Manhattan

Terrific drama, riveting history, intense inter-relationships, great performances. Why is this show so unrecognized?

Why haven't many of these actors I love here gone on to greater things? (Rachel Brosnahan is the one exception.) I wish the writers director & cast would make something again.

I started out as a big fan of this show, partly for the science, whether or not it was accurate relative to history. And I was prepared to put up with the soap opera, "Dallas" qualities. But, I've become increasingly dissatisfied with the prurient and, mostly, implausible story lines. The writers seem to have dedicated themselves to fabricating multiple subplots that they think will dazzle in complexity........flashbacks, dream sequences........not to speak of eavesdropping and other tired devices. (I'm waiting for amnesia.) To me it's turned into a mess, and I've begun to have this visual image 4 or 5 Fonzies lined up on water skis. Sadly, I've decided to tune out.

Manhattan is perhaps one of the most underrated shows currently on television. The fact that it comes from WGN creates a stigma towards that many viewers are unable to surpass. But trust me once you dwell into the first couple of episodes, you will not regret it.

The writers on this show have done an incredible job in incorporating historical events into a show that is mostly based around fictional characters (although Oppenheimer makes several appearances, and Neils Bohr and Einstein also make brief appearances) and events. This creates a encapsulating drama that accompanies the main storyline about the creation of the atomic bomb. If you are looking for a historically accurate show more about the physics and mathematics behind the atomic bomb this is definitely not the show for you. At its heart it is a fully fledged drama. In particular I would like to commend the writers on drawing out the psychological trauma and difficulties placed on the scientists and individuals responsible for creating the bomb. This creates a more emotional connection to the characters and thus creates a synthetic sympathetic connection to these fictitious characters. Although generic at some stages the story lines are generally full of surprises which you would not expect and forces you to view the next episode, as any good televisions show should. Manhattan is one of those shows that are better watched several episodes in a row as the episodes tend to jump between the main character in focus.

Overall this is a criminally underrated show by the television community and should be given more credit for what has become a gripping show.

Amazing writing, riveting history and great acting. Not sure why this didn't make the list of top dramas when it first came out. If you are a history buff you won't be disappointed. Give it a try!

I've read "109 East Palace," a very good book about life in Los Alamos during the Manhattan Project, and so far it seems that the producers of "Manhattan" have done their homework. Except that Oppenheimer was referred to as "Oppie" by many who were familiar with him.

This is obviously a fictionalized account of the development of the bomb; I doubt you'll see a "real" person portrayed except Oppenheimer -- and maybe Dorothy his trusted assistant. Seventy years later, the whole affair is still too politically charged to do a "real" docudrama. It might come out that the real troublemaker at Los Alamos, the guy who guided atomic weapons development from the '50s on -- after Oppenheimer had been gotten rid of -- was a raving jerk and backstabber. Can't have that.

But the show captures the urgency and the chaos rather well, and the details -- the human "computers," for example, were good and fun. The characters were attention-grabbing enough. I enjoyed it. We'll see if they can carry it through for 12 episodes -- or if 12 episodes of non-stop urgency and intensity are too much.

Update: November 2014. I like this show even better than I did at the start. You who say it became tedious: yes, for awhile it threatened to lose itself in subplots. But the last three episodes roared toward a conclusion that, if the show had not been renewed, would have been the capstone of an entirely complete and satisfying work of fiction.

In many ways, this season has been Frank's journey to answer this question: what things can a good man do, or not do, in the name of good?