Retro

The story goes too deviated, it's bonkers!

I don't know the political logic behind this movie but it seems non existent, feels like a poorly made piece with the missing essence of a karthik subbaraj padam, the quality has down graded reminiscently and awful camera work, and when I say that, I don't mean shakey camera work, cuz sometimes it can be implemented artistically but this is just horrible. Colour grading is weird and the visuals where CGI was needed should've been compromised and now, this is just a try of a commercial film from Karthik subbaraj with modest budget... Also, karthik subbaraj must take a break from trying to bring large elements of emotional sadness, it didn't woth with Jigarthanda double x, it didn't work here either... Fight scenes in Karthik's movies are one of the best in tamil cinemas, but dude flying from a gunshot or maybe even from something the looks like an one ince punch never seemed to find it's way out of his recent movies. The concept of love between paari and rukmini too felt stretched out cuz it was just a constant cycle of "accept, regret, deny".. how did karthik subbaraj go from down to earth, realistic and connectable Jigarthanda, pizza, mahaan, to this thing whatever this is.. it was a fun movie to watch nonetheless and a lot of people would enjoy it.

A perfect blend of love, laughter, and war, delivered on every level. Karthik Subbaraj is one of the few directors who never sticks to a formula. With each film, he experiments - be it with genre, structure, or storytelling style. It's a constant trial-and-error journey, and "Retro" is no exception. Here, he attempts to bridge artistic cinema with mainstream appeal, layering the narrative with deeper themes. For KS, cinema isn't about playing it safe - it's about pushing boundaries.

I don't wanna yap about the first half because by the time the interval hits, you realise you've been watching something quietly epic. It's not just good - it's pure cinema.

"Retro" stands out for its technical brilliance, with every department deserving praise. Particularly remarkable is the 15-minute single-shot sequence, which is nothing short of outstanding.

The action? Absolutely electric. It's raw, gripping, and beautifully choreographed action which felt like being on steroids. It might be the talk of the town. Visually, it's a stunner with brilliant cinematography by Shreyaas Krishna. The editing deserves a praise, and the costume design stands out - subtle yet effective, contributing significantly to the overall authenticity and mood of the film.

SaNa - what a soundtrack. From emotional ballads to high-octane BGM, the music elevated everything. "Edharkaga Marubadi" and "The One" are going to be on repeat for a while. It's the kind of score that stays with you long after the credits roll.

The entire cast shines, especially Joju George, Pooja Hegde, Vithu and Jayaram, with each actor fitting their role perfectly And then there's Suriya. His role is more than just strong; it's beautifully layered and his presence is magnetic. Fierce, emotional, and deeply human as he brings a quiet intensity to the role. Every movement, every glance is charged with a meaning. There's a fire in his eyes that fuels the entire film. He brings both rage and vulnerability- this isn't just one of his best roles, it's a defining moment in his career.

PS: He didn't just light up a cigarette but damn, he lit up the entire theatre.

Not exactly a letdown, but definitely a case of mis-promotion. It was made to seem like a full-blown romance, but it's actually more of an action drama with romantic undercurrents. That shift might throw some viewers off, but it didn't bother me much. Still a solid entry in Suriya-Subbu catalog.

On top of that, the humour worked for me. It brought a much needed balance to the intensity, and I hope it lands as well with everyone else.

Big love to Karthik Subbaraj, SaNa, and the entire team for pulling off something this bold and beautiful. Waiting and hoping this combo teams up again and soon.

Retro is signature Karthik Subbaraj-style cinema. It's a love story with a lot of action. Good to see Suriya in top form with this performance. Pooja Hegde is very good at expressing the innocence and emotions required for her role. Jayaram portrays his character with enjoyable comic timing. The sound design and background score really support the film well and are praiseworthy. The songs are enjoyable-especially Kannima, which is well integrated into a 15-minute-long one-take sequence.

That sequence is pure brilliance and not to be missed.

3/3 The movie is divided into different segments, and most of them are well shot and engaging. The 'Cult' plot in the first half felt a bit slow and dull but compensates in the second.

The film does lose the spark momentarily but gets back on track eventually. The characters have been given a pulp fiction treatment through their costume design and development, and it works well within the world of the film.

The color palette and set design are noticeable and vibrant.

The action sequences are good and enjoyable. Overall, Retro is a classy Subbaraj-style storytelling experience, and its execution of a simple yet interesting story along with technical finesse makes it entertaining and fun to watch on screen for most of its runtime. Do give it a watch!

OVERALL 7/10.

Rating - 3.5/5

A perfectly blended mystery action spoof mass entertainer enriched with performances,standout and realistic narrative by Karthik Subbaraj.

The story is about an orphaned guy who grew under the influence of a gangster gang was forced to be reformed for good by his girlfriend but what destiny gifted him was a life altering situation showing the purpose of his life.

The story penned by Karthik Subbaraj stands out through his unique storytelling style like in his other films. He has cooked a stylish entertainer mixing action, romance, humour, emotions, torture, family drama & revenge incorporated through a decent screenplay narration and is evident through the way the entire story is layered and how he joints all the dots finally. Hats off for the brilliant and selective pool of casting in the film leaving avenues for their performances.

Startling performance by Suriya and his action sequences and the dialogue rendering is impressive matching the mood of the character shade. He has done a good romantic combo with Pooja Hegde. Jayaram, Joju George, Vidhyashankar, Nasser & Tamizh made impressive performances.

Shreyas Krishna has brilliantly captured the realistic and beautiful frames across terrains with precise lighting that has been trimmed to an action mass entertainer by Shafique Mohammed Ali. Kudos to the action choreographers for the stylish action sequences in the movie.

A good action mass entertainer by Karthik Subbaraj that is worth a watch.

I stand with Selvaragavan, After 2020 March the world has changed,Corona has changed the peoples minds, we enjoy only entertainment, we do not bother about the story or stroy line, we come to theatre only to spend our valuable time into a laughable time, but that too we miss it, we miss vivek sir. He too was taken by Corona. This movie is nothing but a childish remake of Ayirathil Oruvan,The original source of the story is the story of Exodus. Santhash Narayanan also didnt do justice for the movie by his music only Ilayarajas songs were used but nothing surpasses Rajinikanths Johnny. We lost our Ice Quarter.