Marie

I'm born a catholic, not into any specific relegion nowadays, but still feel a special connection to the person Mary and where she stands for. This movie didn't feel right.

Okay, i don't know much or better said anything about the childhood of Mary, but how it all went with Josef I think is better told in The Nativity Story (2006). I can'tt say many much further then... before I was half past through I stopped seeing the movie further. It wasn't my thing I believe is the story of Mary.

The part of the movie I've seen I liked only Anthony Hopkins as Herod, but also think he better watch out stopping acting before his decline. Also the temptation of Mary by Lucifer was splendid done in directing and the acting of Eamon Farren.

My family and I were really looking forward to this movie.

Too bad it was awful. It came across almost kind of like Vikings or with game of thrones type characters. Do get me wrong, I loved Vikings. The angel Gabriel was creepier than the devil.

While I know they needed to take some "artistic freedom" with some of the unknown parts of the story, this film completely ignores things that are known. I'm not claiming to be a Bible scholar, but come on folks.

Mary was thought to be about 3 when she went into the temple, not 10-12 as in the movie. Her parents are believed to have died while she was in the temple, when she was about 8-9 years old. This is according to the Apostle James' writings.

The whole story around the entire town knowing Mary was pregnant was ridiculous to say the least. It actually contradicts what the Bible does say.

I could go on, but the film isn't worth my time.

It is not a faithful adaptation of the Bible, but it is entertaining, with ups and downs such as the somewhat terrifying adaptation of the Archangel Gabriel, there may also be controversy with the Immaculate Conception, and it can divide Catholics. However, as a film it is entertaining and enjoyable, and it maintains the essence of complete trust in God, something that the world needs. If you are able to discern between what is an apocryphal gospel and what is really in the Holy Scriptures, I recommend it. If you're worried that it's a Netflix adaptation with modern messages, I'd say it's free of that, it has a mostly Jewish cast, and this is an opportunity to spread the gospel, the actress is being over-hated. If you're interested in the apocryphal gospels and the early church I highly recommend it.

The script is hokey and some details are improbable (and I don't mean the supernatural ones) but the actors deserve a lot of credit. Someone among the reviewers here remarked that you can't properly act out a New Testament story if you don't believe in the New Testament; but after all, an actor in a ghost story doesn't need to believe in ghosts and an actor who plays Stalin doesn't need to be a communist. "Mary" has good actors capable of selling unusual situations. Even if their accents aren't coordinated.

Recent movies have milked the motif of the Chosen One for all its worth. This movie, although comes by that motif naturally, hammers a little hard at it, while also playing with the tired motif of the young woman who is anachronistically feisty in olden times.

I understand that the apocryphal Gospel of James and the Quran have Mary working in the Temple as a child. From this item of questionable history, the "Mary" movie generates a whole sisterhood of youngsters who belong visually in The Handmaid's Tale. The Temple, meanwhile, operates in tense coexistence with the Roman rulers, and that tension provides relevant and ample, if melodramatic, filler material for the script.

Joseph, who is sometimes thought of as elderly, is young and energetic here. Maybe not agreeable to all followers of the religion, but good for the movie.

What is this Mary movie trying to tell us? Does it have a particular spin to sell? I'm not quite sure. It spends quite a bit of time on Herod, and a little time on Satan as well, and my impression is that besides (of course) promoting the positive historical role of women and of men who respect and defend them, it wants to reassure us that in the battle between good and evil, those who defy the foul fiend will ultimately win out.

"Mary" (2024) had the potential to be a powerful and moving portrayal of one of history's most significant figures. While the film boasts stunning visuals and a reverent tone, it ultimately falls short due to a lackluster screenplay and missed opportunities to delve deeper into Mary's emotional and spiritual journey.

The film chronicles Mary's life from her childhood to the birth of Jesus, touching upon key events and challenges she faced. While the production design and cinematography are commendable, creating a visually immersive experience, the narrative itself feels flat and uninspired.

The screenplay lacks depth and nuance, failing to fully explore Mary's internal struggles, her unwavering faith, and the profound impact of her experiences. The dialogue often feels stilted and lacks emotional resonance, preventing the audience from truly connecting with the characters and their journey.

The performances are adequate, but the actors are hampered by the weak script, preventing them from fully embodying the complexities of their roles. The film's pacing also suffers, with certain scenes feeling rushed while others drag on unnecessarily.

Despite its shortcomings, "Mary" (2024) offers glimpses of what could have been a truly powerful and inspiring film. The film's reverence for its subject matter and its stunning visuals are commendable. However, its lackluster screenplay and missed opportunities to explore the emotional and spiritual depths of Mary's story prevent it from reaching its full potential.