Von Fock

The initial impression of the series is nothing short of stunning. The locations, performances of the actors, set design, cinematography, and overall world-building are all breathtakingly executed. While the pilot episode presents a slightly slow pace and adheres to conventional exposition in its storytelling, subsequent episodes escalate the stakes significantly, maintaining viewer engagement throughout the series.

Unexpected plot twists are skillfully integrated into the narrative, providing a refreshing surprise that enhances the viewing experience. I was particularly impressed by the performance of the lead actor, Priit Pius, who portrays his character with remarkable subtlety, inviting viewers to seek deeper meanings that lie within his expressions.

Overall, I am eagerly anticipating the release of Season 2.

Unfortunately the script is very weak although the original book is interesting. Everything is very hectic and jumps from here to there. Lots of good estonian actors, but no interesting characters beside Luisa Lõhmus (Anna von Fock). Everybody else are mediocre. Whose idea was to use italian actors and dub it into estonian - really ridiculous! Also something is going on with all the audio- is it out of sync or dialogues are louder than other audio- does not sound good. The story takes place in the first half of 19 century but the dialogues sound very modern and that distracts a lot. Costumes and locations are solid, but this is not enough, the show is just to bumpy to enjoy and to try to figure out who the murderer is.

Okay, let's talk about Von Fock. This show is something special. Right from the first episode, it's clear you're not watching just another period drama - you're watching a series that's been crafted with insane attention to detail and a real love for the time and place it's set in.

First off, the cinematography is absolutely stunning. Every shot is gorgeous - like, "pause the screen and admire it" kind of gorgeous. Whether it's the soft candlelight in a drawing room or those wide, moody landscapes, the whole thing looks like a painting. It sets the tone perfectly and pulls you into this cold, haunting, beautiful world.

And the period detail? Next level. Everything feels real - the clothes, the buildings, the way actors act. There's no "TV gloss" on it; it actually feels like you've stepped back into 19th-century Estonia. You can tell the creators did their homework and cared about getting it right.

Now, the pace. It's slow. Like, really slow at times. But somehow, it works. The director manages to keep you hooked without relying on big cliffhangers or fast cuts. The tension builds quietly, and there's always this feeling that something is simmering just below the surface. It's the kind of storytelling that rewards patience, and by the end, you're fully invested.

The lead actor deserves a shoutout too - this might be one of the best performances Estonian TV has ever seen. It's subtle, layered, and so believable. Nothing feels overdone. It's the kind of acting where you just get the character without them needing to say much at all.

Bottom line? Von Fock is a rare gem. It's not loud or flashy, but it's smart, stylish, and emotionally powerful. If you're into slow-burn dramas with incredible visuals and strong performances, this one's absolutely worth your time.