Memoria

Seems a bit like a student film, I know James Franco is in it but he's held film-classes and stuff so it's not unreasonable to think that he was asked to appear in a couple scenes by his students.

Now that's not necessarily a bad thing, and initially it shows some promise but it doesn't amount to a whole much

It does feel rather realistic though, the characters do talk and act like a lot of youths do and act like morons for no particular reasons half the time just like many youths do. The ending was extremely out of the blue though.

And there isn't a whole lot of material to connect with, the plot despite it's realistic nature isn't deeply constructed enough and they could have made one of the characters a bit more likable perhaps where as with this none really are.

But it's still not enough for me to write off the directors and writers completely for the future with this being their debut full length feature film, I think their best work is to come though, everyone have to start somewhere and it's not absolutely terrible by any means.

I just saw the poster for this and realised it's actually based on James Franco's memoir book Palo Alto stories, just like 'Palo Alto (2013)' was so if that's what draws you to want to watch this I'd suggest watching that instead cause that's far better and a more complete piece of work.

This is kind of the perfect movie for an art student. It has all the emotions of Palo Alto, but it's extremely stylized in a way that brings a different look to the same old "teenage sadness." Some of these shots are completely unforgettable. The main story also feels like a messed up slice of life that Franco is oddly very good at writing. Though he didn't write the screenplay, his characters and stories are memorable and it feels like I'm seeing stories from "California Childhood" come to life. Very beautiful film.

I can't believe this film was an academy nominee. It's the heart-boring story of a spoiled white boy who smokes weed all day, but isn't satisfied with a life of entitlement. So, one day after not really trying to do anything or ever trying to change his life, he decides it's not worth it and jumps off a bridge.

In order for this to be considered a legitimate review, I'm required to write ten lines about this movie. However, given the content of the film, that's a daunting challenge. I wonder when it is that our poor character finds the strength to almost kill his family (but is ultimately too weak to even do that)--was it when he was wishing he could be with the blonde girl? Was it when he wasn't attending class? Was it when he wasn't practicing skateboarding? Or, was it when he was smoking weed that he was hit with the great epiphany that his life actually doesn't matter to himself or to the audience?

I guess we'll never know and this film doesn't seem to want to answer that question.

With a hipster soundtrack and cameo appearances by Cole of The Black Lips as the drug dealer, this film will be the whatever of the whatsit thing that whatchamacallit, you know? Chyeah.

"Memoria" (2015 release; 70 min.) brings the story of Ivan. As the movie opens, we see a guy walking into the Golden Gate Bridge. Is he thinking of jumping off? We then go back in time, as we get to know young Ivan, whose father, a Russian immigrant, has returned to Russia. Ivan's stepfather is the stern type, making awkward attempts to forge a relationship with Ivan. As Ivan grows older, he becomes even more distant from his mom and stepdad, and instead spends time with his friends. At this point we're 10 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is the second movie that is based on James Franco's writings. In 2013 there was the okay "Palo Alto", and now this. As in the earlier movie, Franco plays a small role, as the HS teacher who tries to help out van. Franco has maybe 10 min. of screen time. Indeed, the focus is not on Franco, but on Ivan (played by Sam Dillon) and his HS friends, whose idea of getting through the day is to do as little as possible, while partaking in drugs quasi constantly. As Franco's character says: "I know how hard it an be to be a HS kid", and indeed we feel Ivan's pain and isolation. Ivan comments "I don't care what they think", but instead he does very much care, too much so indeed. An obvious question is why this movie is a mere 70 min., too short really to be a theater-ready full-length feature. Surely, the makers could've come up with, say, another 10 min. of material?

I had no idea that this movie was released (it premiered at film festivals in Fall of 2015, and then next spring went straight to DVD), and when I noticed it the other days at my local library, my curiosity was peaked and I had to check it out. It's not a bad movie per se, but neither is it all that memorable. The similarities between this and the previous "Palo Alto" are obvious, but "Palo Alto" is easily the better of the two movies.

So the first 5 minutes will get you thinking "oh, this could be interesting", after that, just plain nonsense, you get the typical small-slim-tidy woman but with some amazingly rambo skills and power to control and fight a tall-strong dude, and don´t even get me started on the plot holes. or the robot acting. sometimes it´s so slow, you can skip 2 minutes and the characters are still there eyeing at each other, or walking through the house.