Summer of 69

I loved Chloe for this role and I know Sam was hired to be awkward but it's beyond uncomfortable that I never even thought about rooting for her! She is just not enjoyable to watch. The movie has a great idea behind it but I think too much of the casting tried or even accomplished in some instances very stereotypical casting decisions. I get it that it's a first go round for first time director, Bell, but having a MFA myself in directing I know you want to cast your friends to show others how amazing they are, you tend to lose something in the final product, and that's what it clear looks like here.

Stumbling upon the 2025 comedy "Summer of 69" by random chance, I opted to watch the movie without knowing what I was in for. I simply opted to watch it as it was a movie that I had neither seen nor actually ever heard about. And thus, director Jillian Bell had every opportunity to entertain me here.

The storyline and script written by Jillian Bell, Jules Byrne and Liz Nico was really, really entertaining and enjoyable. There was a lot of great comedy throughout the course of the movie. It was nicely put together and brought to the screen. I was genuinely surprised with how much I enjoyed this 2025 comedy.

The only familiar faces on the cast list, for me, was actress Jillian Bell, whom also happen to both have written and directed the movie, and also actor Charlie Day. The acting performances in "Summer of 69" were good, and I was really impressed with leading actress Sam Morelos, playing Abby. Sam Morelos really carried the movie quite nicely, and she had great on-screen charisma, and she certainly seems like an actress that will go far with her talent.

If you enjoy coming of age comedies with a truly enjoyable storyline, then you most certainly should give "Summer of 69" a chance. I was genuinely and wholehearted entertained throughout the course of the 101 minutes that the movie ran for. I certainly had some good and genuine laughs.

My rating of director Jillian Bell's 2025 comedy "Summer of 69" lands on a most deserved eight out of ten stars.

I was really skeptical coming into this, being the ALPHA I think I am. You know, the red meat, growling, snarling Wolf. I'd chase down overly-showy, and timid women like this. I'm an ANIMAL! They WILL succumb to my will!

But then, my favorite funny person, from that limp-waisted, liberal SNL decides to star in it, and coax me into believing that I (her number 1fan [thanks, Annie Wilkes]) was going to see my dream dance around nekkid.

I sat through one hour and forty minutes, and what the .... Blank ... where were the boobies (No this isn't a size joke. Her character was a stripper, and I've been to enough bachelor parties to know I should see boobies!)

What, you think you can get away with not showing boobies because you make us laugh from the belly in a super identifiable way?

Lots of snark. Loved the movie, loved the cameos, Fibeman continues to be my fave SNL cast member, and she showed she is ready for next, I think.

8/10 - great step into the next level for Fineman. I was skeptical at first, but she brought everything together at the end and I was sold and invested in her arc. The high school girl gave me shades of the 8th grade in-kids, Mitch Kramer and Sabrina Davis, from Dazed and Confused. Solid effort, and it made me laugh out loud, literally.

A wonderful campy homage to the reinvented underdog comedy.

The cast was great - comedy gold from different actors with different backgrounds and different perspectives. From online sensations to TV icons to SNL legends. With relative newcomers that did a great job. Excellent comedic timing and charisma.

You know that the director did a great job when it feels like the talent had great fun working on this movie while maintaining a high standard of technical execution.

It's the perfect movie when you want to spend an evening forgetting about the nonsense of this world, not overthink things and have a laugh.

Despite the film's initial emphasis on its raunchy aspects in both the trailer and marketing materials. It pleasantly surprises with its unexpected depth and heartfelt storytelling.

Yes, it's based on a stripper (Chloe Fineman), who surprisingly keeps her clothes on for the entire film. She's a character who has chosen this profession not out of necessity, but as a means of empowerment and self-expression. She is co-starred by a naive, almost Bambi-like character (Sam Morelos) who so desperately wants to 69 her high school crush but never manages more than a kiss. Abby, the high school girl, comes from a repressive family, which has distorted her views on sexuality and relationships.

Similar to Fast Times, this film delves into the complexities of sex and relationships from a teenage girl's perspective. However, it distinguishes itself by offering a more honest and enlightening exploration of sex, dating, boundaries, and consent.

Whilst the film's plot is driven by Abby's (Sam Morelos) desire to 69 her crush, its heart lies in the chemistry built between Abby and Santa Monica (Chloe Fineman). The two woman's unassuming meeting sets in motion a series of events that will alter their lives.

For Abby, who has come from a repressive family, she now has the opportunity to speak to an older woman to help her understand her sexuality and what it means to be a woman. Most importantly and ironically, it is a stripper, Santa Monica, that teaches her sex is not just for a man's pleasure and is not something that needs to be rushed into, and that who you are vulnerable with matters.

For Santa Monica, her desire to "be something" forces her to be vulnerable with another person, seemingly for the first time in her life. This vulnerability prompts deep reflection on accepting who she is and not being ashamed of the choices she has made in her life.

While not perfect and with an obligatory cheesy ending, this film offers a great insight into the pressures faced by oversexualised youth. It does not condone or glorify this trend, but rather presents a nuanced exploration of the factors that contribute to it and its impact on young people. However, at its core, it conveys a powerful message that emphasises love and consent, advocating for a healthier and more respectful approach to sexuality.