A brother and sister uncover a terrifying ritual at the secluded home of their new foster mother.A brother and sister uncover a terrifying ritual at the secluded home of their new foster mother.A brother and sister uncover a terrifying ritual at the secluded home of their new foster mother.
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This is a horror movie that doesn't have to rely on jumpscares; it doesn't have to rely on possession or creepy rituals, even though it's got both. And gore; I had to look away in one scene in particular. The actual horror is the all-too believable manipulations of a foster mother with a hidden agenda, and our feeling of powerlessness to stop her. This was the kind of film that it would be excruciating to have to leave before seeing the end, because it makes you care about its characters so much. You'll probably even finding yourself root for the villain. This is the best horror movie I've seen in a while and it stuck with me for days.
I've just stepped out of 'Bring Her Back' preview, and I'm still trying to steady my heart rate. For me, it felt like watching early Ari Aster or the original 'Speak No Evil' - that same creeping dread, that slow-burn descent into absolute horror. So tense, so relentless, I genuinely forgot to breathe at points.
The Philippou brothers have done it again. 'Talk to Me' was no fluke - 'Bring Her Back' proves they're not just playing in the horror sandbox, they're shaping it. This film gets under your skin early and doesn't let go.
The performances are excellent across the board (Sally Hawkins is devastating), but what really struck me was the direction. The shots are fantastic - meticulously framed, textured, and always hinting at something sinister lurking just out of frame.
And the gore. OMG, the gore. Not gratuitous, but felt - visceral, unnerving, and timed so well that even I, who usually handles horror like a champ, found myself getting properly squeamish.
The payoff? 100% worth it. Tonally, it sticks the landing. Emotionally bleak, sure, but never cheap. If you love your horror smart, stylish, and genuinely disturbing - this one's for you.
Definitely not disappointed.
The Philippou brothers have done it again. 'Talk to Me' was no fluke - 'Bring Her Back' proves they're not just playing in the horror sandbox, they're shaping it. This film gets under your skin early and doesn't let go.
The performances are excellent across the board (Sally Hawkins is devastating), but what really struck me was the direction. The shots are fantastic - meticulously framed, textured, and always hinting at something sinister lurking just out of frame.
And the gore. OMG, the gore. Not gratuitous, but felt - visceral, unnerving, and timed so well that even I, who usually handles horror like a champ, found myself getting properly squeamish.
The payoff? 100% worth it. Tonally, it sticks the landing. Emotionally bleak, sure, but never cheap. If you love your horror smart, stylish, and genuinely disturbing - this one's for you.
Definitely not disappointed.
After the success of "Talk To Me," Danny and Michael Philippou teamed up again to make "Bring Her Back." This movie had a lot of buzz when it came out, but I never got around to seeing it until recently. Starring Billy Barratt, Sally Hawkins, and Sora Wong, this movie is about a pair of siblings moving to a foster home after their dad died. However, some things don't seem to be normal at their new home.
It is a type of movie that I suggest going into blind, so you can get the best experience. It is a story that has been seen before, but it's done in a unique way. Horror this year has been giving us a lot of good original stories. The gore and effects were disturbing and gnarly. The effects seemed practical, but if they weren't, the CGI was great. I found the characters to be interesting and well-acted. Sora Wong is actually visually impaired in real life, but she was able to emote and connect to the scene really well. There were many tense situations due to her character's condition. Billy Barratt was a strong protagonist who had a compelling character arc mostly. Sally Hawkins was the standout, however. Her character had a different mask for each character she interacted with.
From the beginning of the movie, there were rules set about certain things. The movie follows those rules loosely, especially in the third act, but it was never explained why these rules existed. There was a lot of ambiguity involved that allowed the movie to go where it did. The third act also seemed to fizzle out. I was let down by how weakly the movie ended. We never got a satisfying ending to the stories of multiple characters, but this is also due to how poorly they handled one of the main characters toward the end. There was a setup that they never capitalized on. It is almost like the studio said there had to be some positivity in this movie, so they threw it in at the very end.
Overall, "Bring Her Back" was a decent movie exploring grief. The gore and horror elements were very good, but the film dragged on in what should have been a simple ending. I would only recommend this to horror fans.
