The POstables are back identifying the intended recipients of a trio of dead letters which have a surprising, personal impact on all of them. Stars Eric Mabius, Kristin Booth, Crystal Lowe, ... Read allThe POstables are back identifying the intended recipients of a trio of dead letters which have a surprising, personal impact on all of them. Stars Eric Mabius, Kristin Booth, Crystal Lowe, Geoff Gustafson, Rhiannon Fish.The POstables are back identifying the intended recipients of a trio of dead letters which have a surprising, personal impact on all of them. Stars Eric Mabius, Kristin Booth, Crystal Lowe, Geoff Gustafson, Rhiannon Fish.
Jennifer-Juniper Angeli
- Mrs. Philpott
- (as Jennifer Juniper Angeli)
Featured reviews
Can you imagine trying to resurrect your character from the mothballs after three years and after you have played other characters, and maybe you even thought your character was dead! PLUS you gained fourteen pounds since you last played yourself (your movie "self").
That's a lot to bring back to the fore. Well, I think they did a pretty good job even if this movie didn't quite evoke the emotions the others have. I usually have to drink lots of water during these movies (keeps me from swallowing my tongue, big lumps in my throat, during the really emotional parts!)
Anyway, we, my Bride (of forty years) and I, enjoyed the movie. We had (intentionally) JUST finished watching all the others in order, including the TV series, so that we could keep the flow as we saw this one.
As I said, this one didn't draw out the emotions as well as the others but it was REALLY cool to have all the characters back! They grow on you!
The cutest couple, IMO, is still Rita and Norman! The most romantic couple is still Ovilear (thanks to Ramon) and Ms McCinerney (sp). ("Vows" was disappointing when Oliver called his new Bride "Ms Mckinerny". Are they married or not?! Maybe it will forever be his nickname for her?)
Anyway, it was somewhat entertaining to see newlyweds learning how to live together under one roof: an OCD neatnik and a SLOB clash for MONTHS before they get their act together. (This is so real! Happens to the best of us. Learning to live under one roof is one of the greatest accomplishments in marriage, ESPECIALLY when, in some areas, we are polar opposites. Well done Hallmark!)
I am hoping this movie is not "the End"! SSD is my fave series from Hallmark. My Bride has others as well. Clean entertainment, some modern, some not so.
One thing that bugs me. Not about this movie. Saw a profile on IMDb about one of the actors in this film, a MALE one, who, as far as I know only PLAYS male characters, and the staff referred to HIM as "THEM" and "THEY"!!! Give me a break! You're gonna lose me IMDb.
That's a lot to bring back to the fore. Well, I think they did a pretty good job even if this movie didn't quite evoke the emotions the others have. I usually have to drink lots of water during these movies (keeps me from swallowing my tongue, big lumps in my throat, during the really emotional parts!)
Anyway, we, my Bride (of forty years) and I, enjoyed the movie. We had (intentionally) JUST finished watching all the others in order, including the TV series, so that we could keep the flow as we saw this one.
As I said, this one didn't draw out the emotions as well as the others but it was REALLY cool to have all the characters back! They grow on you!
The cutest couple, IMO, is still Rita and Norman! The most romantic couple is still Ovilear (thanks to Ramon) and Ms McCinerney (sp). ("Vows" was disappointing when Oliver called his new Bride "Ms Mckinerny". Are they married or not?! Maybe it will forever be his nickname for her?)
Anyway, it was somewhat entertaining to see newlyweds learning how to live together under one roof: an OCD neatnik and a SLOB clash for MONTHS before they get their act together. (This is so real! Happens to the best of us. Learning to live under one roof is one of the greatest accomplishments in marriage, ESPECIALLY when, in some areas, we are polar opposites. Well done Hallmark!)
I am hoping this movie is not "the End"! SSD is my fave series from Hallmark. My Bride has others as well. Clean entertainment, some modern, some not so.
One thing that bugs me. Not about this movie. Saw a profile on IMDb about one of the actors in this film, a MALE one, who, as far as I know only PLAYS male characters, and the staff referred to HIM as "THEM" and "THEY"!!! Give me a break! You're gonna lose me IMDb.
I loved this movie. This is my favorite Hallmark series and this last movie did not disappoint. I will watch it many many times. Beautifully written and I love the actors. Well done! I am looking forward to the next one in 2025 and hopefully many more to follow. The actors really come through telling Martha's stories, they absolutely have my heart. I have watched all the episodes and movies many many times, never get tired of it. The fans are really hopeful there will be many more to come. There are a lot of fans out there from everywhere that absolutely love this series. Keep them coming, we will watch.
