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6.0/10
2.7K
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A pair of former brothers-in-law embark on a road trip through Iceland.A pair of former brothers-in-law embark on a road trip through Iceland.A pair of former brothers-in-law embark on a road trip through Iceland.
- Directors
- Writers
- Stars
- Awards
- 2 wins & 3 nominations total
Helga Kristín Helgadóttir
- Austur night club scene
- (uncredited)
Berglind Rós Sigurðardóttir
- Girl in club bathroom
- (uncredited)
Haraldur Hrafn Thorlacius
- Johannes (guy at a bar)
- (uncredited)
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- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Was lucky enough to have seen the premier at Sundance. Since it does not feel like the kind of flick that will find mass distribution, there is no telling where or when you might get the opportunity to see this movie, but if indeed you get that chance - do not miss it! A straightforward theme with a nominal plot made up of a number of nearly free-standing scenes and only a couple where chronology is all that important. The cast, sound, cinematography, direction, writing and featuring the magnificent scenery of Iceland were all wonderful and Earl Lynn Nelson is a treasure. The scene in the museum (ad libbed according to members of the cast) alone is worth the price of admission. Four of us 50-somethings saw it together and it was a long time after we left the theater before any of us could stop smiling. That's entertainment!
Two aging ex-brothers in law - the extroverted, lovable and slightly embarrassing Mitch, and the more introverted, sad-sack Colin take off for a getaway to Iceland. Their adventures are low key and episodic, but the comic rapport between the two men makes it hard to stop smiling.
There's no big catharsis or lesson learned, no moment when the smiles turn to tears, nothing that screams 'important movie'. Just an enjoyable hour and a half spent with two eccentric old guys finding themselves and each other on the road in a strange place.
The film looks very nice for it's tiny budget, and the two lead performances by Earl Lynn Nelson (a surgeon in real life) and Paul Eenhoorn (an accomplished Australian actor) create a fun naturalism that feels as authentic as if it was all improvised, with us just listening in on these two quite lovable older men.
There's no big catharsis or lesson learned, no moment when the smiles turn to tears, nothing that screams 'important movie'. Just an enjoyable hour and a half spent with two eccentric old guys finding themselves and each other on the road in a strange place.
The film looks very nice for it's tiny budget, and the two lead performances by Earl Lynn Nelson (a surgeon in real life) and Paul Eenhoorn (an accomplished Australian actor) create a fun naturalism that feels as authentic as if it was all improvised, with us just listening in on these two quite lovable older men.
It made me laugh, it made me cringe.
But I KNOW people like the characters in this movie, warts and all and that's why I found the film so appealing--in real life, not everyone speaks in complete sentences, or has a clever retort; sometimes, people are clumsy and there are awkward pauses--and there's plenty of that in this film. That might drive some people nuts, but I found it to be a feature, not a bug.
The scenes of Iceland were breathtaking, it was like a travelogue in some respects, but (I keep coming back to this) I liked the dialogue; it seemed very unscripted, the way that real people talk. The conversations between the American and Australian ex-brothers in law were hilarious at times and annoying at other times, and poignant, still, at others, and the work just seemed more like a goofy reality-type documentary than a film.
It will most assuredly NOT be to everyone's taste--it is a weird film, one feels almost like a voyeur watching it, but I found it a good use of my time.
If your tastes are a bit oddball, you will get a kick out of this film--let it unroll at its own pace, ya can't force it...!
But I KNOW people like the characters in this movie, warts and all and that's why I found the film so appealing--in real life, not everyone speaks in complete sentences, or has a clever retort; sometimes, people are clumsy and there are awkward pauses--and there's plenty of that in this film. That might drive some people nuts, but I found it to be a feature, not a bug.
The scenes of Iceland were breathtaking, it was like a travelogue in some respects, but (I keep coming back to this) I liked the dialogue; it seemed very unscripted, the way that real people talk. The conversations between the American and Australian ex-brothers in law were hilarious at times and annoying at other times, and poignant, still, at others, and the work just seemed more like a goofy reality-type documentary than a film.
It will most assuredly NOT be to everyone's taste--it is a weird film, one feels almost like a voyeur watching it, but I found it a good use of my time.
If your tastes are a bit oddball, you will get a kick out of this film--let it unroll at its own pace, ya can't force it...!
