Still the Water

This movie deserves higher acclaim. I can understand why the director dubs it her masterpiece. The imagery is simply beautiful. The colour and the lighting of the sub-tropical Japanese island is captured perfectly. It makes you want to travel there. The rhythm and the tempo of the movie is slow, which make you wander in the wonderful landscape even longer. This is a poem on pellicule. Of course this is not a blockbuster, it is a totally different ball game, not even in the same ball park. It is like comparing techno music to Beethoven. Both have their charms and peers. Thematically, it is pretty far away from the high technological Japan, although there is a passage in Tokio. The sea and the landscape are definitely protagonists as well. As are the hundred years old trees. It is kind of a spiritual experience this movie. For me it was too short, I wished it lasted longer than two hours. You can rewatch the movie in smaller pieces and reflect them. It talks about all the Freudian core concepts: Eros and Thanatos. Life, death, sex and love, youth and old age, they are intertwined in this movie. It makes it a very visceral though subtle experience. It's soaked in the blue colours of the sky and sea, and the gold of the sun and skin colours. The music is very soulful as well, the chants, the prayers make it a very spiritual experience. Very cathartic film, warm, deep, poetic about letting go and awakening love. I am very curious to see this Japan and its incredible nature, this eastern beauty. It's balm for the soul.

This film is about life and death and love, about existence itself. It talks to us from a far away island surrounded by the Ocean. Of course if you want to perceive such things you must open your mind, listen very carefully and most important you must take your time. Because the film goes slowly, with a pace we are not used to and that you could hate in the beginning or that could make you fall asleep.

Since most things pass through your eyes the director has to show you what you must see: trees, faces, waves… and the camera lingers on these things the time needed to make sure that your feelings are correctly oriented and you are ready to understand.

I'm not sure that everybody is going to like it. Me? Personally I loved it (after a while). And in the end I thought that the Author was correct about everything... for example: aren't kisses the hallmark of love?

That movie to contemplate the silence of the scenes while we reflect on the events, beautiful, poetic, intense, you have to pay attention to detail, and then I get lost, the charming Kyoko's family, strong scenes like the goat, hunting, bloody, rising sensuality and purity in nudity, simple and painful death, scenes broken by the sea and its surf, cold photography, blue and gray, passionate...

It wasn't like watching a movie, it was like experiencing life. Perhaps women experience life by being (the director is a woman), and men by achieving. Because it felt like I was immersed in life itself, and not racing to a conclusion. It was a cross section of different lives, at a particular point. And though characterised by huge upheavals, there was stillness throughout. You cannot miss the analogy with the sea, which is a constant presence. Warm and inviting, or lethal and threatening in turn.

Beautiful locales, and Excellent performances. Understated, but spot on. But I thought the ailing mother was miscast. She looked out of place, and far from looking sick, she was positively glowing.

There's some jarring brutality towards animals and plants, perhaps as a reflection of our impotency in preventing death.

All in all, the island will stay with me for a while.

I am a big admirer of Japanese cinema, film makers like Kurusawa, Koreeda, Oshima Imamura and the list goes on. And also from time to time I enjoy slow cinema, but in the case of Naomi Kawase Still The Water and her other previous film "Mourning Forest" for witch reasons i don't understand why the jury awarded it the grand prize there were far better films competing that year like Russia's entry and brilliant The Banishment. Still the water had an interesting concept for a great story and its tropical location and beautiful cinematography, still the screenplay falls flat the characters seem to sleepwalk through the whole film. I truly believe Naomi makes film for her and friends and she is unaware that audiences outside her realm are falling asleep to her films. i give this film a D.