A teen artist living in 1970s San Francisco enters into an affair with her mother's boyfriend.A teen artist living in 1970s San Francisco enters into an affair with her mother's boyfriend.A teen artist living in 1970s San Francisco enters into an affair with her mother's boyfriend.
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Susannah Rogers
- Voice of Aline Kominsky
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Featured reviews
10Jody K
I saw the movie that at the New Directors/New Films film festival in New York in March 2015. I read Phoebe Gloeckner's graphic novel that the film was based on. Although I did enjoy the book, I did struggle with the characters and a lot of the things the characters were doing, but I couldn't wait to read it every night. I loved the way she told the story of a 15-year-old girl that has just started an affair with her mother's boyfriend in 1970's San Francisco.
I was drawn to read the book and see the movie because I am a huge Alexander Skarsgård fan and I love to support his films. His character, Monroe Rutherford, seemed like a total jerk in the book. Alex's take on the character was much sweeter. Sure, the content is the same, but the characters in the movie (ALL of the characters) seemed much more likable in the movie. It was hard to see why Minnie would be so into Monroe in the book, but it is quite evident in the movie. Besides Alex's handsome good looks, his Monroe is a happy-go-lucky guy that shows he has a heart. (Very caring) Not that I think that having an affair with your girlfriend's 15-year-old daughter is a good thing or appropriate, you can see how a situation like this could happen (especially in that household). The fact that he could take a character like Monroe and make him so likable, convinces me that this is his best performance to date.
Minnie is the kind of girl that loves to be touched and show affection. She is a highly talented girl that has so much going on around her, and she is receptive to take it all in. I'm happy to see the way that the director/screenplay writer Marielle Heller told her story. I had heard some people said there were cringe-worthy scenes, but I didn't feel that way.
Sure there are plenty of sex and drug scenes in the movie but they are done fairly quickly and with respect and are essential to the story. There is humor throughout and lots of animation in the style of Phoebe Gloeckner and Aline Kominsky.
As I said earlier, I didn't care for the characters in the book as much as I did in the film. Bel Powley is SUPERB as Minnie (you never do detect her natural British accent). Kristen Wiig still plays an awful mother, but you can tell she cares, but in her own way. Christopher Meloni was a caring and humorous ex-step-father. I also enjoyed Madeleine Waters as Kimmie and Margarita Levieva as Tabatha which were two of the characters I particularly didn't like in the book.
Marielle's take on the book was superb. This was a passion project for her and it shows. I hope to see more of her work in the future.
Brandon Trost won the Cinematography award at Sundance and you will see why. It just doesn't feel like any other movie I have seen. It is such a stand-out film.
THE DIARY OF A TEENAGE GIRL was an excellent movie and I cannot wait to see it again and again. I hope it has a soundtrack because I definitely want to buy it. It may not be suitable to see with the family, but definitely grab your best friend and go!
I was drawn to read the book and see the movie because I am a huge Alexander Skarsgård fan and I love to support his films. His character, Monroe Rutherford, seemed like a total jerk in the book. Alex's take on the character was much sweeter. Sure, the content is the same, but the characters in the movie (ALL of the characters) seemed much more likable in the movie. It was hard to see why Minnie would be so into Monroe in the book, but it is quite evident in the movie. Besides Alex's handsome good looks, his Monroe is a happy-go-lucky guy that shows he has a heart. (Very caring) Not that I think that having an affair with your girlfriend's 15-year-old daughter is a good thing or appropriate, you can see how a situation like this could happen (especially in that household). The fact that he could take a character like Monroe and make him so likable, convinces me that this is his best performance to date.
Minnie is the kind of girl that loves to be touched and show affection. She is a highly talented girl that has so much going on around her, and she is receptive to take it all in. I'm happy to see the way that the director/screenplay writer Marielle Heller told her story. I had heard some people said there were cringe-worthy scenes, but I didn't feel that way.
Sure there are plenty of sex and drug scenes in the movie but they are done fairly quickly and with respect and are essential to the story. There is humor throughout and lots of animation in the style of Phoebe Gloeckner and Aline Kominsky.
As I said earlier, I didn't care for the characters in the book as much as I did in the film. Bel Powley is SUPERB as Minnie (you never do detect her natural British accent). Kristen Wiig still plays an awful mother, but you can tell she cares, but in her own way. Christopher Meloni was a caring and humorous ex-step-father. I also enjoyed Madeleine Waters as Kimmie and Margarita Levieva as Tabatha which were two of the characters I particularly didn't like in the book.
Marielle's take on the book was superb. This was a passion project for her and it shows. I hope to see more of her work in the future.
Brandon Trost won the Cinematography award at Sundance and you will see why. It just doesn't feel like any other movie I have seen. It is such a stand-out film.
