Hello, Love, Again

Hello, Love, Again did justice to the first installment. It is not just a romantic movie-it's a heartfelt exploration of love, dreams, and the sacrifices we make to build a better future. Thr film paints a vivid portrait of the lives of overseas Filipino workers, with all their struggles, hopes, and triumphs that we in the Philippines didn't notice as we all view our OFWs "rich".

The movie's strength lies in its ability to balance romance with deeper themes of independence, self-worth, and the importance of pursuing one's dreams. It challenges the notion of love as the ultimate goal, instead presenting it as a part of the journey-a message that feels refreshingly mature and empowering.

With its compelling performances, emotionally resonant story, and a bittersweet ending that lingers in your heart, Hello, Love, Again is a film that celebrates the complexities of love and the resilience of the human spirit. It could be watched without seeing the first movie but we definitely recommend seeing it atleast once.

Best movie I've watched! "Hello, Love, Again" is a cinematic masterpiece that will capture your heart! This highly anticipated sequel to "Hello, Love, Goodbye" brings back the unforgettable chemistry between Kathryn Bernardo and Alden Richards as they reprise their roles as Joy and Ethan ¹. The movie takes us on a journey of love, growth, and self-discovery, set against the stunning backdrop of Canada. With its authentic representation of the overseas Filipino worker experience, this film promises to resonate deeply with audiences worldwide. Director Cathy Garcia-Sampana's masterful storytelling weaves a tale of imperfect timing, second chances, and the complexities of human relationships. Get ready to be swept away by the romance, drama, and heartwarming moments that make "Hello, Love, Again" a must-see!

A pure fan service hokum and sequel to the 2019 hit. The movie changed its setting from Hong Kong to Canada where Joy (Bernardo) and Ethan (Richards) cross paths after a painful break-up during the height of the global pandemic. Joy works as a caregiver and cleaner while still pursuing her lifelong dream of becoming a nurse. Ethan is trying his luck in Calgary after going bankrupt.

The movie spent much of its two-hour runtime posing the question if the former lovers will reunite or permanently go their separate ways with a script that had every trope possible for films like this. Many scenes were repetitive and overextended while there were subplots that were undernourished. Except for the two principal characters, most of the other roles were one-dimensional. Bernardo easily provided the movie's best performance while Richards was adequate but still relied on his dimpled and puppy-eye looks. Gamboa, as Ethan's bestfriend, acted as the movie's main clown and got the funniest lines that were dished out more than necessary. At least the film did not turn out to be part travelogue which usually occur in Filipino movies shot abroad.

The film could have handled the ending better with a more realistic conclusion that didn't belie Joy's character motivation. Instead, it opted for a pedestrian crowd-pleasing denouement that would explain why the film is now the Philippine movie industry's biggest moneymaker with over $22-million in ticket sales. Oh well.

'Hello, Love, Again' is a feel good film. It tackles about the reality of being in a relationship. The story emphasizes the challenges faced by Filipino overseas workers, with heartfelt moments balanced by the joys and hardships of love. Independence, self-worth, forgiveness, and the importance of pursuing one's dream: these are the elements of reality that are discussed in the movie.

'Hello, Love, Again' did a great job in providing insights in both characters. Kathryn Bernardo gave an outstanding performance as Joy, portraying a woman caught between love and ambition with nuance and sincerity while Alden Richards, in his impeccable role as Ethan, brings a quiet yet intense emotional depth to the screen. Their chemistry is distinct, and interactions feel genuine, which adds to the emotional weight of the story.

Kung may nakita man akong bad side is hindi talaga maiwasan yung 'stereotypical Cathy Garcia-Molina touch', na kapag pinanood mo alam mo talagang tatak Direk Cathy 'yung pelikula. And at times may point na 'very Laida Magtalas-Miggy Montenegro'. In fairness, the plot is realistic. Overall, 'Hello, Love, Again' is a touching, well-crafted romantic drama film that combines the universal themes of love and sacrifice.

There was a lot of craze about watching this movie here in Calgary simply because the setting was in the city. However, I was disappointed (but not unexpectedly) for the following reasons: 1. The movie does not portray the average Filipino migrant here. Majority of Filipinos do not opt for common law partnership but traditional church weddings.

2. The movie is too liberal, again not the typical Filipino family tradition even among the many migrants. Premarital relationship was portrayed as being normal. This makes the movie (in my opinion) not suitable for minors and even the Filipino adolescents who may be influenced by this (to put it bluntly) immoral behavior (in the eyes of the Church).

3. Furthermore, another ungodly detail in the movie was presented as something common, was an irregular union, ie gay relationship. This again is the exception rather than the rule.

4. There were several instances where immigration laws were violated, eg. Working without proper work permit was shown as if it was normal without fear of being caught.

5. There was not a single scene where any of the actors visited a church or prayed for their dire predicament. This is totally unusual since majority of Filipinos turn to God for help in times of need.

6. The movie will be undoubtedly popular to young viewers aspiring to migrate to countries like Canada. In my opinion, there was lack of sensitivity of the producers to the Filipino culture. Majority of migrants carry with them traditional Christian family values.

I do pray that there will be more people in our movie industry who would offer their work for the greater glory of God.