A gay man makes a deal with his lesbian friend: a green-card marriage for him, in exchange for in vitro fertilization treatments for her. Plans evolve as Min's grandmother surprises them wit... Read allA gay man makes a deal with his lesbian friend: a green-card marriage for him, in exchange for in vitro fertilization treatments for her. Plans evolve as Min's grandmother surprises them with a Korean wedding banquet.A gay man makes a deal with his lesbian friend: a green-card marriage for him, in exchange for in vitro fertilization treatments for her. Plans evolve as Min's grandmother surprises them with a Korean wedding banquet.
- Awards
- 2 wins & 5 nominations total
Jeffrey Liang
- Lady Shu Mai
- (as Jeffrey Liang 'Miss Shu Mai')
Françoise Yip
- Susan
- (as Francoise Yip)
Featured reviews
It's hard to understand why classic films, such as Ang Lee's 1993 classic, 'The Wedding Banquet' need to be reimagined or updated. More times than not, the second attempts don't even come close to the original. The 2025 version of this film is no exception. First of all, they put a west coast spin on what was a quintessential New York picture. That was the first mistake. Secondly, the actors were lame compared to those in the '93 film. The screenplay and direction were awful as well. This is a film that should never have been remade. When you have a perfect product, such as Ang Lee's masterpiece, don't tamper with perfection. This newer picture does nothing to advance the LGBTQ+ agenda in a positive way, unlike its predecessor which was bold, poignant and a major contribution to our community.
They took a really wonderful movie (the 1993 original), and remade it as another lazy, run of the mill romantic comedy that's trying desperately to be modern and relevant.
Bowen Yang's acting performance was distractingly bad. However, Joan Chen and Lily Gladstone's acting performances were good and solid. But they couldn't save the film.
Overall, I think this one is worth skipping and will probably be forgotten about in 5 years.
I'm glad that this movie will at least bring more attention to the original, and maybe expose people to Ang Lee's earlier work which I personally think is his best.
Bowen Yang's acting performance was distractingly bad. However, Joan Chen and Lily Gladstone's acting performances were good and solid. But they couldn't save the film.
Overall, I think this one is worth skipping and will probably be forgotten about in 5 years.
I'm glad that this movie will at least bring more attention to the original, and maybe expose people to Ang Lee's earlier work which I personally think is his best.
Watched at the 2025 Sundance Film Festival.
I wasn't sure how a remake would work with And Lee's classic queer romantic comedy but color me surprise, the remake does a pretty good job on being creative from it's source material with new energy, humor, and atmosphere. Andrew Ahn is a director I have been keeping up with as his work Spa Night, Driveways and Fire Island have been pretty great and emotional engaging to observe. Here, Ahn's direction on the atmosphere, dialogue, and the character dynamics are pretty good. Being able to capture the emotions, hilarious dynamics, and some of the oddity and funny moments in both heartwarming and somewhat chaotic ways.
With a good presentation, all of the performances are great as many of the cast members are able to provide fun energy, personality and purpose to their characters. Bowen Yang particular stands out at his best. Narrative-wise, I do appreciate some new themes they were able to explore but there are some moments that felt a little uninspired with the concepts and dynamics that Ahn explores. Including how the production feels almost too fake like something from Netflix and some of the structure feels a little strange, which does make some moments a bit distracting and dragging a bit.
But overall, I didn't expect much for this remake but it was surprisingly not too bad and it went beyond the expectations.
I wasn't sure how a remake would work with And Lee's classic queer romantic comedy but color me surprise, the remake does a pretty good job on being creative from it's source material with new energy, humor, and atmosphere. Andrew Ahn is a director I have been keeping up with as his work Spa Night, Driveways and Fire Island have been pretty great and emotional engaging to observe. Here, Ahn's direction on the atmosphere, dialogue, and the character dynamics are pretty good. Being able to capture the emotions, hilarious dynamics, and some of the oddity and funny moments in both heartwarming and somewhat chaotic ways.
With a good presentation, all of the performances are great as many of the cast members are able to provide fun energy, personality and purpose to their characters. Bowen Yang particular stands out at his best. Narrative-wise, I do appreciate some new themes they were able to explore but there are some moments that felt a little uninspired with the concepts and dynamics that Ahn explores. Including how the production feels almost too fake like something from Netflix and some of the structure feels a little strange, which does make some moments a bit distracting and dragging a bit.
But overall, I didn't expect much for this remake but it was surprisingly not too bad and it went beyond the expectations.
I had all but forgotten about the original 1993 movie until after I saw this one, and watching them back to back really makes you appreciate a brilliant filmmaker like Ang Lee that comes but once in a generation.
Without comparing it to the OG, my initial thought of this remake was that I wouldn't have lasted 20 minutes if it weren't created for audiences like me (millennial, Chinese, green card, marriage, IVF). It has the premise of a romcom but without the comedy, the design of an indie drama without the raw emotional punch except in a few places, and all the insufferable qualities of contemporary mainstream filmmaking.
After watching the original, my main complaint of this film is now...there's no banquet! The OG was brimming with culture, a true banquet made to dazzle, literally and figuratively. It appears filmmaking, like banquets, has become a lost art.
Without comparing it to the OG, my initial thought of this remake was that I wouldn't have lasted 20 minutes if it weren't created for audiences like me (millennial, Chinese, green card, marriage, IVF). It has the premise of a romcom but without the comedy, the design of an indie drama without the raw emotional punch except in a few places, and all the insufferable qualities of contemporary mainstream filmmaking.
After watching the original, my main complaint of this film is now...there's no banquet! The OG was brimming with culture, a true banquet made to dazzle, literally and figuratively. It appears filmmaking, like banquets, has become a lost art.
I was very much looking forward to this movie and I was not disappointed I was ready to give it seven stars after only watching the first 40 minutes and in my opinion the trailer , as is often the case, would not give one a fair idea of what the true nature of it is. Sure there's plenty of comedy, but it is really a character study of the difficulties encountered in human relationships and it does that with genuine portrayals of those relationships , couples and parent / offspring, the out in the open and the repressed. The acting and story is gripping and I think you will find yourself totally immersed in them and as unlikely as some of the events may seem, the film never struggles in getting them across, comedy , yes but it deals much more with emotions and there are so many satisfying scenes where that is the primary subject.
Seven point nine stars, script acting throughout, not one person outshines the other and equal weight is given to all of them IE well written, I loved it.
Seven point nine stars, script acting throughout, not one person outshines the other and equal weight is given to all of them IE well written, I loved it.
Did you know
- TriviaRemake of Ang Lee's 1993 original.
- Quotes
Angela Chen: Everything in this house is gay!
- ConnectionsReferences Le Magicien d'Oz (1939)
- SoundtracksYoung Hearts Run Free (2023 Edit)
Written by Dave Crawford (as David Bernard Crawford)
Performed by Candi Staton & Benji La Vida
Courtesy of Warner Records Inc./Rhino Entertainment Company
By arrangement with Warner Music Group Film & TV Licensing
Details
Box office
- Gross US & Canada
- $2,090,228
- Opening weekend US & Canada
- $918,598
- Apr 20, 2025
- Gross worldwide
- $2,397,273
- Runtime1 hour 43 minutes
- Color
- Sound mix
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