Bougainvillea
- 2024
- 2h 18m
IMDb RATING
6.4/10
3.5K
YOUR RATING
A family entangled in a police investigation surrounding the mysterious disappearance of tourists in Kerala.A family entangled in a police investigation surrounding the mysterious disappearance of tourists in Kerala.A family entangled in a police investigation surrounding the mysterious disappearance of tourists in Kerala.
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- 2 nominations total
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Bunch of Talented actors and still had to drag to finish.
Dont get me wrong. It was okay but being a thriller which had so much potential it lacked the omphs which usual thriller of this sort have.
All actors were like under performing of their usual calibre. Felt like FAFA too.
Disappearance of girls were the highlight and investigation rolled out, we were moving along the story. The story should have paced up a bit in my opinion then only we could feel the thrill it was meant to be.
The main twist was fed to us just like that which no extra drama that it deserved. All for what? Somethings is missing. Anyways one time watch.
Dont get me wrong. It was okay but being a thriller which had so much potential it lacked the omphs which usual thriller of this sort have.
All actors were like under performing of their usual calibre. Felt like FAFA too.
Disappearance of girls were the highlight and investigation rolled out, we were moving along the story. The story should have paced up a bit in my opinion then only we could feel the thrill it was meant to be.
The main twist was fed to us just like that which no extra drama that it deserved. All for what? Somethings is missing. Anyways one time watch.
The film Bougainvillea, directed by Amal Neerad, can be classified as a cinematic work belonging to the crime thriller action drama genres.
The narrative is focused on the family of Reethu and Dr. Royce, with Reethu, a character afflicted with retrograde amnesia, experiencing frequent memory loss. She also encounters hallucinations and other psychological disturbances. Her husband is depicted as providing her with excellent care, and she has a domestic servant named Rema who assists her. Reethu creates a world of her own through her possessions and engages in painting Bougainvillea flowers regularly. She also had two children, who appeared in her hallucinations. The film then transitions to a police officer named David Koshy, who arrives to investigate the disappearance of a young girl. During the time of disappearance, Reethu was present there, and the police questioned her on several occasions. She exhibited some unclear memories regarding the girl, but she was uncertain. The police suspected that Reethu might have connections with the disappearance. Royce's persistent efforts to extricate her from this predicament are noteworthy. As the film reaches its culmination, a significant twist emerges: Royce is revealed to be the perpetrator of the girl's abduction and subsequent murder. This revelation is further compounded by the fact that Royce had previously kidnapped several other girls. He manipulates Reethu's forgetfulness as a strategic advantage, creating a facade of reality that obscures her true surroundings. As Reethu's memory gradually returns, she comes to understand the full extent of Royce's transgressions. In the culminating act, a confrontation ensues between Reethu, Rema and a criminologist, ultimately leading to the vanquishing of Royce.
The narrative was of mediocre quality, exhibiting significant pacing issues, which rendered it challenging to establish a connection with the preceding narrative. In the culminating scenes, a women's empowerment programme appeared to be manipulated, seemingly unnecessarily. The performances were commendable, though not universally so. The inclusion of Fahad Fazil and Sharfuddin in their respective roles appeared superfluous, as their absence would not have significantly impacted the narrative. The direction was consistent with Amal Neerad's typical style, and the musical scores were noteworthy. In conclusion, this film stands as a notable example of Amal Neerad's directorial style, though it is perhaps his least successful work. It is recommended for one time watching, albeit with the caveat that it is not his most essential cinematic work.
The narrative is focused on the family of Reethu and Dr. Royce, with Reethu, a character afflicted with retrograde amnesia, experiencing frequent memory loss. She also encounters hallucinations and other psychological disturbances. Her husband is depicted as providing her with excellent care, and she has a domestic servant named Rema who assists her. Reethu creates a world of her own through her possessions and engages in painting Bougainvillea flowers regularly. She also had two children, who appeared in her hallucinations. The film then transitions to a police officer named David Koshy, who arrives to investigate the disappearance of a young girl. During the time of disappearance, Reethu was present there, and the police questioned her on several occasions. She exhibited some unclear memories regarding the girl, but she was uncertain. The police suspected that Reethu might have connections with the disappearance. Royce's persistent efforts to extricate her from this predicament are noteworthy. As the film reaches its culmination, a significant twist emerges: Royce is revealed to be the perpetrator of the girl's abduction and subsequent murder. This revelation is further compounded by the fact that Royce had previously kidnapped several other girls. He manipulates Reethu's forgetfulness as a strategic advantage, creating a facade of reality that obscures her true surroundings. As Reethu's memory gradually returns, she comes to understand the full extent of Royce's transgressions. In the culminating act, a confrontation ensues between Reethu, Rema and a criminologist, ultimately leading to the vanquishing of Royce.
