Summer of 69

A wonderful campy homage to the reinvented underdog comedy.

The cast was great - comedy gold from different actors with different backgrounds and different perspectives. From online sensations to TV icons to SNL legends. With relative newcomers that did a great job. Excellent comedic timing and charisma.

You know that the director did a great job when it feels like the talent had great fun working on this movie while maintaining a high standard of technical execution.

It's the perfect movie when you want to spend an evening forgetting about the nonsense of this world, not overthink things and have a laugh.

Despite the film's initial emphasis on its raunchy aspects in both the trailer and marketing materials. It pleasantly surprises with its unexpected depth and heartfelt storytelling.

Yes, it's based on a stripper (Chloe Fineman), who surprisingly keeps her clothes on for the entire film. She's a character who has chosen this profession not out of necessity, but as a means of empowerment and self-expression. She is co-starred by a naive, almost Bambi-like character (Sam Morelos) who so desperately wants to 69 her high school crush but never manages more than a kiss. Abby, the high school girl, comes from a repressive family, which has distorted her views on sexuality and relationships.

Similar to Fast Times, this film delves into the complexities of sex and relationships from a teenage girl's perspective. However, it distinguishes itself by offering a more honest and enlightening exploration of sex, dating, boundaries, and consent.

Whilst the film's plot is driven by Abby's (Sam Morelos) desire to 69 her crush, its heart lies in the chemistry built between Abby and Santa Monica (Chloe Fineman). The two woman's unassuming meeting sets in motion a series of events that will alter their lives.

For Abby, who has come from a repressive family, she now has the opportunity to speak to an older woman to help her understand her sexuality and what it means to be a woman. Most importantly and ironically, it is a stripper, Santa Monica, that teaches her sex is not just for a man's pleasure and is not something that needs to be rushed into, and that who you are vulnerable with matters.

For Santa Monica, her desire to "be something" forces her to be vulnerable with another person, seemingly for the first time in her life. This vulnerability prompts deep reflection on accepting who she is and not being ashamed of the choices she has made in her life.

While not perfect and with an obligatory cheesy ending, this film offers a great insight into the pressures faced by oversexualised youth. It does not condone or glorify this trend, but rather presents a nuanced exploration of the factors that contribute to it and its impact on young people. However, at its core, it conveys a powerful message that emphasises love and consent, advocating for a healthier and more respectful approach to sexuality.

Actress Jillian Bell makes her directorial debut with the teen comedy about friendship and unbridled sex in a film whose strength lies in its openness and authenticity.

Starring Chloe Fineman and Sam Morelos, this comedy takes us on a journey about unbridled sexual freedom and two characters who become soulmates in a humorous yet innocent way. This comedy has its amusing moments and ultimately delivers a satisfying result that can be enjoyed without any major hang-ups. A risky coming-of-age film that manages to contain ironic moments and rather dark humor that make it an absolute pleasure to watch, it's a hilarious homage to classic teen cinema, presented through the female gaze in a rather interesting directorial debut that deserves to be watched.

It's a journey through a film that doesn't discover anything new; it simply strives to place the right pieces at the right moments, resulting in a rather entertaining film. It showcases the kind of sweet, incredible friendships that make teen comedies memorable. When the credits roll, we're left with the feeling that a completely natural friendship has been forged between the characters and the audience, a sign that the journey was quite enjoyable and that we had a good time.

It's not perfect, it won't be for everyone, and the film is aware of that, but if you give it a chance, it will reward you with funny moments and two characters whose crazy antics make you laugh a lot, especially Morelos, who stands out as a budding star worth keeping an eye on.

I was really skeptical coming into this, being the ALPHA I think I am. You know, the red meat, growling, snarling Wolf. I'd chase down overly-showy, and timid women like this. I'm an ANIMAL! They WILL succumb to my will!

But then, my favorite funny person, from that limp-waisted, liberal SNL decides to star in it, and coax me into believing that I (her number 1fan [thanks, Annie Wilkes]) was going to see my dream dance around nekkid.

I sat through one hour and forty minutes, and what the .... Blank ... where were the boobies (No this isn't a size joke. Her character was a stripper, and I've been to enough bachelor parties to know I should see boobies!)

What, you think you can get away with not showing boobies because you make us laugh from the belly in a super identifiable way?

Lots of snark. Loved the movie, loved the cameos, Fibeman continues to be my fave SNL cast member, and she showed she is ready for next, I think.

8/10 - great step into the next level for Fineman. I was skeptical at first, but she brought everything together at the end and I was sold and invested in her arc. The high school girl gave me shades of the 8th grade in-kids, Mitch Kramer and Sabrina Davis, from Dazed and Confused. Solid effort, and it made me laugh out loud, literally.

One of those films that I suspect suffers from not having an obvious niche. It's a classic coming of age / sex comedy, but firmly aimed at girls not boys and with an adult sensibility (adult in the sense of grown up, not a euphemism for porn).

It's a much better film than its rating suggests. The leads are superb and superbly well cast. Some of the side characters are a bit too two dimensional, but no more than lots of films with far bigger budgets. The writing is sharp, with the right dose of raunch without going over the top. It is also well acted.

It also avoids the modern tick box tropes (one person of colour: tick; one person who is non-binary: tick; etc).