Tells the story of Lorenz Hart's struggles with alcoholism and mental health as he tries to save face during the opening of "Oklahoma!".Tells the story of Lorenz Hart's struggles with alcoholism and mental health as he tries to save face during the opening of "Oklahoma!".Tells the story of Lorenz Hart's struggles with alcoholism and mental health as he tries to save face during the opening of "Oklahoma!".
Coming soon
Releases October 24, 2025
- Awards
- 1 win & 1 nomination total
Elaine O'Dwyer
- Gladys
- (credit only)
Ray Weafer
- Maitre'd at Sardi's
- (credit only)
Ian Dillon
- Elizabeths Mothers Friend
- (uncredited)
Daniel Mick Ryan
- Sailor
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Watched at the 2025 Toronto International Film Festival.
A good charming and funny dialogue driven story about a self-destructive artist and character study with a wonderful performance from Ethan Hawke.
Richard Linklater is a master of dialogue driven storytelling and character study, and here, he continues to demonstrate and display his strong tactics with his direction for the atmosphere and tone. Alongside with the beautiful production designs and the setting, as usual, the dialogue is charming. The way characters interact with one another and the chemistry between the cast brings out a lot of funny moments, strong chemistry and energy. All thanks to the great performance from Hawke, Andrew Scott, Margaret Qualley and the rest of the cast.
The narrative, while admittedly it isn't the grandest story ever to be constructed, is a good observation about Lorenz Hart and his mental self-awarenwss crisis during the opening of his famous play. Understanding his emotions and the tension was pretty interesting and engaging to observe. The musicial score is good, the camera work is good, and the atmosphere is stunning. Although I do wish some of the pacing does improve especially towards the second act.
Overall, while it isn't the best work Linklater has made. Its a good hangout kind movie.
A good charming and funny dialogue driven story about a self-destructive artist and character study with a wonderful performance from Ethan Hawke.
Richard Linklater is a master of dialogue driven storytelling and character study, and here, he continues to demonstrate and display his strong tactics with his direction for the atmosphere and tone. Alongside with the beautiful production designs and the setting, as usual, the dialogue is charming. The way characters interact with one another and the chemistry between the cast brings out a lot of funny moments, strong chemistry and energy. All thanks to the great performance from Hawke, Andrew Scott, Margaret Qualley and the rest of the cast.
The narrative, while admittedly it isn't the grandest story ever to be constructed, is a good observation about Lorenz Hart and his mental self-awarenwss crisis during the opening of his famous play. Understanding his emotions and the tension was pretty interesting and engaging to observe. The musicial score is good, the camera work is good, and the atmosphere is stunning. Although I do wish some of the pacing does improve especially towards the second act.
Overall, while it isn't the best work Linklater has made. Its a good hangout kind movie.
"Blue Moon" is quintessentially Richard Linklater. A film with heavy dialogue but rich in character and depth.
Some might call this film boring, but what helps keep engagement levels is a strong performance by Ethan Hawke accompanied by a decently written screenplay.
The entire film feels like a theatre play brought to life on the big screen. It takes place in one bar but manoeuvers through conversations with different characters each with their own quirk.
I think what makes this film shine is Lorenz Harz (Hawke). A poor soul at the end of his time clinging to his past successes. A lonely man wanting love. As a film progresses, we learn more about our main character increasing our empathy and sadness for him.
In saying this, it is a film that struggles to reach the heights to call it a masterpiece. I feel like it's structure and style hinders it's ability in doing so.
I also will mention that I think Margaret Qualley was not strong enough in the female lead. With someone with not much dialogue, I felt like a stronger presence was needed to bring her character to life.
All in all, a decent movie but nothing to get too excited about.
7/10.
Some might call this film boring, but what helps keep engagement levels is a strong performance by Ethan Hawke accompanied by a decently written screenplay.
The entire film feels like a theatre play brought to life on the big screen. It takes place in one bar but manoeuvers through conversations with different characters each with their own quirk.
I think what makes this film shine is Lorenz Harz (Hawke). A poor soul at the end of his time clinging to his past successes. A lonely man wanting love. As a film progresses, we learn more about our main character increasing our empathy and sadness for him.
In saying this, it is a film that struggles to reach the heights to call it a masterpiece. I feel like it's structure and style hinders it's ability in doing so.
I also will mention that I think Margaret Qualley was not strong enough in the female lead. With someone with not much dialogue, I felt like a stronger presence was needed to bring her character to life.
All in all, a decent movie but nothing to get too excited about.
7/10.
Did you know
- TriviaEthan Hawke had his head partially shaved to do a real combover to match Lorenz Hart's pate
2025 New York Film Festival Guide
2025 New York Film Festival Guide
See the current lineup for the 63rd New York Film Festival.
Details
Box office
- Gross worldwide
- $3,711
- Runtime
- 1h 40m(100 min)
- Color
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