The narrative was of mediocre quality, exhibiting significant pacing issues, which rendered it challenging to establish a connection with the preceding narrative. In the culminating scenes, a women's empowerment programme appeared to be manipulated, seemingly unnecessarily. The performances were commendable, though not universally so. The inclusion of Fahad Fazil and Sharfuddin in their respective roles appeared superfluous, as their absence would not have significantly impacted the narrative. The direction was consistent with Amal Neerad's typical style, and the musical scores were noteworthy. In conclusion, this film stands as a notable example of Amal Neerad's directorial style, though it is perhaps his least successful work. It is recommended for one time watching, albeit with the caveat that it is not his most essential cinematic work.
The movie was clearly inspired by *Before I Go to Sleep*, which was itself an average thriller. Unfortunately, this remake doesn't improve upon the original and is riddled with plot holes that make the story less believable. While the acting is commendable, with the cast delivering strong performances, the screenplay lacks depth and coherence. The music and cinematography are well-executed, creating a tense atmosphere, but they are not enough to save the weak narrative. The pacing feels uneven, and the lack of logical consistency prevents the film from being truly gripping. Overall, a style over substance movie.
The story was lacking in all regards. Unless an original plot is present for an investigation thriller movie, directors should stay away scripts. I can name 10 movies with the usual plot from the back of my head quite easily. I assure you 80 per cent of the audience who have not even watched the movie knows who the killer is or has doubts about that particular character being the killer.
Talking about the unnecessary scenes and slow motions , they degrade the movie in a whole new level. Unnecessary characters are being added. Actors who have great talent are left with roles which are not demanding enough.
People usually want to see talented actors given enough space to perform. Fahad Fazil's role in this movie can be done by any actor. Even if his character is absent throughout the movie, the story will move on.
Moving on to the music, apart from the first song, even the BGM is bad.
Talking about the cinematography. The usual style nothing special. Don't get why people are trying to hype up the movie when there is nothing good to it.
If you are trying to show a woman empowered movie, make it so that the main women characters have depth in it. Adding cheesy lines like "This is all it takes sister" doesn't do any good.
Talking about the unnecessary scenes and slow motions , they degrade the movie in a whole new level. Unnecessary characters are being added. Actors who have great talent are left with roles which are not demanding enough.
People usually want to see talented actors given enough space to perform. Fahad Fazil's role in this movie can be done by any actor. Even if his character is absent throughout the movie, the story will move on.
Moving on to the music, apart from the first song, even the BGM is bad.
Talking about the cinematography. The usual style nothing special. Don't get why people are trying to hype up the movie when there is nothing good to it.
If you are trying to show a woman empowered movie, make it so that the main women characters have depth in it. Adding cheesy lines like "This is all it takes sister" doesn't do any good.
Bougainvillea is a beautifully crafted film that captures the subtleties of human emotions with finesse. The story revolves around complex relationships, personal growth, and the challenges people face in their everyday lives. Each character is thoughtfully portrayed, making it easy for viewers to empathize with their struggles and triumphs.
The cinematography is one of the film's strongest aspects, with vibrant visuals and carefully framed scenes that enhance the storytelling. The soundtrack complements the narrative, adding depth and emotion without being intrusive. The pacing is smooth, allowing the story to unfold naturally while keeping the audience engaged from start to finish.
While the film occasionally leans on familiar tropes, it delivers them with sincerity and nuance, which sets it apart from many typical dramas. The performances are consistent and compelling, bringing authenticity to the narrative.
Overall, Bougainvillea is a memorable cinematic experience that blends visual beauty with emotional storytelling. It is a film that resonates with viewers who appreciate character-driven narratives and thoughtful drama. With a rating of 7, it stands out as a solid and enjoyable watch.
The cinematography is one of the film's strongest aspects, with vibrant visuals and carefully framed scenes that enhance the storytelling. The soundtrack complements the narrative, adding depth and emotion without being intrusive. The pacing is smooth, allowing the story to unfold naturally while keeping the audience engaged from start to finish.
While the film occasionally leans on familiar tropes, it delivers them with sincerity and nuance, which sets it apart from many typical dramas. The performances are consistent and compelling, bringing authenticity to the narrative.
Overall, Bougainvillea is a memorable cinematic experience that blends visual beauty with emotional storytelling. It is a film that resonates with viewers who appreciate character-driven narratives and thoughtful drama. With a rating of 7, it stands out as a solid and enjoyable watch.
Did you know
- TriviaA formal complaint has been filed against a promo song from the film, titled "Sthuthi". The complaint, submitted to the Ministry of Information and Broadcasting and the Central Board of Film Certification by Tony Chittilappilly, Secretary of the Syro-Malabar Sabha Almaya, claims the song distorts Christian beliefs and is offensive to the community.
Details
Box office
- Gross worldwide
- $1,206,986
- Runtime
- 2h 18m(138 min)
- Color
- Aspect ratio
- 2.39:1
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