Hostile Takeover
- 2025
- 1h 29m
Follows Pete, a professional hitman, as he faces a group of assassins after the boss of a crime syndicate suspects disloyalty due to his attendance at Workaholics Anonymous meetings.Follows Pete, a professional hitman, as he faces a group of assassins after the boss of a crime syndicate suspects disloyalty due to his attendance at Workaholics Anonymous meetings.Follows Pete, a professional hitman, as he faces a group of assassins after the boss of a crime syndicate suspects disloyalty due to his attendance at Workaholics Anonymous meetings.
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It's a bit sad that, apart from a few independent productions, film studios have so little to offer in terms of plot.
After about 10 minutes, I felt like I was watching the 1997 classic thriller "The Game" with Michael Douglas, reworked into a strange, grotesque compilation of fight scenes, in which every act is highly mannered. The longer I watched, the more bored I became... Yes, the film is a kind of middle-of-the-road entertainment, but it's neither too funny nor too serious; it's probably the least balanced film of its kind I've seen in recent years. Good for a get-together with a beer and the TV humming in the background.
It's a bit like the mush that generative AI would produce.
After about 10 minutes, I felt like I was watching the 1997 classic thriller "The Game" with Michael Douglas, reworked into a strange, grotesque compilation of fight scenes, in which every act is highly mannered. The longer I watched, the more bored I became... Yes, the film is a kind of middle-of-the-road entertainment, but it's neither too funny nor too serious; it's probably the least balanced film of its kind I've seen in recent years. Good for a get-together with a beer and the TV humming in the background.
It's a bit like the mush that generative AI would produce.
The plot was extravagant but nice , the fight choreography was good , the script was ok , I can only relate to the only take on the movie which everybody feels but don't know how to explain . It's "cinematography" .
For cinematography they choose action camera through out the movie which is constantly zoomed in on characters faces and blurring everything else around them .
It is quite strange to adopt this trend in a movie like that partly because it didn't have a small budget , they did shoot at multiple exotic locations so they didn't need to blur the entire movie , on the other hand the cast in general appeared overaged as you could count every head line and every wrinkle and pore on all their faces (I hope this doesn't ruin Aimee Stolte's career since she put up some good fight scenes to be sent off to grandmas category by producers because of this) , not only that , much of the fight scenes you can only see elbows and arms around necks and lose track of what's happening easily .
I really hope for a sequel but just film it right this time , the characters of the plot are all worthy of looking into , most had strong appearance but hardly any character development which I hope could be taken care of in a sequel .
For cinematography they choose action camera through out the movie which is constantly zoomed in on characters faces and blurring everything else around them .
It is quite strange to adopt this trend in a movie like that partly because it didn't have a small budget , they did shoot at multiple exotic locations so they didn't need to blur the entire movie , on the other hand the cast in general appeared overaged as you could count every head line and every wrinkle and pore on all their faces (I hope this doesn't ruin Aimee Stolte's career since she put up some good fight scenes to be sent off to grandmas category by producers because of this) , not only that , much of the fight scenes you can only see elbows and arms around necks and lose track of what's happening easily .
I really hope for a sequel but just film it right this time , the characters of the plot are all worthy of looking into , most had strong appearance but hardly any character development which I hope could be taken care of in a sequel .
Nice. Hollywood made a funny action movie for once. This was a decent movie for a change. Great action, actually made me laugh. Hopefully they will make a sequel to this. I cant think of the black actors name as I type this, but he is fun to watch. This movie just needed a few hot chicks and some nudity and it wouldve been a ten.
Honestly, this felt like a waste of time. Not terrible enough to be entertaining in a "so bad it's good" way, but not good in any area either. It just sits in that boring middle ground. All the characters are one-dimensional, like they walked straight out of a generic superhero cartoon, and the plot is about as deep as a puddle.
The story? A guy is suspected of betraying his master... for no real reason. There's nothing clever or layered about it - just a lazy setup that never goes anywhere interesting. The tone tries to mix humor with action, but the jokes never land, and any attempts to develop the main character fall completely flat.
