Exquis

A film that shows that Netflix has sunk deeper and deeper into the pit. There is nothing appealing or logical about the film. It has such a ridiculous and artificial network of relationships that if you get to the end of the film, it becomes clear that it is a waste of time.

A wealthy family living in Germany comes to their home in France for a vacation. One night, they think they hit someone with their car. When they get out of the car, they see a girl with a bleeding arm. They take her home and bandage her arm. Then the girl turns the lives of all the family members upside down.

When you write the subject, it may seem appealing. But the film is so ridiculous and boring. An ugly girl seduces them all for some reason. Plus, most of the family trusts the girl more than their own daughters. Plus, all the family members are easily prone to straying. The family, which acts so elite, becomes a toy in the hands of a group of scoundrels, etc. Etc.

As "Delicious" (2025 release from Germany; 102 min) opens, we get to know a family from Frankfurt. The husband and wife and their 2 kids arrive in the south of France, After a nice dinner out and with the husband possibly drunk, on their way home their car hits a young woman... At this point we are 10 minutes into the movie.

Couple of comments: the premise of this movie is as familiar as it is appealing: well-to-do family takes in a wounded young woman and it's no long before we sense that not all is quite what it seems. The movie is plot-heavy so I won't go into further details. The movie reminds me of "Parasite" and "The White Lotus", except that "Delicious" provides a long (and at time great) leadup, only to badly misfire in its concluding half hour, leading to a massive letdown. Austrian actress Valerie Pachner ("The King's Man") plays the lead as Esther, the couple's wife, and does the best she can under the circumstances. I can't say that I was familiar with any of the other performers. The original score of this movie is courtesy of Oscar-winning composer Volker Bertelmann (a/k/a Hauschka), and is excellent and prominent in the movie.

"Delicious" premiered at last month's Berlin film festival, and it recently started streaming on Netflix. Netflix suggested it to me based on my viewing habits which includes lots of foreign films and TV series. If you are in the mood for a family drama out of Germany, I'd readily suggest you check this out, and draw your own conclusion.

I regret for watching this movie, there is no really a story behind, I don't know how they end with such movie , please don't waste ur time it's totally useless, I regret to watch it , nothing to talk about from the beginning with end , a little girl that leave that place , the son who eat the meat of his father and figure out his ring in his mouth, and we didn't even see the reaction of the boy about that , trying to manipulate the Family psychology but it is not , the father who write an article that was fake and what , not big deal with that to lose his mind and don't have motivation to continue in his work !!! 😞

I have no idea what Netflix was thinking with Delicious. If you enjoy beautiful shots of Provence, great-you'll get some nice scenery. But if you actually care about storytelling, logic, or a satisfying ending? Good luck.

This movie is a mess. It tries so hard to be artsy and provocative, but all it does is serve up a pile of nonsense disguised as highbrow cinema. The so-called "twist" is laughable, the pacing is a disaster, and the entire plot feels like it was written by someone who just wanted to shock the audience for the sake of it.

And let's talk about that ending-who approved this? It's rushed, borderline absurd, and completely destroys any sense of payoff. Not to mention, the characters act like they've never heard of logic. Did no one question the script? Were they just hoping we'd be too distracted to notice?

Honestly, Delicious is a fitting title-if you have a taste for disappointment.

You can tell where this movie is headed within the first 15 minutes. From there, it drags itself to the grand "reveal" like a wounded animal, testing your patience at every turn. By the time it finally gets there, you're practically begging for mercy-just wrap up this mess already. The cinematography is good (1 star is for cinematography only) and the actors do their job, but none of that can salvage a story that feels uninspired and, frankly, not worth the time. It's a frustrating, drawn-out exercise in patience.

Worse, the film seems to think it's clever, mistaking unnecessary complexity for depth. It drags you along, teasing some grand revelation that never quite delivers and by the time it does, you just don't care anymore.