Front Cover

This is an easy movie to watch and like. The story is about the modern west and the modern east. Two Chinese men - one from the traditional yet modern world of China and the other born an American but Chinese by heritage. These two men are thrown together because they share a like heritage but are vastly culturally different and they are expected to communicate on a like plain. That doesn't happen.

The American is very open about his sexuality, the Chinese one is very repressed about his true sexual desires. The setting is NYC, a big open city, with liberal neighborhoods where people can feel free to be. This is where the American lives. The other one is from a big country but is expected to fit in everywhere. These two men discover their common interest in each other but we know it will never work. The cultural divide is a major stumbling point for both.

Smartly cast, great dialog, nicely edited. Enjoy !

My husband and i had the honor of seeing the premiere of FRONT COVER at the Seattle International Film Festival. We actually had free passes and had been looking for a film to see, we settle on FRONT COVER. Neither of us had any idea how enjoyable this film would be. We related to the story as my husband is from China and a fashion designer. The film is very real to life, wonderfully acted and beautifully written. It's one of those special films, without car chases, special effects or a typical Hollywood ending. The film truly stands out against the widely over budgeted films.

One of the lead actors, James Chen, is so outstanding in this film. Again, my husband is who from China, and i, were so surprised that Mr. Chen captured a Chinese accent so well.

Jake Choi, the other male lead, portrayed the Chinese/American attitude almost too well.

After the film was over, we had the honor to meet and talk with the actors and the writer/director. You could feel how proud they are of this film ... as they should be.

The moment I saw this movie listed as an entry for the Melbourne Queer Film Festival I knew that come hell or high water I had to see this movie. It promised me something pretty awesome (a movie about a gay Chinese-American guy and his relationship with his racial identity and sexuality while also showing a relationship between him and a Chinese guy?! I'm in!) and then offered up a movie that surprised me by how it was even better (and deeply bittersweet!) than I expected.

I immediately recognized a lot of my younger self in Ryan and could remember how I was always so insistent on pointing out my Aussie-born differences whenever everyone and their granny would act like I was a new immigrant and was automatically related to complete strangers so while I was definitely cringing at Ryan's reaction to Ning in the start it was from the recognition and embarrassment of my own not-so-nice behaviour in the past. Ning was interesting in how as the movie progresses you see him alongside Ryan in a far more nuanced and compassionate eye. He's also a fascinating character in his own right who changes over the course of the movie. You get the impression that no matter what he chooses he has already been permanently changed in his heart and mind and that the future might lead to more unseen changes and possibilities.

Although this is definitely a movie that wanted to explore some nuanced topics that other movies don't always show (I am so desperate for Western movies depicting Asians as complex characters!) it does so in a gently humorous way and through a slow-bubbling romance between Ryan and Ning, whose culture clash regarding their Chinese identity and homosexuality manages to be both entertaining and work as a thematic exploration. I have to admit that I have never rooted so hard for a couple before (and this is definitely a relationship that profoundly changes them by the end) but that this is ultimately a story about coming to terms with who you are. A couple of days after seeing this movie (I was still thinking about it a lot) I realized that I loved it for the same reason that I loved Roman Holiday even though these two movies are obviously very different.

The only reasons why I gave this an 8 and not a 10 is because I think that a couple of jokes won't work for some people and I have to warn that this is not quite the straightforward romantic comedy you might hope for. It's ultimately a character drama that features romance, not the other way around. I also wish the best of luck for this movie, hence the lucky number 8.

Please make this available on DVD in Australia someday! Pretty pretty please! This is basically the movie that I've been waiting for all of my life but never even realized so clearly until seeing this.

Having spent years of my life living in Asia and being gay I am always attracted to the stories that come from a gay and Asian perspective. This simple but beautiful film is worthy of your attention. It is not perfect. But, it visually shows some of the angst of self hatred and self denial that are common in the gay and Asian communities; Nothing beats the scene of family and three generations doing their best to survive and thrive in today's world tucked into the middle of this movie. I cannot wait to see what the writer and director have next to say about being an immigrant and gay in the world today. Go see this film and then reach out to hear the stories of those you know and love who may be from another place.

Each character is relatable in a different way.

Jake Choi and James Chen's portrayals of Ryan and Ning were very relatable and authentic. It was interesting to watch the character development since both of them had initially possessed or at least exuded a certain level of outer confidence although very different levels of confidence at the beginning of the film. This was apparent in their fashion and clothing choices throughout the length of time we get to spend with them. Ryan's fashion being an assortment of button up shirts and ankle length pants or capris, a fashion style seemingly considered to be more westernized while Ning's fashion sense is often a Chinese shirt with a medium-to-high neck collar or a silk robe which is more of an Asian style.

However, the story definitely shifts in perspective for both of the characters and for the viewer as Ryan and Ning become more and more transparent about their insecurities, flaws and fears, Ryan's insecurity being that he'll be treated differently or less of an important person if he discloses any information about his Asian heritage. Ning's insecurity on the other hand, isn't as obvious as Ryan's, but certain hints like Ning being surrounded by a group of familiar people with a similar Asian life experience suggest that he hasn't yet adapted to the western culture. It seems like the focus of Ryan's story, specifically, is on finding that balance that Ning seems to have when it comes to accepting his ethnic background while Ning's narrative is focused more on building up his confidence to accept his own sexuality. In both scenarios, these two men are seeking some kind of balance in their lives and it provides viewers with two different perspectives. Maybe, this is suggesting that we should take the time to listen to other people's perspectives on the world rather than being stuck in our own miniature worlds, so that we can gain a greater understanding of ourselves. In this way, once we see both of their true selves and find out that they also have their own set of insecurities, their stories and experiences become relatable to us and that feeling of uneasiness and not fitting in and/or even being bullied, I think, is one of universal experience.

Front Cover surfaces stereotypes, but doesn't compromise humor and sensitivity.

In regards to how this film dealt with stereotypes surrounding the Asian and Asian American identities, Ray Yeung, the director of the film, incorporated existing, modern-day stereotypes such as Asians always having to eat only Asian food and Asians only hanging out with other Asians, just to name a few. The story was told in an inventive way that utilized humor in between scenes to give the film a light- hearted, balanced feel while still being culturally sensitive to both identities. Yeung uses just enough stereotypes that it doesn't in any way make it seem like he's taking it too far. Also, in no way does it pose as a distraction from the overall story of the film.

Front Cover is definitely unique in its' approach when bringing up the conversation of race and racial stereotyping compared to conventional and in many cases, extremely offensive and one- dimensional portrayals of Asians and Asian American people in mainstream media. Although Front Cover isn't the first film, it is certainly one of few films that actually portrays Asians and Asian Americans in an accurate light and that is refreshing to see.

This film shows that there is more to a person than the superficial.

I was pleasantly surprised when I watched Front Cover at the 2015 Hawai'i International Film Festival (HIFF). To be honest, I initially went in slightly skeptical about this film, thinking that it would be another one of those sappy love stories about two gay men, except with a new, modern spin that comments on issues about some of the common Asian stereotypes that we see in today's media. However, as the plot continued building on itself, I found that this film was more about seeing the intrinsic qualities of a person behind all of the superficial– appearance, clothing, etc. and if there was anything to take away from this film, it was firstly, to see people for people, regardless of race, ethnicity, social class or any other social constructs that exist. Front Cover was definitely one of those movies that really made me think once I exited out of the theater and it is as transparent and real as the characters are when it comes to talking about race, racial stereotypes, sexuality and human identity; and hopefully, this film can open up a comfortable space where we are no longer afraid to talk about such issues.