La Résurrection du Christ

"I have seen two things which I cannot reconcile: A man dead without question, and that same man alive again." Clavius (Fiennes) is a Roman Tribune who has just been told to go complete a crucifixion where a Sentinel has refused. The next day he is tasked with making sure the body stays in the tomb. When he arrives in the morning and finds the tomb empty the course of human history is changed forever. Many of these religious themed movies fall in a trap of becoming too cheesy and too in your face for a main stream audience. This one is an exception. As expected there are some very religious aspects to this, but its never in your face or distracting enough to make you feel like you are being preached to. In fact even though everyone knows the story of this movie they never use the name Jesus. The movie is movie of a detective/missing body movie that a religious epic. For that reason the movie is main stream, watchable and something I did like a lot more than I expected to. Overall, a religious movie for the masses that feels like an actual movie and not a Sunday school lesson. I give this a B.

Risen gave a fresh but solemn view of the biblical story of the aftermath of Jesus's crucifixion as it tells the story through the eyes of a conflicted and emotionally drained Roman soldier named Clavius. Clavius seems more of a tired observer with his deep stare and mellow manner, and he seems appalled by the violence that the Roman soldiers perform, violence that he himself is called on to perform as well. He is tired of it all and wants to retire to a quiet life with a family, without witnessing any more deaths. None-the-less, duty demands that he kill from time to time, which he dutifully does, and he seems half mortified over this, and half compliant. During the battle in the beginning of the movie, Clavius apathetically kills a Jewish rebel, and later, during the tri-crucifixion scene, he orders a Roman soldier to break a prisoner's leg as he's dying on the cross, then runs his spear through Jesus's ribs, and he's no more bothered by this than if someone fender-bendered him at the supermarket.

The way Fiennes played his role as a troubled Roman official was intriguing, capturing civilians to question them about the whereabouts of Jesus's body, then dismissing them at will. The viewer expected Clavius to perhaps resort to violence or torture to get his captures to speak and reveal where Jesus's body is, knowledge that he desperately needed to satisfy his commander, Pontius Pilate. However, Clavius never quite went that far, either out of compassion or exhaustion. While Fiennes was cast well, Curtis, who plays Jesus, is a cross between a California hippie and a happy skateboard dude in a Coke commercial. In his final good-bye scene, Jesus glibly calls across the sand yelling his farewell as if mom was telling her kids to be good while dad's in charge.

Clavius's young side kick Lucius is played by Tom Felton, and unlike Draco, Lucius follows Clavius around looking confused. Bartholomew was my favorite character. Clavius demands that Bartholomew tell him where Jesus's body is, and Bartholomew grins flippantly and conveys that he ain't telling nothing'! Clavius interrogates him more harshly, kicks him to the ground, and Bartholomew gets up and slowly approaches Clavius, solemnly bends down to his ear, and says, "he's everywhere!" Then Bartholomew beams and prances away; the joke's on Clavius! The only more comical scene was when Clavius asked a group of men, "Does any of you know Mary Magdalene?" and all of them raised their hands. One more -- I was amused when Mary Magdalene looked like Miss Karate Woman beats Godzilla when she kicked an advancing soldier out of her way and escaped through a stone window. Mary is cast well, but her role is too brief, as is all the twelve disciples who are never given any individual definition (except for Simon, who sometimes pouts, and who sometimes is as happy as Santa Claus). Pontius Pilate is old and whiny and is fixated on not upsetting public opinion. Maybe he was really like that, but they don't show the inner turmoil he must have felt being forced to kill an innocent man to placate the masses.

We all know the ending, but Risen takes an unorthodox (if you will) direction. We see facial expressions of shock and realization that tell the story better than computer-generated special effects, and we are constantly grounded into this time period with the frequent buzzing of flies over rotting bodies, hair filled with dust and sand, broken statues of the gods, and earthquakes that crack massive stone gates. Thus, Risen shows instead of tells, and doesn't preach, thank God.

If you are believer than you have to envy Joseph Fiennes playing a Roman Tribune who was the first outsider to witness the seminal event of human history, the resurrection of Jesus and his ascension into heaven. In fact the story of Risen which is a film about something I always wanted to see made is done from the Roman point of view.

Although when Jesus was crucified the Emperor Tiberius had absolutely no intention to leave the Isle of Capri where he had given himself over into all manner of debauchery (see I Claudius) it's an impending visit that is the reason for Judean Governor Pontius Pilate's concern. It's why for instance he ordered the arrest and trial of a former carpenter turned itinerant preacher named Yeshua in Hebrew. As Pilate Peter Firth puts Fiennes and his new assistant Tom Felton in charge.

It is known that this Yeshua predicted in three days that he would arise from the dead, some precautions are taken and the tomb of Joseph of Arimathea is opened by some magic and there's no body there. That starts what in effect is a police investigation with the Romans reaching out to their usual group of stoolies like any police force does. For Fiennes eventually he finds some real proof positive.