Visually, it's as generic as any low-effort action movie. The fight scenes mostly involve people who clearly don't know how to fight - except for Michael Jai White, who actually can, but for some reason tones himself down to match the rest of the cast. The blood effects are laughably bad, and the cinematography is forgettable.
The music? Fine. Just background filler - nothing memorable. My "favorite" scene (if I had to pick one) was the fight in his ex-apartment, but even that was painfully mediocre. The worst part was simply the time I wasted watching it.
Final verdict: I'd honestly recommend watching paint dry instead - at least then you won't be disappointed.
The story? A guy is suspected of betraying his master... for no real reason. There's nothing clever or layered about it - just a lazy setup that never goes anywhere interesting. The tone tries to mix humor with action, but the jokes never land, and any attempts to develop the main character fall completely flat.
Visually, it's as generic as any low-effort action movie. The fight scenes mostly involve people who clearly don't know how to fight - except for Michael Jai White, who actually can, but for some reason tones himself down to match the rest of the cast. The blood effects are laughably bad, and the cinematography is forgettable.
The music? Fine. Just background filler - nothing memorable. My "favorite" scene (if I had to pick one) was the fight in his ex-apartment, but even that was painfully mediocre. The worst part was simply the time I wasted watching it.
Final verdict: I'd honestly recommend watching paint dry instead - at least then you won't be disappointed.
This isnt one of Michael Jai wights movies that follows the normal format for an action moive. This is pseudo comedy light hearted look at a hitman who loves his job but comes across some problems because of his decision to join a self help group. I don't want to give away the plot so thats as far as I will go with reveals.
I think the move suffers from this approach because it restricts itself in not maximising the comedy aspect. Some of the nuances that are employed... say with Wights character, and the curious relationships he has with other characters, just don't really work in the manner they are trying to portray. There are some amusing moments sure, but no laugh-out-loud or even chuckle moments to really appreciate.
White really gives his all here. You can see he's putting eveyrthing into rendering this character, but it's sort of a waste really. I just didn't feel the mood the movie was going for. To be honest it was barely watchable, not because it was done necessarily badly, though that's not to say it was particularly interesting or entertaining, but becasue it was flat and rather boring.
The fight scenes were almost a slow-mo version or what were used to seeing with White. I get the impression this was done deliberately, again, as variation of the normally fast moving electric coreography were used to, and I think this was to offset the style of the movie, but again, it doesn't really work.
I laboured through it but mostly it falls flat, and doesn't deliver. If your a Wight fan, as I am, you sould probably watch it anyway, so judge for yourself.
I didn't like it and can only manage a 3/10.
I think the move suffers from this approach because it restricts itself in not maximising the comedy aspect. Some of the nuances that are employed... say with Wights character, and the curious relationships he has with other characters, just don't really work in the manner they are trying to portray. There are some amusing moments sure, but no laugh-out-loud or even chuckle moments to really appreciate.
White really gives his all here. You can see he's putting eveyrthing into rendering this character, but it's sort of a waste really. I just didn't feel the mood the movie was going for. To be honest it was barely watchable, not because it was done necessarily badly, though that's not to say it was particularly interesting or entertaining, but becasue it was flat and rather boring.
The fight scenes were almost a slow-mo version or what were used to seeing with White. I get the impression this was done deliberately, again, as variation of the normally fast moving electric coreography were used to, and I think this was to offset the style of the movie, but again, it doesn't really work.
I laboured through it but mostly it falls flat, and doesn't deliver. If your a Wight fan, as I am, you sould probably watch it anyway, so judge for yourself.
I didn't like it and can only manage a 3/10.
Did you know
- GoofsDuring the fight scene in Mora's apartment, there is blood splatter on the white couch. But after the fight scene ends and Pete goes to sit on the couch, the blood splatter is gone.
Details
- Runtime
- 1h 29m(89 min)
- Color
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