K-Shop

A horror flick with a message. This is not going to be for everyone but it's the modern version of the Sweeney Todd story except that Sweeney is an immigrant that faces drunk people in his kebab shop he opens with his father. When some drunk are trying to enter the shop and the father got killed Salah (Ziad Abaza) goes berserk. But there's more going on.

Excellent flick, sometimes a bit slow but still delivers on part of story, the score is great and the effects used are stunning. It's not going to satisfy every horror buff but if you can take a horror with a message then this is must see.

Gore 1,5/5 Nudity 0/5 Effects 3/5 Story 3/5 Comedy 0/5

This film was a lot smarter than you would think. Not a typical slasher film at all. It carries important messages about drinking culture, moral depravity, and human nature. For a low budget feature, the special effects and make up were incredibly realistic. Very impressive. The mood is very gritty and it feels like it takes you to a dark intoxicated psychotic underworld, which remains with you even after watching the film. The casting is superb and the talent is great. In particular, the lead role is fantastically played - you wouldn't think he was such a newcomer. I would love to see the director and main actor work together again

Awesome film. Captures the dark side of UK booze culture in a very entertaining way. Love the plot, love the gore, love the characters! The camera work captures the depravity that exists in UK nightlife in a way that is all too real for any of us who have been in a kebab shop past 11pm on a weekend. The creators have not held back on the realism of the most horrid scenes. Weak stomachs beware, there is no holding back! The characters are well thought out. Sadly, we have all met people who fit the bill, the cast does them all great justice. The realness of these horrible people is scarily accurate and really sucks you into the dark side of UK nightlife. Strongly recommend.

K-Shop brought back some memories. I used to have a summer job working in a restaurant in a seaside resort. We had to deal with drunken revellers at weekends, a few would get abusive. Although we did not mince them up and serve them up as the kebab special as they do here.

Salah is a student who helps out in his dad's kebab shop in a seaside town. When his father is killed by some yobs, Salah snaps when he is later confronted by an abuser. To get rid off the body he puts them through a mincer and serves them to obnoxious customers. Pretty soon Salah gets a taste of murder and in his sights is a nightclub owner who peddles drugs into the community.

K-Shop is a dark comic horror film about broken Britain which goes on a binge at the weekends. It aspires to be a modern version of Sweeney Todd but the film is too long and the main character is too subdued. Although conflicted with the crimes he commits, we also sense Salah was already damaged as he and his dad fled a war torn middle eastern country, presumably Iraq.

I had no idea what type of film this was before I watched it, but I am now a fan of everyone involved with this picture. I often wonder what it would be like if someone took it upon himself to purge the world of awful people, people who get drunk and belligerent, people who enter stores and cause a disturbance, people who seem to have been raised by wild pigs in the forest and have no semblance of how to behave in a public setting. The guy in this film has the right idea; chop them up, and feed them to the other pigs. This sounds like a great set-up, and I am glad that someone finally took it upon himself to realize this in an incredibly effective film.

This movie was incredibly well-acted, the gore was generous and well done, and the script was interesting without being overtly preachy. Overall, it was the perfect movie anyone could have made based on the premise. The one sour note is the shift in tone towards the end of the film. It is not bad, per se, it just really threw me off, emotionally. I will be keeping a close eye on the creative team behind this movie. They deserve as much praise as the film industry can muster.