The Gospels aren't very clear as to the events of the next few weeks. I recall that it is said that Jesus just hung out with his disciples, was seen by a few witnesses, what we would call unconfirmed sightings as per the authorities who were the Romans. In this film Cliff Curtis as Jesus even heals a leper on the shores of the sea of Gallilee before his ascension.

For any who are expecting grand pageantry like King Of Kings or The Greatest Story Ever Told this ain't the film to seek it. Curtis is quite the workingman, dressed like a carpenter or any other tradesman would be of the time. This is a man who hung out with fishermen and a lowly bureaucrat in Matthew. No white raiment for this interpretation of Jesus. It's only when he heals the leper and at the end makes the ascension to heaven that you know he's special. In fact compare this film's interpretation of that event with Max Von Sydow in The Greatest Story Ever Told.

Risen is a well crafted piece of cinema with Fiennes as our witness/protagonist giving a great performance. Risen will do well in more than the Christian film circuit.

I really liked the perspective of this movie. It's told largely through the eyes of a Roman tribune, Clavius - played by Joseph Fiennes. As the movie opens, Clavius is leading Roman soldiers in battle against a group of Jewish zealots led by Barabbas. Immediately after, he's sent by Pilate to oversee Jesus' crucifixion and then, after the body disappears and rumours of Jesus' resurrection begin to spread, Clavius is sent to find out the truth- specifically, to find Jesus' dead body to put an end to this nonsensical story that has the potential to be a real nuisance to the Romans. This was a different kind of take on the Easter story. It's told through skeptical eyes rather than through eyes of faith. It's mostly believable. It makes sense to me that the Romans would want to investigate these claims of resurrection. From a Christian perspective it's a stark reminder of how small and seemingly weak the original Jesus movement was - scattered, frightened disciples under constant threat, but increasingly emboldened by the growing realization of what had happened. Fiennes was very good as Clavius - a Roman who obviously doesn't believe in Jesus as the Messiah or in his resurrection but who finally has a dramatic experience when he discovers the disciples in the upper room. It was interesting to have Clavius form a sort of partnership with the disciples - sharing their journey to Galilee and experiencing the risen Christ along the way, to the point at which you'd have to say that he was converted. Jesus (or Yeshua as he was called in the movie) was played by Cliff Curtis. Yeshua's dialogue was somewhat limited (what was important in this context was not his words, but others' experience of him) but I did like Curtis' take on Yeshua. Yeshua came across as jovial and good natured; humble and compassionate. Strangely in a movie about the Easter event, Yeshua wasn't central enough to the story for Curtis' performance to rank among some of the fine actors who've played Jesus over the years, but given the limitations of the role in this movie I thought he did well.

The basic concept (inserting a Roman tribune among the disciples) means that there were several liberties taken with the biblical story. There was, for example, a healing miracle performed by the risen Jesus - but there's no record of such a healing in the New Testament. The movie also (and unnecessarily) buys into the wholly inaccurate portrayal of Mary Magdalene as a prostitute. I saw no reason for that except perhaps that it gave an opportunity to insert some humour when Clavius burst into an establishment and asks the men inside "who knows Mary Magdalene?" - to which all the men put up their hands. OK. A quick laugh perhaps, but hardly worth perpetuating the false portrayal in my opinion. For the most part, though, the basics of the biblical Easter story were maintained, and the crucifixion story - while not as graphic as in, say, The Passion Of The Christ, was respectfully shown and appropriately difficult to watch.

Two other scenes that stood out to me as especially dramatic were one of the guards at the tomb explaining to Clavius what happened at the moment of resurrection with a mixture of shock, terror and wonder, and also the moment that Clavius burst through the door of the upper room to find the disciples but also coming face to face with the risen Yeshua - whom he knew was dead.

I liked the setting of the movie. It seemed very authentic to the time period and geography. Overall, this was a very well done movie, and for those who have a play list of sorts of movies they like to watch at Easter, this is probably deserving of a place on that list. (8/10)

For a fallen-down Catholic boy like me, seeing Risen, a take on the weeks after Christ's Resurrection, should have offered me a year's supply of cynicism. As it turns out, the film was a pleasant trip back to the days when I did believe, when awe was a companion of my faith.

This uninspired Biblical thriller shows a powerful Roman tribune, Flavius (an underplaying to good effect Joseph Fiennes), ordered by Pilate (Peter Firth) to get rid of the Nazarene, and after His resurrection, find Him, and kill Him again. With restraint, director Kevin Reynolds makes even me a brief believer because the actors, from Cliff Curtis (Yeshua--Jesus) to Mary Magdalene (Maria Botto), play their roles with a natural affection that's supported by no swelling music or dazed looks.

But it's Fiennes who impressed me most: As he plays a character who is probably meant to be a surrogate for doubters like me in the audience, he actually makes us believers for the moment. So dedicated he is to proving this Messiah a hoax that his growing belief becomes a balm for our disbelief.

Beyond this nicely played worship is a set that looks like it came from a hundred other "B" movie sword and sandal epics. Yet, the underplayed plot, which pretty much follows the New Testament depiction of Christ's resurrection, has a quiet charm that reminds us of the Biblical text that needs no resurrection: It is with us forever.