At the risk of sounding like a codger who needs an Icelandic trip with a bud, I found Land Ho! underwhelming. The barren but beautiful Icelandic landscape is lovely to see, and the girls in hot springs are, well, hot, but the two ancient mariners, Mitch (Earl Lynn Nelson) and Colin (Paul Eenhorn), have little enough wit to sustain an entire journey, much less a full film.
Mitch (Earl Lynn Nelson), the wealthy surgeon, pays for the trip with his retired buddy, Colin (Paul Eenhoorn), that hits the popular spots, introduces them to some nice chicks with whom they have dinner, and lets them enjoy weed without conscience. As an elderly couple on the verge of existential renewal, Mitch is lively with a charming sense of humor and joie de vivre; Colin mostly broods about his divorce and lack of money. Except for a moment or two of philosophizing, it's small talk peppered with a few allusions to movies. So much for the realism, admirable but dull.
Coincidentally, I recently saw Steve Coogan and Rob Brydon in The Trip to Italy, in which the two have a hilarious time impersonating actors and bandying about references to Byron and Shelley. Of course, even those travelers could not be that bright without rehearsal, even as natively-witted as they are. The joy I had was in the smart repartee and exhausting energy.
In Land Ho! co-directors Aaron Katz and Martha Stephens spark up the proceedings with some peppy '80's or 8o's-like music ( e.g., Big Country and Monster Party), which works well against the ancient landscape and men.
Land Ho!, however, moves at an old man's pace. The good thing for me is I'm able to recommend the film to my buddy, Keith, who is hot on our taking a trip to Iceland. Full disclosure: London is my favorite place on earth; Iceland would not rank.
Mitch (Earl Lynn Nelson), the wealthy surgeon, pays for the trip with his retired buddy, Colin (Paul Eenhoorn), that hits the popular spots, introduces them to some nice chicks with whom they have dinner, and lets them enjoy weed without conscience. As an elderly couple on the verge of existential renewal, Mitch is lively with a charming sense of humor and joie de vivre; Colin mostly broods about his divorce and lack of money. Except for a moment or two of philosophizing, it's small talk peppered with a few allusions to movies. So much for the realism, admirable but dull.
Coincidentally, I recently saw Steve Coogan and Rob Brydon in The Trip to Italy, in which the two have a hilarious time impersonating actors and bandying about references to Byron and Shelley. Of course, even those travelers could not be that bright without rehearsal, even as natively-witted as they are. The joy I had was in the smart repartee and exhausting energy.
In Land Ho! co-directors Aaron Katz and Martha Stephens spark up the proceedings with some peppy '80's or 8o's-like music ( e.g., Big Country and Monster Party), which works well against the ancient landscape and men.
Land Ho!, however, moves at an old man's pace. The good thing for me is I'm able to recommend the film to my buddy, Keith, who is hot on our taking a trip to Iceland. Full disclosure: London is my favorite place on earth; Iceland would not rank.
This is definitely a context film. In the context of great works of film and Oscar performances - not so much. In the context of how I imagine my adventure travel in my 70's - spot on. I will recommend this to two of my buddies whom I hope to make similar trips with in our later years. Mitch and Collin are two characters who I can see myself alluding too for many years to come on various tourist trips into parts unknown.
I watched this on an international flight and the woman in front of me asked what I was watching because she kept hearing me giggle in my seat.
I watched this on an international flight and the woman in front of me asked what I was watching because she kept hearing me giggle in my seat.
Did you know
- TriviaActor, Earl Lynn Nelson and the co-director of Land Ho!, Martha Stephens, are cousins in real life.
- GoofsWhen Leslie's cousin and her friend arrive from Nuuk, Greenland, the men pick them up at Keflavik airport, but flights from Nuuk arrive in Reykjavik, not Keflavik.
- ConnectionsReferences Rio Bravo (1959)
- SoundtracksStanding Wave
Written by: Michael Sherburn
Published by: Michael David Sherburn Jr. ASCAP
- How long is Land Ho!?Powered by Alexa
Details
Box office
- Gross US & Canada
- $727,594
- Opening weekend US & Canada
- $34,319
- Jul 13, 2014
- Gross worldwide
- $727,594
- Runtime
- 1h 35m(95 min)
- Color
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