I've Watched it 6 times now. The musical accompaniment was artful....loved the blues connection. The charm was still there, even with a few character inconsistencies at the beginning. Shane had demonstrated several times in past episodes, most notably perhaps in "Higher Ground," presented some behaviors that I couldn't buy. Oliver was a fastidious manager. Rules were policy, and personal discretions that compromised the rules were handled with uncomfortableness. The scattering of her shoes, and her willingness to compromise the crib presence in the DLO.....wouldn't she save Oliver from discomfort by considering that? Were these behavioral aberrations an early clue to her later condition? If so, pretty subtle. Norman, Rita, and Ramone (sp?) were the most consistent characters. The writng for those characters was carried out with delightful idiosyncratic body language and delivery. Good to see Gregory Harrison there, such a good continuity link for all of the subplots, great guy. Eric is the kingpin of SSD, and his nuanced transformations in body language, tone, and delivery continue. Wow, I did not recognize Charlie. The confession seemed consistent, but pushing the baby carriage behind the two couples like a reluctant child...I don't know....guess that was some heavy reoccupation. The last third of the episode re-aligned all the gears, and presented a tease that only makes me wonder how looooonnnngggggg I'll have to wait for the next one. I need some good news on that....
When I saw the preview that the Postables would be back, I inwardly cheered and joyfully told my wife. After watching it, my excitement is somewhat muted.
There were excellent aspects of the story. The most obvious theme centers around the reality that marriage is not all the simple HEA that Hallmark rom/coms usually promise. Emphasis on the word simple. There is always potential for the HEA, but it is rarely simple. In the case of Oliver and Shane we have two people who have lived alone for much of their adult lives and that makes a new marriage even more complicated. I thought this movie did well to make that clear, although I felt there was a bit of our heroes being out of character.
My enjoyment was sapped a little by this pervading negative tone. I struggled to find the moments of quirkiness that these characters are so known for. In fact, one moment stood out with Norman. We usually see Norman come up with something extremely profound, but usually it comes as an apparent contradiction to his usual quirkiness. In this case, I was struck by his demeanor looking as profound as the advice he gave. This was a nice touch.
It's not a spoiler to say that many viewers will need their box of tissues as we get toward the end, but it seemed to me that in this episode, those moments were not sprinkled as much through the entire story.
I was glad to see Rhiannon Fish truly be a fifth member of the central group. Charlie seemed to be a better developed character than in the last one.
There were excellent aspects of the story. The most obvious theme centers around the reality that marriage is not all the simple HEA that Hallmark rom/coms usually promise. Emphasis on the word simple. There is always potential for the HEA, but it is rarely simple. In the case of Oliver and Shane we have two people who have lived alone for much of their adult lives and that makes a new marriage even more complicated. I thought this movie did well to make that clear, although I felt there was a bit of our heroes being out of character.
My enjoyment was sapped a little by this pervading negative tone. I struggled to find the moments of quirkiness that these characters are so known for. In fact, one moment stood out with Norman. We usually see Norman come up with something extremely profound, but usually it comes as an apparent contradiction to his usual quirkiness. In this case, I was struck by his demeanor looking as profound as the advice he gave. This was a nice touch.
It's not a spoiler to say that many viewers will need their box of tissues as we get toward the end, but it seemed to me that in this episode, those moments were not sprinkled as much through the entire story.
I was glad to see Rhiannon Fish truly be a fifth member of the central group. Charlie seemed to be a better developed character than in the last one.
We were excited to actually see a new Hallmark production with a Mystery bent.
But these characters are written as the most dimwitted souls on the planet. . We were truly disappointed and annoyed.
When my wife says turn it off after twenty minutes then it must be really awful.
I try not to render my opinion too soon.
Oliver has so little emotion as to be an android. And what Shane sees in him is a mystery unto itself.
From the flight home babbling through to the ...we can't fix things in the house ...it couldn't get more ridiculous.
The whole baby theme was bizarre. Norman and the baby. Jeez, what a mess.
You couldn't even wait to find the mystery given the level of stupid unrealistic drama they threw up.
A 12 year old could have written a more enticing story.
Hallmark has really lost the great mystery vibe from 2019-2021.
But these characters are written as the most dimwitted souls on the planet. . We were truly disappointed and annoyed.
When my wife says turn it off after twenty minutes then it must be really awful.
I try not to render my opinion too soon.
Oliver has so little emotion as to be an android. And what Shane sees in him is a mystery unto itself.
From the flight home babbling through to the ...we can't fix things in the house ...it couldn't get more ridiculous.
The whole baby theme was bizarre. Norman and the baby. Jeez, what a mess.
You couldn't even wait to find the mystery given the level of stupid unrealistic drama they threw up.
A 12 year old could have written a more enticing story.
Hallmark has really lost the great mystery vibe from 2019-2021.
Did you know
- TriviaOf all the objects Oliver kept that reminded him of Shane the letter opener Shane gave him for his birthday wasn't in any of the previous movies or episodes. While there was a movie that included celebrating Shane's birthday there has been no episode or movie that includes Oliver's birthday.
- GoofsAfter Shane tells Oliver she is pregnant he pulls her close and kisses her but then holds her at arms's length to ask her again if she's sure. When the camera changes angles when the clock chimes Oliver is holding Shane close but there wasn't enough time for him to pull her close again.
- Quotes
Oliver O'Toole: I dare say we might be one of the great postal love stories.
- ConnectionsFollowed by Signed, Sealed, Delivered: To the Moon and Back (2025)
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- Country of origin
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- Filming locations
- Maple Ridge, British Columbia, Canada(on location)
- Production companies
- See more company credits at IMDbPro
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Top Gap
By what name was Signed, Sealed, Delivered: A Tale of Three Letters (2024) officially released in Canada in English?
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