IMDb RATING
6.3/10
1.3K
YOUR RATING
From first rehearsal to world premiere, Ballet 422 takes us backstage at New York City Ballet as emerging choreographer Justin Peck crafts a new work.From first rehearsal to world premiere, Ballet 422 takes us backstage at New York City Ballet as emerging choreographer Justin Peck crafts a new work.From first rehearsal to world premiere, Ballet 422 takes us backstage at New York City Ballet as emerging choreographer Justin Peck crafts a new work.
- Awards
- 3 nominations total
Featured reviews
From first rehearsal to world premiere, BALLET 422 takes us backstage at New York City Ballet as Justin Peck, a young up-and-coming choreographer, crafts a new work. BALLET 422 illuminates the process behind the creation of a single ballet within the ongoing cycle of work at one of the world's great ballet companies.
New York City Ballet, under the artistic direction of Ballet Master in Chief Peter Martins, boasts a roster of more than 90 elite dancers and a repertory of works by many of the greatest choreographers in the history of the art form. When 25-year-old NYCB dancer Justin Peck begins to emerge as a promising young choreographer, he is commissioned to create a new ballet for the Company's 2013 Winter Season. With unprecedented access to an elite world, the film follows Peck as he collaborates with musicians, lighting designers, costume designers and his fellow dancers to create Paz de la Jolla, NYCB's 422nd new ballet. BALLET 422 is an unembellished vérité portrait of a process that has never before been documented at New York City Ballet in its entirety.
New York City Ballet, under the artistic direction of Ballet Master in Chief Peter Martins, boasts a roster of more than 90 elite dancers and a repertory of works by many of the greatest choreographers in the history of the art form. When 25-year-old NYCB dancer Justin Peck begins to emerge as a promising young choreographer, he is commissioned to create a new ballet for the Company's 2013 Winter Season. With unprecedented access to an elite world, the film follows Peck as he collaborates with musicians, lighting designers, costume designers and his fellow dancers to create Paz de la Jolla, NYCB's 422nd new ballet. BALLET 422 is an unembellished vérité portrait of a process that has never before been documented at New York City Ballet in its entirety.
As an ex - professional ballet dancer I found this an interesting piece to watch . I was excited to watch a "dance film" but found that It focuses greatly upon rehearsal and the choreographer yet sadly lacks any entertainment value. Dance, is about the artistic representation of life , love , passion, however this film has none. The part where the choreographer is asked to thank the orchestra is particularly cognisant of how narcissistic dancers can be . I would encourage young dancers to watch it to realise that this is again sadly actually what being a professional ballet dancer is all about. There are better things to do with your life .
A simple, unpretentious, thorough account of the creation of a new ballet showing the contributions of the personnel involved, choreographer, dancers, musicians, costumers, hairdressers, therapists and ultimately, the audience. Despite the exhortations of politicians and the press, my heroes are not the young people sending drones out to menace peasants in third world countries; my heroes are the young artists depicted here. I could not do this, nor have I ever wanted to do this, but I'm glad someone is doing it.
This was pretty disappointing. There is just not enough dance and too much filler (or cinema verite) as in:
There is not much on the inspiration for the dance and the choreography; there is some perspiration (some short dancing scenes), but very little on the creative process. It's like seeing architects and engineers walking and talking, but never seeing the finished product(the building - in this case the dance).
For dancers only. Not for the audience. I pressed fast forward several times. Badly assembled and edited.
- Justin Peck (choreographer) walking down empty corridors
- the orchestra being conducted
- too much on costume assemblage (there is footage of a washing machine)
- NYC subway stations
There is not much on the inspiration for the dance and the choreography; there is some perspiration (some short dancing scenes), but very little on the creative process. It's like seeing architects and engineers walking and talking, but never seeing the finished product(the building - in this case the dance).
For dancers only. Not for the audience. I pressed fast forward several times. Badly assembled and edited.
A behind the scenes look at the concept, creation and choreography of a new ballet for the New York City Ballet. One the Corps members is tasked with the choreography and assisting the costume and lighting teams in creating a piece over several months. I enjoy documentaries and have seen several about the topic of ballet, if that is your wheelhouse you will enjoy it as well.
Did you know
- TriviaDespite having the same last name and similar coloring, Justin and Tiler Peck are not related.
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Балет 422
- Filming locations
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $333,554
- Opening weekend US & Canada
- $27,653
- Feb 8, 2015
- Gross worldwide
- $333,554
- Runtime1 hour 15 minutes
- Color
- Aspect ratio
- 1.78 : 1
Contribute to this page
Suggest an edit or add missing content