Good Kill

This movie highlights important societal issues. Drone warfare is the future and soon many drones will be flying over US soil. Not just military drones mind you, but your local police will have them as well.

The reality is this. The US kills many innocent people with drones. For example, in Pakistan alone 41 men were targeted but 1,147 people killed. If you wish, you can search on this statistic and it will take you to the article about this.

It is time America dealt with the reality of what it is doing and this film is a small step in that direction. I will not write an exhaustive review because I hate spoiling movies for people, but the movie is worth watching and more importantly, thinking about.

"I had information that the Taliban commander's brother would attend the funeral. So I waited until they were all there, saying their prayers... and then I blew them up too. That's my job." Thomas Egan (Hawke) is a major in the US Airforce who is trying to adjust to the modern "flying", piloting drones. He spends his days bombing and surveying damage 7000 miles away and his nights trying to reconcile what he as done. His life causes strain on his marriage and overall well being. This is a very interesting movie. It deals with something I never really thought of before, drone pilots can get PTSD too. This is not a happy movie at all, but it is a very realistic movie. Half of the movie shows how the pilots feels about piloting drones and the aftermath of their consequences. The other half is about the commanders and how they feel about the effectiveness and usefulness of them. Both sides make convincing arguments and that keeps you interested, invested and involved in the movie. Unlike some recent war movies this one does nothing to glorify the awfulness of battle and really makes you think. Overall, one of the best and most realistic war movies I have seen. More like Platoon than American Sniper. I really liked this one. I give it an A-.

Greetings again from the darkness. It sounds like a screenwriter's workshop: write a story centered on a joystick, a computer monitor, a speaker phone and a shipping container. Most would surrender their Pulitzer dream and head back to the day job. Andrew Niccol, on the other hand, is a talented writer/director known for such projects as Gattaca, Lord of War, and The Truman Show. His story is set in 2010 and is "based on a true story" of drone warfare.

It could seem a bit dated to explore a topic that most have known about for years, but Niccol manages to wring out a story that keeps us engaged and more importantly, encourages discussion about the concept of "video game warfare".

Ethan Hawke plays a fighter pilot who has been reassigned as a drone pilot after serving 6 tours in Afghanistan. Each day he reports to duty on a Las Vegas base and spends 12 hours locked away in a cramped shipping container staring at a video monitor while delicately manipulating a joystick that can kill people 7000 miles away within 10 seconds. These killer drones have transformed warfare, and as far as I know, this is the first film version dedicated to the daily lives of the men and women serving this duty.

Given what we know about fighter pilots, it's not surprising that Hawke's character is crumbling emotionally … missing the danger that comes with a real cockpit. His marriage to January Jones is void of any intimacy or communication (partially due to his alcoholism), though surprisingly, Ms. Jones delivers something other than her typical cardboard cutout performance. Watching the suburban lifestyle of these two – grilling, backyard parties, math homework with the kids – brings nothing new to the screen, but tension is palpable as Hawke and his co-drone-pilot Zoe Kravitz are locked away and forced to follow morally-questionable orders from Langley (voiced by the great Peter Coyote). Put yourself on that joystick and imagine what you would do.

The story pushes us to discuss the dehumanization of war, and the idea that the Air Force is now best described as the "Chair Force". Especially interesting is the official verbiage used by the CIA and military in an effort to avoid "killing" and "innocent bystanders". Think about the fact that 3 decades have passed since we got caught up in the thrill of Tom Cruise and Val Kilmer as Top Gun pilots, and now some of the most deadly decisions are made based on a visual feed from a done hovering at 10,000 feet.

Mr. Niccol delivers a thought-provoking movie, which alone sets it above many. The drone's eye view follows not just the movements of the enemy, but also those of Hawke at home and in his car. Hawke's commanding officer is played by Bruce Greenwood, who delivers the film's best line: as Hawke is looking at Greenwood's fighter pilot photos, he says, you are probably thinking "I must have been a pilot before Pontius". It's a great line and one that reinforces how warfare has changed … from boots on the ground to recruits based on their video game savvy. Surgical strikes are the preferred manner of warfare, so watch this and ask yourself … what would you do?

Good kill delivers a striking message with pinpoint accuracy. It deals with a disturbing side of war in all of its unabashed glory. The lead Ethan Hawke is excellent in his description of a man with two contrasting life, one or both of them might seem painfully surreal for him. Script is just as brash as it is refreshing, filled with military jargon and also complex questions. This is not an orthodox war movie, yet it venture farther than most.

Tom Egan (Ethan Hawke) is a drone pilot, fighting war from halfway across the globe. This seemingly non-dangerous job weighs on his mind as his relationships with his wife Molly (January Jones) suffers from the stress. The story pushes harder as the mission is gradually becoming more morally dubious and many lives are at stake. Acting is really solid, Hawke looks just like a seasoned veteran who's been drained by his service.

January Jones as his wife is mostly subtle, but she performs greatly on the more emotional scenes. It's not the normal melodramatic relationship that these two have, there's an effort to create functioning family, yet they are far too detached and distant to each other. Egan's colleagues are also excellent, especially Zoe Kravitz as Suarez, his younger co-pilot who exhibits rare virtue in the line of work and Bruce Greenwod as the commander who is as sympathetic as he is duty bound, who also delivers a mean speech.

Script is amazing, dialogues are powerfully engaging and thought provoking. It showcases suspense despite the pilots are not physically engaged in combat. The brash attitude, smart jab and fervent inquiries are presented elegantly to audiences. However, the constant switch between bird eye view and ordinary cinematography might be jarring and repetitive. While the everyday grind and heavy theme are meant to be exhausting, they can be excessively claustrophobic for the audiences.

Good Kill is not a conventional blockbuster action movie, yet it will generate profound contemplation for its emotionally taxing premise.

Sometimes movie-making can be at its best when it does not simply entertain but poses challenging questions about contemporary issues. "Good Kill" asks us whether it is moral, legal and even effective to use Unmanned Aerial Vehicles (so-called drones) to eliminate assumed terrorists, even when collateral damage (that is, the deaths of non- terrorists) is likely or even certain. These are not academic questions: the use of drones to kill Islamic extremists has been extensive under the Obama administration in the United States and, just before I caught up with this film, my own government in Britain confirmed the use of drones to execute ISIS militants.

We see all the action - surprisingly close up and personal thanks to the amazing military technology - through the eyes of a Las Vegas-based fighter pilot turned drone pilot Major Thomas Egan. He is played by Ethan Hawke who is known for his wordy roles in films like the "Before ..." trilogy and "Boyhood" but here is laconic, showing the pained emotions in his face and movements more than in his few words - especially to his long-suffering wife Molly (January Jones).

New Zealand-born screenwriter-director Andrew Niccol ("Lord Of War") ensures that both sides of the argument are put, but there is no doubt on which side he himself sits. At the end, there is a sequence which gives the viewer some satisfaction, even a thrill, but Niccol has cleverly made us complicit in an act, the like of which we have spent most of the movie certainly questioning and possibly even condemning. "Good Kill" had limited theatrical release and success but it is a brave and honest attempt to make a political movie that raises vital issues.