October 1

October 1 makes an attempt at telling Nigeria's story before her independence while inculcating another suspense filled story that captures the viewers' attention till the very end. This thriller is set in the colonial times and was well executed by the use of great costuming, antique props such as cars used in that era and household items like television sets and all sorts. Apart from exploring the theme independence, it also sheds light on topics including homosexuality, tribalism and illiteracy. The casting is the best I have seen so far in "Nollywood". It is an amalgamation of old and new faces with well-developed skill-set. It features veterans like Sadiq Daba and Kayode Aderupoko who are well known prolific actors in Nigeria. The scripting 'of the movie could have been better as it affected the dialogue, the use of flashback technique is not well executed as one could not really tell what was going on without putting much thought into it. A lot of thought was put into production as the picture is top quality and the post production is detailed, the music used also helps to depict the time frame portrayed in this movie. I don't want to give out any spoilers but i would definitely recommend this movie to anyone who is interested in having surface knowledge about Nigeria before its independence

October 1, kudos to Babalola the script writer, had all elements of a detective story woven around when Nigeria jostled for her independence from the British crown who had subjugated her for years, exploiting her resources to build her commonwealth.

Back to October 1: there was a perfect crime (s), wrongly accused suspects, a believable and intelligent detective and good red herrings that smelled so good the best detective from the future would be derailed.

BUT...

The culprit's motive for murdering his victim's were far fetched. Chrissakes, what was he (the writer) thinking?

A child, with others, was sexually abused by a Roman Catholic priest, he matures into an adult, has a good life (?) and he returns to his native land to start kiling young women... A plausible thing would have been that he takes out his revenge on Roman Catholic priests, or even luring innocent men into his trap and kills them. Not women. But it's the script writer's story, he decides everything in the creation of his.

Howbeit, October 1 was okay.

Set in Nigeria its about a detective looking for a killer. But it's easy to figure out the killer right at the beginning. Some ok acting but the English was difficult to understand with some of them. Usual who done it type of show. Not sure though if the story is real or just made up. Worth watching if nothing else is on.

Having worked in Nigeria many years ago, not too long after the period depicted in this film, think this film is excellent. It took me back in time to a familiar place. The characters are so credible, drawing on tribal animosity and its influence on society in ways I witnessed way back when. Nigeria is a wonderful country filled with wonderful people, many of whom have their own customs and beliefs that don't resemble western ways. This film touches on that with sensitivity; the film is itself a sensitive portrayal of village life. I feel I met many of these characters, albeit after independence, but they were proudly owning any mistakes. I didn't meet one guy, though, who comes to the fore late on in the film. No spoilers. Just watch it.

When I was a kid in the early 60's, I'd come down to the breakfast table and find my stepfather reading about the Congo. For a little while, it was all over the news. I don't know if the Congo occupied the news in other metropolitan areas the way it did in Detroit. It really meant something there, probably because of Detroit's large black population.

I remember as I glimpsed the blaring headlines and asked my stepfather what it all meant words like "independence." There was the name Patrice Lumumba and the seeming inevitability that he would be killed for his cause. The movie October 1 is set in Nigeria and does not mention Lumumba or necessarily take sides -- it is assumed everyone's for independence except possibly for the grudgingly accepting British empire forces who are still running things while planning to begin handing over power to a new Nigerian government, on Oct. 1, 1960. But the countrymen's anticipation of this ground-breaking transition is a still slightly uncertain backdrop to a detective trying to solve a string of murders and find his footing among his rulers.

I started the movie expecting it to be interestingly amateurish as have been some movies I have seen from that part of the world ... peeks into a lifestyle that no matter how nascent are little different from anyone else's. Made in Africa by Africans, the movie seemed to have grass-roots production values but then I realized that was only because they reflected the milieu. In Nigeria in 1960 people still lived very close to the land. There would be a lot of foliage and open-air buildings to be seen. I loved the fabrics out of which women made cottony dresses featuring large emblematic portraits of their leaders.

But as the movie progressed, I realized it did not suffer in production values at all; in fact, it was superior in some ways to anything I have seen coming out of the West lately. Perhaps the filmmakers did need to be creative for lack of a budget but I liked the way sometimes something, a sound, for instance, would get a special treatment, almost as if we could see the shock waves extending out on the screen. It has been a couple of months since I saw the movie and I have been wishing to write this review all that time so, please forgive me, I don't remember exactly the events being so depicted, they might have been a sound, or an emotion, or both. But I found the effects simple but evocative,

I'm not going to go into the plot other than to say that some of its turns are surprising and adult and may not be suitable for children. But I think you'll like our detective, a man of dignity and sense and who is quite thin. Whoa. He is quite appealing. Winterbottom is dashing, too -- keep an eye out for Nick Rhys. But in Inspector Danny Waziri, Sadiq Daba nails the role of a lifetime. I have to add that I think Tunde Babalola's script was brilliant, understanding so well both sides of the transitiion and knowing when to crescendo. Even though the gaining of independence is not explained like a history lesson, it is an interesting snapshot of how the countrymen responded and an intriguing context for the movie's events and the detective's courage. October 1 is a great little movie. P.S. Maybe director Kunle Afolayan would like to make one of his future projects a biography of Lumumba, if it wouldn't be too controversial. From surveying a Wikipedia entry about Lumumba, he seems to have fit my cursory childhood take on him as a tragic leader.