Good Kill

This is a, at least in my opinion, a realistic portrayal of the inner conflict of UAV "pilot" and has very real characters with very real moral conflicts, and to me, that's a very interesting setup and my kind of movie. I don't think this'll be everyone's movie though. There's no epic awesome action sequence or extremely tense moments (there is a couple of moments that are more intense than the overall feel of the movie but not super intense). The main thing this movie has going for it is the deep gray-area type of moral conflict that the characters (not just the main character) face and it makes you think about them. Towards the end however, there is a very satisfactory feel that made you feel good and "all is just in the world" and that's a big plus for a movie like this, because a lot of these types of movie end in somewhat of an empty way. Now, as stated, because this isn't a entertainment kind of movie, there are going to be people saying that the characters were boring and monotonous, etc., but really, that's what fit the movie setup, and that's what is realistic. It's definitely not for everyone, but it was my type of film and I enjoyed it and plan to rewatch it to rethink through the moral conflicts in the movie.

Drones with Hellfire missiles lurk for entire days over selected targets around the world. Those who control the drones, sitting in air conditioned shipping containers near Las Vegas, are close enough sometimes to see the expressions on the faces of people as the missiles strike. The film explores complications involved in the strikes including; how easy it is for innocents to end up among the dead, difficulties in determining when and who to hit, confused chains of command, how easy it is to make mistakes or corrupt the process, and how we might feel if we were in the shoes of our targets. Major Thomas Egan (Ethan Hawke) is a vodka guzzling former pilot who laments how the U.S. Air Force has become the "U.S. Chair Force." We follow him in the office and at home as he sinks into depression, indifference and fatigue, and he still controls the trigger that determines, somewhat shakily at times, who lives or dies. While the plot could use some additional creativity and depth, and the acting is somewhat shallow, the film explores a fascinating subject. Actual strikes, from Wikileaks, add an extra dose or realism. Seen at the 2014 Toronto International Film Festival.

Ethan's acting is probably the biggest deterrent for me in this movie, but luckily the cheesiness doesn't last more than the first half. Silly things like his leather jacket to help him stand out amongst his peers in the desert sun at mid day. The movie is so well directed though, and the script is paced superbly. The dialog and character development keep you inside the head without having to narrate or explain anything overtly to the viewer so it really provokes thought in an organic way.

Supporting actors are very well integrated. Overall a terrific movie. I give it an 8 but at times it would be +/- 1 from beginning to end (7 to start, 9 at the end).

Very highly recommended if you're in the mood for something cerebral and heartfelt. I'd compare it to Requiem for a Dream, Rebound or Paid in Full in that respect.

Sometimes movie-making can be at its best when it does not simply entertain but poses challenging questions about contemporary issues. "Good Kill" asks us whether it is moral, legal and even effective to use Unmanned Aerial Vehicles (so-called drones) to eliminate assumed terrorists, even when collateral damage (that is, the deaths of non- terrorists) is likely or even certain. These are not academic questions: the use of drones to kill Islamic extremists has been extensive under the Obama administration in the United States and, just before I caught up with this film, my own government in Britain confirmed the use of drones to execute ISIS militants.

We see all the action - surprisingly close up and personal thanks to the amazing military technology - through the eyes of a Las Vegas-based fighter pilot turned drone pilot Major Thomas Egan. He is played by Ethan Hawke who is known for his wordy roles in films like the "Before ..." trilogy and "Boyhood" but here is laconic, showing the pained emotions in his face and movements more than in his few words - especially to his long-suffering wife Molly (January Jones).

New Zealand-born screenwriter-director Andrew Niccol ("Lord Of War") ensures that both sides of the argument are put, but there is no doubt on which side he himself sits. At the end, there is a sequence which gives the viewer some satisfaction, even a thrill, but Niccol has cleverly made us complicit in an act, the like of which we have spent most of the movie certainly questioning and possibly even condemning. "Good Kill" had limited theatrical release and success but it is a brave and honest attempt to make a political movie that raises vital issues.

Good kill delivers a striking message with pinpoint accuracy. It deals with a disturbing side of war in all of its unabashed glory. The lead Ethan Hawke is excellent in his description of a man with two contrasting life, one or both of them might seem painfully surreal for him. Script is just as brash as it is refreshing, filled with military jargon and also complex questions. This is not an orthodox war movie, yet it venture farther than most.

Tom Egan (Ethan Hawke) is a drone pilot, fighting war from halfway across the globe. This seemingly non-dangerous job weighs on his mind as his relationships with his wife Molly (January Jones) suffers from the stress. The story pushes harder as the mission is gradually becoming more morally dubious and many lives are at stake. Acting is really solid, Hawke looks just like a seasoned veteran who's been drained by his service.

January Jones as his wife is mostly subtle, but she performs greatly on the more emotional scenes. It's not the normal melodramatic relationship that these two have, there's an effort to create functioning family, yet they are far too detached and distant to each other. Egan's colleagues are also excellent, especially Zoe Kravitz as Suarez, his younger co-pilot who exhibits rare virtue in the line of work and Bruce Greenwod as the commander who is as sympathetic as he is duty bound, who also delivers a mean speech.

Script is amazing, dialogues are powerfully engaging and thought provoking. It showcases suspense despite the pilots are not physically engaged in combat. The brash attitude, smart jab and fervent inquiries are presented elegantly to audiences. However, the constant switch between bird eye view and ordinary cinematography might be jarring and repetitive. While the everyday grind and heavy theme are meant to be exhausting, they can be excessively claustrophobic for the audiences.

Good Kill is not a conventional blockbuster action movie, yet it will generate profound contemplation for its emotionally taxing premise.