Holodomor, la grande famine ukrainienne

Bitter Harvest is the story of the Holodomor told through the eyes of one family of peasant farmers.

I find that most "critics" are so full of themselves and talk about esoteric crap that 99% of most movie goers to could care less about that render such 'professional" reviews all but worthless.

The story is not about the Holodomor in its totality as the massive act of genocide of the Ukrainian people but rather, it is the love story about a young man in love with a girl from his village and the destruction of their lives as a result of the Holodomor.

In this regard the movie does a fantastic job telling us the story of their lives and the horrific struggles that ensue to just survive. The only minor criticism I have is the romantic leads (Max Irons( Yuri ) and Samantha Barks (Natalka)) lack any real on screen chemistry which makes their romantic scenes seem mildly contrived. The movie does a good job of showing some of the horror perpetrated by Stalin's ruthless starvation of the Ukrainian people. It does not delve deeply into the Holodomor but rather tells the account though the eyes of Yuri and Natalka.

I found the moving to be very moving.

The Communists starved the Ukrainians under Stalin. The New York Times via Walter Duranty, covered up their crimes. Bitter Harvest is a fictional action- drama based on one man's story that lived through it. Now, finally a movie that is not about Hitler (national socialism) but about the real threat America faces from the left- International socialism ( communism) - still being covered up by the same lying media. Walter Duranty is best known for his stringent denial of the genocide of the Ukrainian people, known as Holodomor. Duranty refused to report on the man-made famine that killed up to twelve million people. Duranty also claimed other journalists who reported the truth of the USSR, such as Malcolm Muggeridge and Gareth Jones, were liars. Muggeridge went on to call Duranty "the greatest liar I have met in journalism." Some of Duranty's most well known lies and falsehoods about Holodomor are: "There is no famine or actual starvation nor is there likely to be." --New York Times, Nov. 15, 1931, page 1 "Any report of a famine in Russia is today an exaggeration or malignant propaganda." --New York Times, August 23, 1933 "Enemies and foreign critics can say what they please. Weaklings and despondents at home may groan under the burden, but the youth and strength of the Russian people is essentially at one with the Kremlin's program, believes it worthwhile and supports it, however hard be the sledding." --New York Times, December 9, 1932, page 6 "You can't make an omelet without breaking eggs." --New York Times, May 14, 1933, page 18 "There is no actual starvation or deaths from starvation but there is widespread mortality from diseases due to malnutrition." --New York Times, March 31, 1933, page 13 Duranty also admitted privately that the genocide was happening. Bruce S. Thornton wrote: Walter Duranty stands as perhaps the quintessential fellow-traveler, killing news reports of famine and writing that Ukrainians were "healthier and more cheerful" than he had expected, and that markets were overflowing with food—this at the height of Stalin's slaughter of the kulaks.

The Holodomor killed more people than the Nazi Holocaust or the Young Turks murder of millions of their Christian citizens through the Armenian Genocide.

Bitter Harvest explores the history of this tragic event through the eyes of different villagers. A challenging movie with many well done vignettes, it anticipates the creation of more films about this event.

An important difference between the Holodomor versus the Young Turks murder of millions of Armenians citizens is that the Russians have the courage to admit the painful past, thus opening the door to healing. Perhaps this is one of the universal strengths of the Slavic Soul, to be able to look in the mirror of history and through the pain of introspection create great art.

Sadly, thus far, other than a handful of intellectuals, Turkish government remains trapped within the hell of self-deception denying the crimes committed by its forefathers. This ongoing dance of denial which some call "Erdonial" prevents progress and perhaps is one of the constraints against the creation of great art.

Bitter Harvest is a good film with a strong cast turning in strong performances. It will make a good supplement for history classes, and for those times when one is in the mood for lesser known truths that need to be remembered.

...is the first word about it from me, a man from East, with Ukraine roots. but, scene by scene, you discover its virtue. not so insignificant. because it is an introduction, with form of lesson, to the Holodomor. so, it represents a sketch, with decent performances, not the most inspired dialogues, so simple than it coulb seem be pathetic and fake. but, after its end, you discover it as a nice try. not convincing, too American, using classic ingredients and tricks for a storyy more complex and profound for have need of them but, maybe, a reasonable start point for discover one of most terrible crimes from XX century. sure, it is not perfect and for a viewer like me seems a sort of blasphemy. but, it is a try. or a small hommage. in fact, a first step for propose to West a story about a land and its sufference. and that saves a part from huge mistakes of film.

We looked forward to viewing this movie at the Ukrainian festival at our local theatre.

One big mistake though, didn't properly check the movie background - it is pretty much an English movie, not Ukrainian.

The main publicity focus in advance was on the Russian government induced famine in the Ukraine against the background of a love story.

In reality the movie tries to cover too many of the parallel social and political changes in the Soviet state of the 1920's and 30's, such that almost none would be clear to the average viewer. Including the internal power struggles within the communist regime.

This broad spectrum tips over in to the relationship between the two young lovers who appear almost wooden at times as they flit in and out of the narrative.

A serious and little known subject doesn't get its dues here regrettably. The film tries hard but lacks the focus and cultural nuances that may come from a locally made film.