Brilliant but disgraced detective John Luther breaks out of prison to hunt down a sadistic serial killer who is terrorising London.Brilliant but disgraced detective John Luther breaks out of prison to hunt down a sadistic serial killer who is terrorising London.Brilliant but disgraced detective John Luther breaks out of prison to hunt down a sadistic serial killer who is terrorising London.
- Awards
- 2 wins total
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There was a time when thrillers were Big box office draws. Some with even the darkest and gruesome of subject matter. Unfortunately that particular film isn't really revered in big box office form these days, but this reminds me of the time they were. Of course the cast helps with the likes of the ultra talented duo of Andy Serkis and Idris Elba who's cat and mouse chase is pure entertainment. The story while it may remind me personally of 90s throwback thrillers is still updated for a time where cyber crime is a real threat and adds a great aspect. The action is also on full throttle in this as well which is nice to see. Overall the intensity of this film belongs in a theater but even so I do think it's a cut above for Netflix original movies these days. Very surprising film.
First off, the film: Unfortunately the first half felt very uninspired... I'd seen all of this a million times before... It may have worked with a director who was willing to take more risks.... That being said, the second half becomes much more intense and grand scale and I was fully immersed. Overall I'd give it a 7.5....
Buf thanks to Netflix, I'm dropping it to a 6 for its terrible theatrical release... There were random unrelated subtitles plastered on the screen and layered on top of each other... And thanks to that, when there was non English speaking going on, we had no idea what they were saying... When I complained to the theatre staff, they said it was Netflix and they had nothing to do with it... So really impressive, Netflix....
Buf thanks to Netflix, I'm dropping it to a 6 for its terrible theatrical release... There were random unrelated subtitles plastered on the screen and layered on top of each other... And thanks to that, when there was non English speaking going on, we had no idea what they were saying... When I complained to the theatre staff, they said it was Netflix and they had nothing to do with it... So really impressive, Netflix....
I have but one thing to say: Police divers.
There is a plot convenience towards the end of this film that seems...well...totally stupid. In fact, there are several plot elements throughout the film that are ludicrous. But regarding the aforementioned 'convenience' in the third act; we see the police travelling, via helicopter, to an unknown snowy region to affect an arrest. Why would a last minute, 'time is of the essence', tactical operation in the snow have already geared up police divers?? In the snow? In helicopters? In wetsuits? It hurt my brain.
I have no issue with the occasional plot 'convenience' in order to propel the story forward, but this film takes tremendous liberties that insult the viewers intelligence. It seems lazy and ultimately does a disservice to our protagonist.
Having said all of this, it's still a watchable film. The first act is by far the strongest and most investing, whilst the second and third are serviceable, if not bloated - the film was 30 minutes too long. Our antagonist also lacks any realistic, discernable motivation. Andy Serkis is menacing and creepy in some scenes, whilst being laughably 'unmenacing' in others. I struggled to buy into his criminal 'genius' as well as his physicality in the fight scenes. Speaking of which, some of the fights are well choreographed and executed (particularly the prison scenes), whilst others look and feel fake.
All things considered, it's a solid if slightly forgettable outing for Luther. Elba is fantastic, as always, but is let down by a loose script.
There is a plot convenience towards the end of this film that seems...well...totally stupid. In fact, there are several plot elements throughout the film that are ludicrous. But regarding the aforementioned 'convenience' in the third act; we see the police travelling, via helicopter, to an unknown snowy region to affect an arrest. Why would a last minute, 'time is of the essence', tactical operation in the snow have already geared up police divers?? In the snow? In helicopters? In wetsuits? It hurt my brain.
I have no issue with the occasional plot 'convenience' in order to propel the story forward, but this film takes tremendous liberties that insult the viewers intelligence. It seems lazy and ultimately does a disservice to our protagonist.
Having said all of this, it's still a watchable film. The first act is by far the strongest and most investing, whilst the second and third are serviceable, if not bloated - the film was 30 minutes too long. Our antagonist also lacks any realistic, discernable motivation. Andy Serkis is menacing and creepy in some scenes, whilst being laughably 'unmenacing' in others. I struggled to buy into his criminal 'genius' as well as his physicality in the fight scenes. Speaking of which, some of the fights are well choreographed and executed (particularly the prison scenes), whilst others look and feel fake.