It is a type of movie that I suggest going into blind, so you can get the best experience. It is a story that has been seen before, but it's done in a unique way. Horror this year has been giving us a lot of good original stories. The gore and effects were disturbing and gnarly. The effects seemed practical, but if they weren't, the CGI was great. I found the characters to be interesting and well-acted. Sora Wong is actually visually impaired in real life, but she was able to emote and connect to the scene really well. There were many tense situations due to her character's condition. Billy Barratt was a strong protagonist who had a compelling character arc mostly. Sally Hawkins was the standout, however. Her character had a different mask for each character she interacted with.
From the beginning of the movie, there were rules set about certain things. The movie follows those rules loosely, especially in the third act, but it was never explained why these rules existed. There was a lot of ambiguity involved that allowed the movie to go where it did. The third act also seemed to fizzle out. I was let down by how weakly the movie ended. We never got a satisfying ending to the stories of multiple characters, but this is also due to how poorly they handled one of the main characters toward the end. There was a setup that they never capitalized on. It is almost like the studio said there had to be some positivity in this movie, so they threw it in at the very end.
Overall, "Bring Her Back" was a decent movie exploring grief. The gore and horror elements were very good, but the film dragged on in what should have been a simple ending. I would only recommend this to horror fans.
I'm a fan of the Philippou brothers' work on "Talk to Me". While that film had plenty of creepy imagery, it still felt more like a fun, popcorn-style horror experience. That's why I was genuinely excited to hear about "Bring Her Back"-these are the kinds of follow-ups where you really see what directors are made of.
"Bring Her Back" takes a more serious and artistic approach to horror than Talk to Me. The first 30 minutes are dedicated to character development, which felt a bit slow and could have been tighter in editing. However, once the story gains momentum, it really takes off.
Rather than relying on cheap jump scares, this film builds tension through atmosphere and unsettling imagery. It's beautifully shot, often disturbing, and the acting performances are excellent. Definitely worth seeing in theaters.
"Bring Her Back" takes a more serious and artistic approach to horror than Talk to Me. The first 30 minutes are dedicated to character development, which felt a bit slow and could have been tighter in editing. However, once the story gains momentum, it really takes off.
Rather than relying on cheap jump scares, this film builds tension through atmosphere and unsettling imagery. It's beautifully shot, often disturbing, and the acting performances are excellent. Definitely worth seeing in theaters.
I loved the acting , specially of Sally. Between moments you'd feel like you'd wanna punch her ,that's how good her acting is. Jonah tries his best for some sprinkle of horror, everytime he's on screen, he'd make sure you feel uncomfortable. Loved this movie for particularly the characters. The brother sister love is all over the movie.
It's not particularly horror, it's dark and depressing along with some gore elements sprinkled on top. Wait for the first half an hour for the character development and it takes off and never feels like a drag. No jump scare, wonderfully shot and the background score beautifully compliments the gore nature.
I'd recommend this movie wholeheartedly to everyone and would rate it a solid 8/10.
It's not particularly horror, it's dark and depressing along with some gore elements sprinkled on top. Wait for the first half an hour for the character development and it takes off and never feels like a drag. No jump scare, wonderfully shot and the background score beautifully compliments the gore nature.
I'd recommend this movie wholeheartedly to everyone and would rate it a solid 8/10.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
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Did you know
- TriviaSora Wong had "zero experience" acting professionally before she was cast in the film. Her mother came across a casting call on Facebook looking for a visually impaired girl. Wong was born with coloboma and microphthalmia, which left her blind in her left eye, with very weak vision in the right.
- GoofsWhen Piper tries to break away from Laura during their fight towards the end, the sleeve of Piper's cardigan rips off. When Piper is seen being dragged over the floor by Laura, the sleeve is whole and undamaged.
- ConnectionsFeatured in WatchMojo: 10 Must Watch Movies and Shows of May 2025 (2025)
- SoundtracksSummer with You
Written by Billy Barratt, Cody Molko, Myla Tailor, Bruno Bentovim and Carolyn Stenwall
Performed by The Hunger
Published by Control (PRS)
Licensed courtesy of Empire Artist Management/+44 MGMT
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- Also known as
- Haz Que Regrese
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Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $19,333,305
- Opening weekend US & Canada
- $7,194,666
- Jun 1, 2025
- Gross worldwide
- $39,410,222
- Runtime
- 1h 44m(104 min)
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- Sound mix
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