Skinless

Independent micro-budget director Dustin Mills rips off David Cronenberg's The Fly something rotten for Skinless, chucking in a smidge of The Incredible Melting Man for good measure. Working with what must be a fraction of The Fly's catering budget, Mills delivers a cheap and cheerful concoction of bargain basement gore effects and gratuitous nudity that should prove moderately entertaining if you're not averse to no-frills homemade horror.

Brandon Salkil plays the Seth Brundle character, geneticist Peter Peele, who tests his experimental cancer treatment on himself; initially successful, the treatment ultimately has unexpected side effects, Peele's flesh liquifying, the scientist turning into a hideous deranged monster. This is not good news for Dr. Alice Cross (Erin R. Ryan), the woman Peele is obsessed with...

The majority of Mills' $2,000 budget appears to have been spent on fake blood, KY jelly, and latex - the film is very goopy. I can't imagine much was left in the coffers to pay the performers, so one assumes that the cast are all friends of Mills happy to muck in for free, which would explain the less than stellar acting. Not that great performances are necessary for this type of thing: Mills aim is to deliver plenty of splattery effects and to get the women in the film to strip off, and he succeeds in both.

In the grand scheme of things, Skinless is not great -- extremely derivative (Salkil even twitches like Goldblum) and technically crude -- but considering the amount of money that the film was made for, it's a marvel that it is as entertaining as it is. A movie to crack open a few beers to...

5.5/10, rounded up to 6 for IMDb.

I should start by saying that The Ballad of Skinless Pete is not for everyone. Horror fans that prefer the bigger budget stuff, such as The Conjuring, are probably not going to get this film. For the rest of us horror fans, particularly us that grew up in the 70's or 80's, are going to probably love Skinless Pete. I know I did after just seeing it.

Skinless Pete is the tale of Pete Peele, a doctor working on a cure for cancer. After discovering that the cure for cancer might be in the belly of a parasite, he decides it might be a good idea to test himself with it as he is dying from some form of skin cancer. Much to the chagrin of his close friend, Alice, he injects himself. At first it would appear that it worked, but after a while Pete starts to change into something and before you know it, people start brutally dying.

Does this story sound familiar? It should as it is clearly inspired by The Fly. Having said that, director Dustin Mills makes the film his own having directed, edited, scored and produced. I think what is so impressive with this film is the fact that it was apparently only made for 2000 dollars.

Skinless Pete is, at its core, a pure tragedy with its storytelling. With only a handful of actors in the film, the two leads, played by Erin Ryan and Brandon Salkil, has a surprising amount of on screen chemistry. But I think that Ms Ryan pretty much stole the show. She was convincing and by the end of the film you just feel crushed with what she has to endure. But Mr Salkil did a very good job as well. As Skinless Pete, Salkil had a wonderfully creepy style that was genuinely unnerving at times. Matter of fact, he was downright scary at times.

This is the area that some people might have issues with, and that is the films special effects. For me, it all works very well. The SFX are grisly and downright disturbing at times. To give an example, Pete melts a mans face off and as his face is melting off, Pete proceeds to rip off his lower jaw. Even when I saw it I said aloud, "Man! That's just sick!" For people that can't see past a films low budget though, I really think some people are just going to be negative because although very disturbing, the SFX are low budget. I loved them as there was a couple of times where even I was disgusted.

To end this review, The Ballad of Skinless Pete is a rare movie in 2013. It looks and feels much more like an 80's film, but with a few modern day innovations. It's obvious that director Dustin Mills has a love for the films he grew up with and for the horror genre. Let's hope he keeps coming out with films of this magnitude as horror of late has grown a tad stale with the saturation of ghost films and zombie films.

Three films down of indie/underground filmmaker Dustin Mills and I like what I've seen so far. Of those viewings ("Easter Casket" & "Bath Salt Zombies") he manages to stretch out his budget limitations and deliver on mind-bending concepts with full-on bluster. What etched in my mind from the first two films were the signature acid-laced visuals (of puppets to animation) and overt craziness, whereas Skinless felt more like straightforward, gross-out horror exploitation. It can be offbeat, but the bold approach is far more sober with claustrophobic dread and gooey gore brought upon by its monsterous transformation. And it's impressive looking discount gore; nauseating skin melting gruel, yet it didn't just centre on its frequently well-placed shocks, or gratuitous nudity. Instead there's tragedy at its core where the plot is low-key, dialogues remain dry and character pathos hits the forefront of science gone wrong.

Stricken with cancer (unbeknown to his assistant) Dr. Pete Peele is having trouble getting funding for his project of an unconventional skin cancer cure due to a lack of results over too long of a period. He fears with the constant delays he might not be around long enough to see his groundbreaking work through to the end. So against his assistant's best wishes he injects the experimental serum into himself. After becoming a guinea pig of his own work we watch the deteriorating mental state brought upon by the hideous physical changes (which is hidden under a rubber mask and layers of clothing).

Those who call it "The Fly" meets "The Incredible Melting Man" are right on the money. From limbs melting off, bubbling practical effects to the imitate structure centred on (mainly) two characters' back and forth interactions in the one location of a couple rooms, attic and basement. I was also getting a "Phantom of the Opera" vibe where the feelings for the woman (his assistant) he holds captive isn't shared and this plays to the bigger picture on how the story pans out. In spite of its inspirations, Mills manages to put his own subversive spin on the material and get you feeling uncomfortable in many ways.

The amateurish cast (of only four) are made up of Mills' regulars - Brandon Salkil brought to the unhinged part the right amount of eccentrics, especially under heavy makeup and Erin R. Ryan's down-to-earth performance is the glue that holds it together. They both do excellent in establishing emotional weight between the characters and this is brought across by the film's gradual build-up of the title character's descent into madness and obsessive paranoia.

Let's hope I can keep this track record of coming away satisfied by Mills' microbudgeted output.

Low budget which isn't a bad thing but this was just plain boring, horrible acting and bad special effects. Don't waste your time.

I have to admit, caught this on a free AD-based streaming service & had expectations on the floor when I saw it was filmed on video and the sound was "echoey" like some cheap camcorder production...I gave it a chance & have to admit, I enjoyed it! I'll name name some cons that will turn off many off the bat, its obviously done on the cheap ($2,000?! Wow), the main actor is serviceable at best, and it borrows way too much off of The Fly '86, other then that, its a short little horror with plenty of gore & nudity (full bush shot) and some decent horror drama!