Mentiras

"Mentiras, The Series" starts off strong: the first act is sharp, funny, and well-written, immediately pulling the viewer in. The second act keeps the momentum going, with episodes that balance humor and emotion effectively. Unfortunately, the third act, the final episode, is a major letdown. After so much buildup, the ending feels underwhelming and lacks the payoff the story seemed to promise.

Mariana Treviño and Diana Bovio absolutely steal the show. Their comedic timing and on-screen presence bring energy and charm to every scene. In contrast, Belinda delivers a weak, uninspired performance that doesn't quite fit with the rest of the cast.

The production is top-notch: the visual design, musical arrangements, and choreography are all beautifully done. It's a visually and musically rich experience. Sadly, it all leads to a finale that doesn't live up to the quality of the journey. A show with great potential that stumbles at the finish line.

It had been a while since a TV show really got me excited - the kind of excitement that makes you hit "next episode" with a smile and a full heart. I'm so glad Mentiras, la serie was the one to bring that spark back. What made it even more special was that it centered around songs from Mexico - songs I didn't quite understand when I first heard them, but that, over time, became memory bubbles floating through my life.

Mentiras, la serie - A Joyful Musical Ride Through Mexican Pop Nostalgia.

This show isn't just about music - it's a perfect blend of sharp comedy, strong storytelling, and outstanding performances. It's a rare treat: a musical theater experience brought to television, and done so well. I laughed, I cried, I identified deeply - sometimes all in the same scene.

The plot follows a group of women tangled in lies, secrets, and one dead man. Yes, there's a murder mystery. But more than that, there's an explosion of 80s and 90s glam, emotional showdowns, and pop songs used like weapons and healing balms. Every song is not just inserted - it's earned. The musical numbers are full of life and feeling, beautifully acted and staged with energy and precision.

The show's timing is spot-on - the humor lands effortlessly, the drama doesn't take itself too seriously, and yet, somehow, the emotional punches still hit hard. It's clever, campy, and surprisingly heartfelt.

What really moved me was how the series reintroduced songs I had taken for granted. Tracks that used to play in the background of my childhood are now center stage, telling stories of heartbreak, empowerment, confusion, and love. It made me realize how much these songs have shaped my emotional memory, even when I didn't notice.

The performances are incredible. Each actress brings something unique - charisma, vulnerability, fire - and the chemistry between them makes every scene shine. It's clear they're having fun, and that fun is contagious.

Above all, Mentiras is a celebration. Of music. Of theater. Of pop culture. And of the messy, dramatic, hilarious ways we deal with love and betrayal. It reminded me that musical theater isn't just for the stage - it can live on the screen and still deliver magic.

If I could sum it up in one word: joy. That's what I felt watching this show. Pure, nostalgic, glittery joy. It gave old songs new meaning and gave me back the thrill of falling in love with a story - and a soundtrack - all over again.

Director Gabriel Ripstein is responsible for bringing the adaptation of José Manuel López Velarde's hit Mexican musical Mentiras to the small screen. He does so alongside a dedicated team that delivers one of the most entertaining and rewarding series of the year.

With a wonderful cast featuring Belinda, Mariana Treviño, Regina Blandón, and Diana Bovio as the four main characters, and Luis Gerardo Méndez as the series' male counterpart. The cast gives their all to their already storied characters, played by various actors throughout their musical career, but whose casting on television is absolutely perfect.

The director imposes a kitsch vibe and reminds us of great Latin hits from the 1980s in the voices of its protagonists with a more than contagious musical arrangement that currently has several of those hits with a newfound popularity. However, the series is not only strong in its musical aspect, but also in its comedy and drama. It is a series full of emotions that offers us a quite compelling show in all its aspects, allowing us to stay in a fun eight-episode pastime where the director's astuteness makes everything flow almost perfectly.

It's true that the series has some questionable decisions, but they in no way detract from the power of its visual and narrative. It has wonderful episodes and others not so wonderful, but in this zigzag of emotions, the series never falters and always maintains that nostalgic air that keeps us connected as viewers beyond the music in question.

A great success for Amazon on its streaming platform and a great success for Mexican productions. It's one of the most positive series of 2025, sure to be among the highlights of a year in which series have been making quite a splash.

It's worth watching and falling into its game, not only if you're nostalgic, but also if you like musicals and funny series.

This is a beautiful series based on a popular Mexican musical. The nostalgic music is wonderful, the sets are bright, and the acting is spectacular, especially Mariana Treviño's role where she retakes her role as Lupita the secretary from 16 years ago.

Luis Gerardo (the male protagonist and producer) took 6 years to make this dream a reality. And while watching it, and it feels like a dream: vibrant, gorgeous, crazy.

I love horror, action, but I'm picky with comedy and this has got to be my favorite show for 2025 (other than The Last of Us.) Im not even into pop or musicals. But this one is an instant re-watch.

I've never seen the play, so I have no comparison, but I think it can be rated in the same way as the book adaptations. As a series, it works, and it works very well, with five incredible voices and a funny, deep story to tell. There wasn't a minute that didn't keep me on the edge of my seat.

Each character's story was well-plotted; you could somehow follow each story without losing track of it thanks to their distinct personalities and aesthetics. It's also appreciated to have context behind each story; while not excusable, you can empathize with each of the strong women behind each one.

And after a little research, I think the decision to change the ending was the right one; the producer was right: It's not the representation the LGBT+ community needs today.