The Bird Catcher

No, Esther did not really look like a boy, and a few other details were not totally realistic, but so what? Overall I found The Birdcatcher effective and I was engrossed from beginning to end. Often when watching films it's necessary to suspend disbelief and some films require it more than others. During the Holocaust, Jews did anything they could to not be captured by the Nazis. They were hunted prey. Some of the survival stories are hard to believe yet they happened. Imagine living in a sewer for a couple of years. Or a forest, or a crawl space.

The cinematography was excellent with gorgeous shots of Norway in winter. The plot which is based on a true story is, as I said, engrossing. There is some fine acting too. It's definitely worth watching unless you're into movies like Deadpool or Guardians of the Galaxy.

This Anglo-Norwegian production tells the story of Esther (SarahSofie Boussnina), a 14-year-old Jewish orphan in Germanoccupied Norway during WW2. Disguising herself as a Gentile boy, she seeks refuge with a collaborationist family. Serious suspension of disbelief is required to accept the heroine's masquerade, while emotional resonance is diluted by a streak of melodrama.

This film tells a heart breaking story set during a Nazi occupied Norway. It tells the story of a brave girl who tries very hard to survive. It is easy to feel sympathetic towards Esther. Even the supporting characters are well developed, and I really feel for Aksel and his parents. In short, it is a very engaging and touching story. It is beautifully shot as well. I recommend this film wholeheartedly.

Another film where it's hard to make sense of polarised viewers giving it very high or very low ratings. I always attend a Holocaust Memorial Day screening a local cinema, so I was disposed to give it a chance and make up my own mind. On the plus side, there's striking photography (as some reviews have stated); some originality in the Norwegian location; and interesting themes in relation to how people there responded to the Nazi occupation.

But as another reviewer says, it has: "An interesting premise plagued by implausible plot elements... ". Within minutes, I wondered if I'd misunderstood that Esther is supposed to be 14, as she looked far too old. IMDB indicates she was 28 when it was filmed. It doesn't matter that she's a good actress - a 28 year old won't be credible as a 14 year old child, so why cast her! We soon see a succession of scenes that are impossible to take seriously, or ramp up the melodrama far too high. In fact there's so much going on in the central family - in relation to their internal conflicts and their attempts to 'manage' relations with their occupiers - that the film might have worked better and more coherently without Esther even being in it!

A shame, though, because if someone had refined the screenplay, and the director has reined in some of the more ridiculous moments, it could potentially have been a very good film.

A young Jewish girl, against seemingly insurmountable odds, survives the war disguised as a boy. The film portrays her as a young woman of immense courage and determination - and it is brought home to the viewer precisely what someone in her position might have had to endure. A beautiful, sad and thought-provoking film..worth far higher a score than it received.