Une nouvelle amie

"The New Girlfriend" is a film that will most likely challenge many viewers. After all, it presents some aspects of human sexuality that clearly will offend some and the film is filled with nudity. However, it is very well made in interesting throughout.

The picture begins with a lovely montage in which you see two young girls, Laura and Claire, as they meet, become best friends, spend their adolescent, teen and adult lives together. Each marries and Laura has a baby...and things look great. But then the young mother, Laura, dies and naturally everyone is bereft.

Some time passes and Claire (Anaïs Demoustier) goes to check in on Laura's husband, David (Romain Duris) and is shocked to find that he is dressed as a woman. He makes an excuse that he's dressed like a woman to make it easier for the baby...but it soon becomes clear that he's been dressing like a woman for years....just not publicly.

Through the course of the film, David/Virginia and Claire become close friends...very close friends. She helps him play the role of Virginia better but there is a problem...Claire's own sexuality is uncertain. She fantasizes about David being gay, though throughout the film he appears straight...even when he is Virginia. But her own feelings and orientation are quite vague.

The film explores the wide range of human sexuality and experience and does it quite well. It is very well acted and directed. My only qualm is one flashback scene where you see David undressing and caressing his dead wife...it's pretty disturbing and unnecessary. Overall, a well made film that leaves lots and lots of questions unanswered and might also leave the viewer a bit disturbed as well.

"David" (Romain Duris) is married to "Laura" (Isild Le Besco) and they are best pals with "Claire" (Anaïs Demoustier) and her husband "Gilles" (Raphaël Personnaz). All is going along nicely until a tragedy strikes poor old "David". The kindly "Claire" comes to visit him and his newborn baby "Lucie" and boy does she get a surprise! What now ensues is a little reminiscent of "Tootsie" (1982) as "Virginia" starts to emerge onto the scene and with the help of a somewhat perplexed "Claire" as his new best friend/life coach embarks on quite a journey that provides for some self-discovery all round. It does run out of steam a little towards the end when the comedy elements start to become subsumed into an increasingly contrived plot that doesn't quite seem to know how it wants to end, but an engaged Duris is clearly having some fun with the part and there's a gently effective swipe at sexual stereotypes and restrictive definitions that keeps it entertaining for the most part. Remember - left eye left hand, right eye right hand....!

I came to this film as a long-time lover of French cinema, a devotee of Ruth Rendell/Barbara Vine's masterful storytelling (here given its deserved production values at last, after all of the rather limiting low-budget TV adaptations) and Romain Duris' incredibly versatile, sensitive acting - so all the elements were already in place; it was pretty much a foregone conclusion I would adore it, but I still wasn't prepared for the emotional head-rush.

The nature of attraction is explored fascinatingly; it goes through stages including revulsion, acceptance, friendship, attraction and love and revisits them, with an ending that blew me away and stayed with me long after the film finished, making me think deeply about the limitless nature of love and things unexpectedly turning out for the best.

The two leads were captivating and the unexpected humorous touches at some of the saddest or serious of moments were a pure joy.

The first film I saw which had a transvestite character was The Damned, some 50 years ago. In the intervening years we've had any number of accounts of a man (why almost always a man?) who has to dress as a woman. Ozon's film has a stale air about it which works against our enjoyment.

For me Anais Demoustier is the sole strong actor in this; Duris and Personnaz give capable support but she must carry the story, and carry it she does very memorably. The feeling is always that punches are being pulled, that possibly painful moments are being glossed over. I expected more anger from Personnaz's character when he discovered the deception (the weekend in the country with Duris, instead of the mother's house). Everybody is so well behaved, it doesn't ring true. La Cage aux Folles had more sting to it, you knew how bigoted some people were.

I haven't really enjoyed an Ozon film since 8 femmes of 2002. He's coasting, giving us tried and true subjects and clichéd situations.

Sometimes, the less you know about a film, the more you are likely to enjoy it. This is one of those times. All I really knew about the movie was that it was French and appreciated by public and critics alike. That was enough for me and ensured that the surprises really were surprises.

You need to know more? OK, the film is based on a 1985 short Story by Ruth Rendell and the directed by François Ozon ("Potiche"). What? You want more? The core of the film is the relationship between characters - the husband and best friend of the recently deceased Laura - ably acted by Romain Duris and Anaïs Demoustier.

Oh, gosh. You want to know what it's about? Let's just say that it's an amusingly serious - if this is not too oxymoronic - examination of sexual identity. And that really is all I'm going to tell you about this enjoyable movie. Now see it for yourself.

PS 1 Why are there so few reviews of this interesting film on IMDb?

PS 2 Why do the IMDb reviews of this film give away so many plot spoilers?