All things considered, it's a solid if slightly forgettable outing for Luther. Elba is fantastic, as always, but is let down by a loose script.
Luther: The Fallen Sun is a solid film that delves into complex themes surrounding technology, humanity, and morality. However, while the film does a decent job of exploring these themes, it ultimately falls short in its execution.
Many of the themes explored in Luther have already been tackled more effectively by other films and TV shows. In particular, Black Mirror has done an excellent job of exploring similar themes surrounding technology and its impact on humanity.
Idris Elba is terrific in the role as always, and I'll always watch Andy Serkis, but can't help feel a little disappointed in this film.
Many of the themes explored in Luther have already been tackled more effectively by other films and TV shows. In particular, Black Mirror has done an excellent job of exploring similar themes surrounding technology and its impact on humanity.
Idris Elba is terrific in the role as always, and I'll always watch Andy Serkis, but can't help feel a little disappointed in this film.
Luther: The Fallen Sun is a Netflix film that serves as a continuation of the BBC series Luther, starring Idris Elba as John Luther, a brilliant but troubled detective who breaks out of prison to hunt down a serial killer. While fans of the show might be excited to see Elba reprise his iconic role, they will likely be let down by this film's lackluster plot, weak villain and wasted potential.
The film suffers from a lack of originality and suspense, as it recycles many elements from previous seasons of Luther, such as Luther's relationship with Alice Morgan (Ruth Wilson), his former partner Justin Ripley (Warren Brown) and his new ally Angela Rose (Cynthia Erivo). The serial killer, played by Andy Serkis, is a cartoonish and unconvincing antagonist who has a vague motive and an unrealistic plan. The film also fails to explore Luther's character development or moral dilemmas, instead relying on clichés and contrivances.
The only saving grace of this film is Idris Elba's performance, which is still charismatic and compelling despite the weak material. He manages to convey Luther's inner turmoil and determination with subtlety and intensity. However, even he cannot elevate this film above its mediocrity. Luther: The Fallen Sun is a disappointing return for one of TV's most complex and captivating detectives.
The film suffers from a lack of originality and suspense, as it recycles many elements from previous seasons of Luther, such as Luther's relationship with Alice Morgan (Ruth Wilson), his former partner Justin Ripley (Warren Brown) and his new ally Angela Rose (Cynthia Erivo). The serial killer, played by Andy Serkis, is a cartoonish and unconvincing antagonist who has a vague motive and an unrealistic plan. The film also fails to explore Luther's character development or moral dilemmas, instead relying on clichés and contrivances.
The only saving grace of this film is Idris Elba's performance, which is still charismatic and compelling despite the weak material. He manages to convey Luther's inner turmoil and determination with subtlety and intensity. However, even he cannot elevate this film above its mediocrity. Luther: The Fallen Sun is a disappointing return for one of TV's most complex and captivating detectives.
Did you know
- TriviaThis film holds the notable accolade of managing to film at Piccadilly Circus for longer than any other production ever, with several night shoots having been filmed at the world-famous location.
- GoofsThe vehicles come faster and faster onto Piccadilly Circus and crash violently. A driver's first instinct is to brake, so there should be lots of cars bumping into each others but not at high speed as shown.
- ConnectionsFeatured in This Morning: Episode #35.45 (2023)
- SoundtracksMeet Me at Our Spot
Written by Tyler Cole & Willow Smith (as Willow Camille Smith)
Performed by The Anxiety, Willow Smith (as Willow), Tyler Cole
Courtesy of Roc Nation Records, LLC
Under licence from Universal Music Operations Ltd
- How long is Luther: The Fallen Sun?Powered by Alexa
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- Luther: Cae la noche
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- See more company credits at IMDbPro
- Runtime
- 2h 9m(129 min)
- Color
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- Aspect ratio
- 2.35 : 1
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