Sikandar ka Muqaddar

A solid trailer and a good cast are always alluring factors when narrowing down a movie to watch, and this one promised just that-only to disappoint in the end.

The lives of three suspects in a diamond robbery turn miserable when a police officer becomes obsessed with proving them guilty, relying solely on his hunch, without any concrete evidence.

The story's premise had the potential to make it a riveting watch, but the lackluster script turned it into a half-baked recipe. The movie begins on a promising note, drawing you into its narrative, but as it progresses, it becomes repetitive and uninspired. The so-called "big twist" at the end is predictable right from the beginning, making you regret the time spent watching it.

Avinash Tiwary shows promise and delivers an earnest performance. He is undoubtedly versatile and proves his acting capabilities once again. Jimmy Shergill does a decent job as the police officer. Tamannaah Bhatia is adequate in her role, though the script gives her little room to shine. Rajeev Mehta, fondly remembered as Praful from Khichdi, plays his part well.

The movie feels considerably slow, with no real highs or lows to maintain engagement. It suffers from several glaring cinematic liberties that are hard to ignore, especially since it is not a mindless entertainer. The de-aging of Jimmy Shergill, in particular, is poorly executed and feels amateurish. Neeraj Pandey, once known for his brilliance, disappoints yet again, further diminishing his magic.

Sikandar's Muqaddar is sealed for disappointment. It's an easily skippable, below-average affair.

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It's very confusing story . If character don't know eachother then how can they know there past story in just one day meeting. Also if there is not powerfull love story then why created love triangle ? If showed 15 years of service of officer then why you showed them against dipartment even there family distance loveship . This things makes big mind set in youngsters and even these things makes our next generation more week . Totally incomplete movie or story also dont try to do a siqual if thinking to create again . Very bad story siquence also bad character showcasing and explanation. Movie is not good at the end .

You see the trailer and see Neeraj Pandey's name. The memories hit back!

Baby

Special 26

"This one must be a worthy movie," you tell yourself.

The movie starts off slow, you constantly keep waiting for something to happen, something to reveal itself but nothing happens. "Did I miss anything?"

The narrative keeps juggling between the past and the present, and there are nice intersections that keep you hooked throughout. Neeraj Pandey makes sure you feel bored initially and then when the story starts weaving itself, you get a few Eureka moments.

The set design in the past narrative could have used better art direction, hair and make up. I'm sorry but they looked all out of place. Looked like the production budget was tight.

It's not a typical "whodunit" since three suspects are readily singled out an they are the actors you see on the poster, so it all comes down to how did they do it? Even though from a cinematic point of view, some of the twists were good, realistically they seemed out of place.

"No one has so much patience" is what will you think.

Story - 7/10

Cast - 6/10

Direction - 8/10

"The End" title card comes during the climax, and the movie still continues from there for another 30 minutes. I liked that bit because I would have hated the movie if that actually happened.

The storyline could have been a bit tighter, there were a few unnecessary scenes but overall it was a good watch.

PS: The end is open ended but it feels justified.

Good, Open ended, Intriguing Movie. But, more was expected from Neeraj Pandey.. A Wednesday (2008) was Classic.

Yes, It keeps you guessing till end, Who is the main villain? How the heist has happened?

The film explores themes of ambition, morality, and the struggle for power within the backdrop of a rapidly changing society.

The film centers around the life of Sikandar, a young man from humble beginnings, whose aspirations drive him to navigate the complexities of life in pursuit of success.

From the outset, Sikandar is portrayed as a determined individual, eager to rise above his circumstances. His character embodies the struggles and dreams of many who aspire for a better life. The narrative delves into his relationships with family, friends, and adversaries, showcasing how these connections influence his journey. Each character plays a pivotal role in shaping Sikandar's decisions and the moral dilemmas he faces along the way.

As Sikandar's ambition grows, he encounters a series of challenges that test his values. The film intricately weaves a tale of ambition against the backdrop of ethical considerations, prompting viewers to reflect on the cost of success. Sikandar's pursuit of his dreams often leads him into morally ambiguous situations, forcing him to confront the consequences of his choices. This internal conflict is a central theme, highlighting the tension between personal ambition and ethical integrity.

Neeraj Pandey's direction is marked by a strong narrative and character development. The film captures the nuances of human emotions, portraying the highs and lows of Sikandar's journey with authenticity. The cinematography enhances the storytelling, with visually striking scenes that resonate with the protagonist's internal struggles. The pacing of the film keeps the audience engaged, building suspense as Sikandar navigates through various challenges.

The supporting cast adds depth to the narrative, with each character bringing their own motivations and conflicts to the story. The interactions between Sikandar and these characters create a rich tapestry of relationships that reflect the complexities of life. The film does an excellent job of illustrating how ambition can both unite and divide individuals, showcasing the multifaceted nature of human connections.

The soundtrack complements the emotional landscape of the film, elevating key moments and enhancing the overall viewing experience. The music resonates with the themes of the story, drawing viewers deeper into Sikandar's world and the emotional stakes involved in his journey.

As the film unfolds, viewers are invited to consider the broader implications of Sikandar's choices. The narrative encourages reflection on what it truly means to succeed and the impact of one's actions on the community. The film's conclusion leaves audiences with thought-provoking questions about ambition, integrity, and the sacrifices one must make in the pursuit of their dreams.

Baby, Special 26 (2013) of Neeraj Pandey was also Good.

Strong Movie. Can be watched with Family.

Heist Movie.

You start the film hoping to see Neeraj Pandey's intense grip on such genre like Special 26 but sooner you'll realise that it'll be a mistake to even finish it.

Overall plot is promising but inside it's an empty coconut shell. You will exactly know what's gonna happen and guess what! The film never surprises you.

The Direction seems poor, I don't why Neeraj put continuous shots in the scenes where there is absolutely no requirement of that. I had to play some parts in 1.5x due to that.

Some Characters were forcefully developed and then left alone as if they have nothing to do with this.

This film is disappointment at its best. First "Auron me kahan dum tha" now this.