THE DIARY OF A TEENAGE GIRL was an excellent movie and I cannot wait to see it again and again. I hope it has a soundtrack because I definitely want to buy it. It may not be suitable to see with the family, but definitely grab your best friend and go!
An honest, unfiltered & nonjudgmental coming of age drama about a young woman's sexual endeavours, The Diary of a Teenage Girl is a nicely crafted, sensibly narrated & wonderfully performed cinema that's highly bohemian in nature, emanates a psychedelic vibe from start to finish & is further uplifted by its well-put together cast.
Based on the graphic novel of the same name, the story of The Diary of a Teenager is set in San Francisco during the 1970s and concerns Minnie, a 15-year old aspiring cartoonist who in the wake of her sexuality begins a relationship with her mother's boyfriend. However, her longing for love & acceptance soon sets her on a path to much bolder adventures.
Written & directed by Marielle Heller in what is her filmmaking debut, The Diary of a Teenage Girl is oddly stylish, surreal & provocative in depicting the sexual & artistic awakening of its protagonist and captures the highs & lows of adolescent life with utmost sincerity. Heller's direction is as good as her screenplay, and it's refreshing to see the story being told from a girl's perspective.
Production design team does a good job in replicating the 1970s setting, Cinematography makes splendid use of its camera & bright colour tones to further enhance its images, and Editing is finely carried out while the music fits its scene. Coming to the performances, Bel Powley delivers a terrific performance and is brilliantly supported by Alexander Skarsgård, Kristen Wiig & others.
On an overall scale, The Diary of a Teenage Girl is a bold example of its genre that attempts to capture the turmoil of teenage years without sugarcoating any of it, is capable of leaving a few viewers squirming on their seats with its explicit nature, and thanks to its playful tone & sensible handling of its characters, is a welcome entry in the coming-of-age filmmaking landscape. Definitely worth a shot.
Based on the graphic novel of the same name, the story of The Diary of a Teenager is set in San Francisco during the 1970s and concerns Minnie, a 15-year old aspiring cartoonist who in the wake of her sexuality begins a relationship with her mother's boyfriend. However, her longing for love & acceptance soon sets her on a path to much bolder adventures.
Written & directed by Marielle Heller in what is her filmmaking debut, The Diary of a Teenage Girl is oddly stylish, surreal & provocative in depicting the sexual & artistic awakening of its protagonist and captures the highs & lows of adolescent life with utmost sincerity. Heller's direction is as good as her screenplay, and it's refreshing to see the story being told from a girl's perspective.
Production design team does a good job in replicating the 1970s setting, Cinematography makes splendid use of its camera & bright colour tones to further enhance its images, and Editing is finely carried out while the music fits its scene. Coming to the performances, Bel Powley delivers a terrific performance and is brilliantly supported by Alexander Skarsgård, Kristen Wiig & others.
On an overall scale, The Diary of a Teenage Girl is a bold example of its genre that attempts to capture the turmoil of teenage years without sugarcoating any of it, is capable of leaving a few viewers squirming on their seats with its explicit nature, and thanks to its playful tone & sensible handling of its characters, is a welcome entry in the coming-of-age filmmaking landscape. Definitely worth a shot.
Being a grumpy old guy, I'm not at all the target audience for this film, so please bear that in mind when I tell you that I found this a fairly tedious coming-of-age movie. I admired aspects of it - in particular the performances of Bel Powley and Alexander Skarsgård - but I wasn't able to maintain my interest in the story.
The biggest obstacle was, I think, that Minnie, the eponymous teenage girl, was not the only adolescent around. All the adults in her life were at various stages of arrested development. This is possibly the point both of the movie and of the novel it is based on: how can a child grow up when all her role-models are children themselves? It's an interesting question, but when transmitted as drama the audience finds itself stuck in high school for the duration.
The biggest obstacle was, I think, that Minnie, the eponymous teenage girl, was not the only adolescent around. All the adults in her life were at various stages of arrested development. This is possibly the point both of the movie and of the novel it is based on: how can a child grow up when all her role-models are children themselves? It's an interesting question, but when transmitted as drama the audience finds itself stuck in high school for the duration.
This movie follows a teenage girl's sexual awakening, which involves statutory rape, prostitution, drugs, and other things that weren't a part of my far more vanilla teenagehood. The main character, Minnie, is creative and bright but also has the delusional mind of a teenager and a bit more of the "I'll try anything once" attitude that might be good for her.
