L'évaluation

I liked this movie a lot.

It resembles the work of Alex Garland, and the premise is pretty much a possible scenario in the not-so-distant future.

But is it worth watching? Well, it depends.

It has a good story, talented actors, and beautiful photography, as well as great design.

Buuuut without any spoilers there's not much explanation of the time they live in.

The starting point was already built off-screen, so to say.

Anyway, its focus is on the dynamics between the trio, and it's more of a psychological/existential thriller.

Though maybe the third act makes the movie too long, I would have liked it to ended earlier, but my criteria are to like cliffhangers and open ends... Not a popular parameter

I recommend it!

Alicia Vikander was already part of a dystopian Sci-Fi drama once (Ex Machina). Now she gets a totally different part in a film that feels like another "Black Mirror" episode and a good one also, nevertheless. From a first gaze of the movie's poster, I wasn't so sure, but when it had ended...so good.

The future, if to be franc and honest, is already here. Dystopian content is almost not any news and more and more films about dark future are rolling in our doorstep. This one is another that speaks about class differences, with a different direction and point of view.

Both Mia and Arian are well educated couple, that contributes to the well-being of the society. Both want to have a child, but the reality which they are living in does not allow reproduction. The government forbids children without supervision which validates that both candidates are suitable to raise children.

The supervision if from an assessor, which lives full week with the couple and determines at its end whether they are capable or not. Meanwhile, the rest of civilization are living in a wasteland and are being treated differently. This part is just mentioned in words and being seen for a very short period of time from the movie, towards the end of it.

The execution of the film was brilliant, and the performances were just outstanding. The plot had several holes and subjects that weren't properly delt, but the final outcome was a movie about parenting experience, fears, anxieties and the complications with being parents in some different magnitude.

This movie was also about the race we are falling behind in - real world against Artificial intelligence. It got its fair share of different type of anxieties, towards a future that is really unclear, but well predicted by a lot of artists in the movies industry.

Elizabeth Olsen's performance was magnetizing. She ruled this movie with so much depth. Himesh Patel was great also, but both female characters were the main issue here. Finally, the biggest performance of all - Alicia Vikander. Wow. I can't stress enough how good she was and was worth watching just for her side of the plot and her performances' weight in the movie.

The movie ended kind of sloppy for me, at least, but it was worth each and every minute of my time and I cannot understand why it got such a low grade. Maybe for being a little bit misunderstood. Maybe the ones who didn't understand it need a re-watch.

Greetings again from the darkness. Authors and filmmakers have long used forecasting the future as the basis for stories. Some have been lighthearted and humorous ("The Jetsons", BACK TO THE FUTURE) and others are more bleak and dystopian (BLADE RUNNER, THE ROAD). The first feature film from director Fleur Fortune (well known for music videos) has some common DNA with the excellent CHILDREN OF MEN (2006) from director Alfonso Cuaron. Written by Neil Garfath Cox, Dave Thomas, and John Donnelly, this story shows us a future where having a kid is a privilege that must be bestowed by the government, rather than free choice.

Mia (Elizabeth Olsen, MARTHA MAY MARLENE, 2011) and Aaryan (Himesh Patel, YESTERDAY, 2019) have built a life and marriage in a desolate area. Mia has a greenhouse where she grows food, and Aaryan has a Virtual Reality room where he experiments with realistic innovations. Both are aiming to improve life of others. They believe that a missing link in their life is a child, and agree to go through the 'assessment' process. When Virginia (Oscar winner Alicia Vikander, THE DANISH GIRL, 2015) arrives, she explains that, as the assessor, her decision is the final word. Mia and Aaryan express that they will be "good parents". Virginia smiles and relays that everyone says that.

The assessment is a seven-day process and calling it bizarre definitely undersells it. At times, Virginia kicks into childlike mode, testing the parental instincts of Mia and Aaryan. It's during these segments where the story gets a bit ridiculous, despite Virginia's explanation that she needs full access to their emotions and reactions (and intimate methods). During a strange dinner party - set up by Virginia - we get discussions of the "old world" existence and the rumors associated with it.

Analysis of the psychology of folks during such times can be quite enlightening, but despite the intriguing concept, the execution leaves us a bit frustrated with the holes and goofy moments. The third act is especially confounding, although we completely understand Mia's quest for answers. Everything circles back to early on when Mia and Aaryan first ask Virginia, "Are we good enough?". We feel their desperation, but once we learn their catchphrase exchange, "I love you. That's right.", we know this isn't headed to unicorns and rainbows.

Opens on March 21, 2025.

I had heard nothing about this movie except for seeing it on a list of recommended recent sci-fi movies and then seeing the great ratings. I would say it's more "sci-fi ish"; at it's core though it is a fantastic dystopian psychological thriller. All 3 main actors are doing a phenomenal job here (I wish we'd see Alicia Vikander in more stuff!) and it kept me engaged from beginning to end, even the scenes that are less easy to watch. I absolutely recommend it!

The Assessment is a Sci-fi drama Starring Elizabeth Olsen and Himesh Patel as Mia and Aaryan, a couple who want a child in the future are given a 7 day test by an assessor,(Alicia Viklander) who make the test possible and if no slip ups occur a baby will be gifted, but the expected-to-be parents see that this is harder than they expected.

Given strength by strong acting and unique premise, The Assessment is something I didn't really expect plot-wise but I think it was made brilliantly. The film is set in a format of Days 1-7 and each one is as different and engaging as the other. Honestly I was expecting this to reuse sci-fi tropes from the past, but I got to say that this is so original and unexpected I think it was done super well! The way everything connects and what the couple have to do is portrayed so well to the point that this might be what the most likely cause of creating children will be in a effected world of climate change.

Performances do not disappoint, Elizabeth Olsen and Himesh Patel were so good they probably could've been on their own with a entirely different plotline and it would have been just as captivating. But Alicia Viklander is also very good and to be honest, she's very good at the whole sci-fi genre and to see her here was a delight. Just everyone involved did their best and I really appreciate that with a film that doesn't really rely on CGI to be as creative as it is.

However, the film is graphic in some places in terms of sex and disturbing interactions from Alica Viklander's character acting like a child in a older woman's body gave me Poor Things vibes. But that doesn't matter really and it's essential to the plot but this is definitely for an older audience and I can definitely imagine this being an easy R or 15/18 in the UK if anyone is interested.

Overall, while some characters don't have much resolved plotlines the ones that do are created and performed so well it's hard to find anything bad about The Assessment. Definitely a one you must go and see when it comes out in mid 2025 I would highly recommend this amazing and creative piece of art when it hits cinemas.

Grade: A+

London Film Festival October 19th.