, and often the spectator, feels the weight of two figures, such as Fassbender and Gleeson, who cover the roles of Chad and Colby. It would be understandable if one doubted that the two of were involved in the project to give him a boost (perhaps it needed it) rather than believing that their characters were so articulated that they needed the two actors' talent. Director Adam Smith, at his debut, is capable of talking about chases, sequences of action, and some hint of gangster comedy. It gives the movie adrenaline and the elements to be watchable, but not more than that. Often you are wondering why what you see is so as it is, as you are thinking that some characters have nothing to do with the world they live in. For example Chad. This is due to the rush of the director to arrive at the clue of the story, related to the characterization of the characters, which if is not flat, is mainstream and even trivial. This does not mean that the film is not touching, but it is less reflective than it should, and perhaps it would want to be.

Irresponsible parents. A main character has awful father and tries to be a good father for his own kids, but instead he does his best to be the same crap as his own father.

Another astonishing and raw performance from Michael Fassbander, who plays an uneducated father of the family desperately trying to unchain himself from his father's robber-gang. The brutal moment when you realize you are in under influence of something evil or bad, but you're incapable of changing things and you get mad at the whole world. But the fault is on you, because you weren't strong enough to free yourself out of the chains in the first place. You have the choice to change it now, you have obligations towards your family and you have to choose what is best for them now, because you've lost your chance to help yourself.

First time feature-film director Adam Smith establishes much in the opening minutes of the movie.

Our first image has the camera on the heels of a bullet-fast hare being chased and running for it's life through an endless meadow. Chasing, it seems, is a way of life for the backwoods thieving Cutler clan who we're about to meet.

The local British constabulary is usually doing the pursuing.

Chad Cutler (Michael Fassbender) squirms under the thumb of Colby, his domineering father, whose never-ending lifestyle of thievery sees no happy end. With a brother already trapped in prison, Chad looks at his young impressionable son and wonders whether he can offer him a different future.

To create a different path he must reassess Colby as a role model, and contemplate the unimaginable… to trespass against his father's wishes and put his own young family's well-being above the clan's. Ensuring an education – something his father denied him – seems to be the only escape route for his children's otherwise ill-fated future.

Colby, played by the indomitable Brendan Gleeson, is an uneducated patriarch whose limited worldview is a creeping cause for concern. His knack for planning successful robberies is now questionable, and he senses growing desperation and worry since it's become apparent his schemes are outdated and flawed. But knowing no other way of life, he hangs on, using whatever resources he can to keep his son, Chad, with him.

Michael Fassbender is an extremely talented actor and makes a powerful presence on the screen. Through him we witness Chad's struggle to be a dutiful son, loving husband and responsible father. With no formal schooling, no ability to read or write, his strongest skill is seen behind the wheel of a car in hot pursuit, he wrestles to make a choice on what kind of future he can offer his young family.

My rating: 76 /100

20 /25 – Overall

11 /15 – Directing

12 /15 – Acting

13 /15 – Cinematography (colour, angle, camera position)

06 /10 – Editing (rhythm, pace)

08 /10 – Script (dialogue, storyline)

06 /10 – Music/score (sound foley, costume, make-up casting)