The movie itself doesn't seem to judge anyone. Not the mother who does coke with her daughter or the boyfriend she seduces or Minnie herself. The life they lead seems appropriate for an appearance on the Jerry Springer Show, yet she never portrays them as mouth-breathing idiots but more as just reasonably decent people with dubious judgment. It's surprising, particularly at a time when the movie idea of the girl and the older man has moved from romantic to creepy, to see this straightforward portrayal.
It's also cleverly filmed and includes some nice animated sequences. I'd definitely recommend it.
The movie itself doesn't seem to judge anyone. Not the mother who does coke with her daughter or the boyfriend she seduces or Minnie herself. The life they lead seems appropriate for an appearance on the Jerry Springer Show, yet she never portrays them as mouth-breathing idiots but more as just reasonably decent people with dubious judgment. It's surprising, particularly at a time when the movie idea of the girl and the older man has moved from romantic to creepy, to see this straightforward portrayal.
It's also cleverly filmed and includes some nice animated sequences. I'd definitely recommend it.
San Francisco, 1976: Minnie (Bel Powley) is a 15-year old who initiates a sexual affair with the boyfriend (Alexander Skarsgard) of her mother (Kristen Wiig).
"Diary" has much in common with "Fish Tank", a 2009 British film in which Michael Fassbender played the role of the boyfriend. But "Diary" can't be accused of copying the other film as it is based on the biographical graphic novel by Phoebe Gloeckner. Each film has its own strength and uniqueness.
There is much discomfort in the early sex scenes for obvious reasons. At least, Powley was an adult when the film was being made. But while the film clearly goes into taboo territory, it does so in a way that surprisingly comes off as moving rather than cheap and exploitative.
The story is told through Minnie's (Gloeckner's) perspective so, as it turned out, there seem to be no belief in victims or predators. While there are consequences for the very unconventional liaison, there is no sense of melodramatic punishment that would be expected in other current stories.
Director Marielle Heller does a great job in recreating the carefree attitude of San Francisco in the 1970s as she does in getting fine work from Powley and Skarsgard. The constant partying and indulgences in sex, booze, and drugs was simply the way of life back then and the lightness in attitude comes through in a way that is almost nostalgic. This attitude would crash later after the onset of AIDS, the Reagan years, and real estate speculation (the single-parent family lived in a big apartment in downtown San Francisco on a librarian's salary - something that couldn't happen today). There is also the enjoyable bonus of animated images that accompany Minnie's thoughts and reflections.
This movie succeeds in taking a controversial subject and expressing it convincingly with heart. - dbamateurcritic
"Diary" has much in common with "Fish Tank", a 2009 British film in which Michael Fassbender played the role of the boyfriend. But "Diary" can't be accused of copying the other film as it is based on the biographical graphic novel by Phoebe Gloeckner. Each film has its own strength and uniqueness.
There is much discomfort in the early sex scenes for obvious reasons. At least, Powley was an adult when the film was being made. But while the film clearly goes into taboo territory, it does so in a way that surprisingly comes off as moving rather than cheap and exploitative.
The story is told through Minnie's (Gloeckner's) perspective so, as it turned out, there seem to be no belief in victims or predators. While there are consequences for the very unconventional liaison, there is no sense of melodramatic punishment that would be expected in other current stories.
Director Marielle Heller does a great job in recreating the carefree attitude of San Francisco in the 1970s as she does in getting fine work from Powley and Skarsgard. The constant partying and indulgences in sex, booze, and drugs was simply the way of life back then and the lightness in attitude comes through in a way that is almost nostalgic. This attitude would crash later after the onset of AIDS, the Reagan years, and real estate speculation (the single-parent family lived in a big apartment in downtown San Francisco on a librarian's salary - something that couldn't happen today). There is also the enjoyable bonus of animated images that accompany Minnie's thoughts and reflections.
This movie succeeds in taking a controversial subject and expressing it convincingly with heart. - dbamateurcritic
Did you know
- TriviaThe classroom scenes were shot at Lincoln Middle School in Alameda, CA. Although the film crew was given permission to shoot in the school, the school staff objected to the content of the script and insisted no filming be done at any time when students could possibly be on campus. As such, the classroom scenes were shot on a single night, with lights outside the windows to give the appearance of daytime.
- Crazy creditsJoint Roller Lindsay Hannon
- ConnectionsFeatured in The Tonight Show Starring Jimmy Fallon: Chris Meloni/Luke Bryan (2015)
- SoundtracksLooking for the Magic
Written by Dwight Twilley
Performed by Dwight Twilley Band
Courtesy of Capitol Records under license from Universal Music Enterprises
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Diario de una chica adolescente
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,000,000 (estimated)
- Gross US & Canada
- $1,477,002
- Opening weekend US & Canada
- $52,334
- Aug 9, 2015
- Gross worldwide
- $1,775,133
- Runtime
- 1h 42m(102 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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