Brilliant but disgraced detective John Luther breaks out of prison to hunt down a sadistic serial killer who is terrorising London.Brilliant but disgraced detective John Luther breaks out of prison to hunt down a sadistic serial killer who is terrorising London.Brilliant but disgraced detective John Luther breaks out of prison to hunt down a sadistic serial killer who is terrorising London.
- Awards
- 2 wins total
Featured reviews
First off, the film: Unfortunately the first half felt very uninspired... I'd seen all of this a million times before... It may have worked with a director who was willing to take more risks.... That being said, the second half becomes much more intense and grand scale and I was fully immersed. Overall I'd give it a 7.5....
Buf thanks to Netflix, I'm dropping it to a 6 for its terrible theatrical release... There were random unrelated subtitles plastered on the screen and layered on top of each other... And thanks to that, when there was non English speaking going on, we had no idea what they were saying... When I complained to the theatre staff, they said it was Netflix and they had nothing to do with it... So really impressive, Netflix....
Buf thanks to Netflix, I'm dropping it to a 6 for its terrible theatrical release... There were random unrelated subtitles plastered on the screen and layered on top of each other... And thanks to that, when there was non English speaking going on, we had no idea what they were saying... When I complained to the theatre staff, they said it was Netflix and they had nothing to do with it... So really impressive, Netflix....
Not on the level of the Luther series and it does have its absurd moments but don't all police procedurals? Idris Elba is awesome as usual and Cynthia Erivo is a wonderful addition to the cast. I think the casting was inspired, even if the story was borderline absurd. It is a clear set up for additional stories about Luther and I look forward to more Luther films or a continuation of the very good series this film is based on. I don't get the hating on this film. It's not nearly as good as the series but it's better than some people are giving credit for. It's worth the little under 2 hours of your time.
A man is controlling people using their most embarrassing secrets against them. He is also torturing and killing people for sport. DCI Luther is put on the case after the disappearance of one of his victims. This makes Luther a target of the sadist and results in Luther being sentenced to a prison term. However, just because he's in jail doesn't mean Luther isn't on the case.
Being a fan of the TV series I was eagerly awaiting this. I wasn't expecting this film to be as good as the series: most films based on series aren't. Moreover, the quality of the series was due to being able to meticulously build a plot, create engagement with the characters and create tension through developments - a film wouldn't have time enough to do that. So I wasn't too disappointed when this didn't live up to the quality of the series.
Instead of the usual Luther psychological tension and tight plot we have an unoriginal "cop has to save a case while on the run from the law" story. Add in some contrivances, some reasonably predictable plot developments, a cartoonish villain complete with about the fakest-looking hair ever and a reliance on style over substance at times and this is definitely not in the same league as the series.
Yet, despite all this, it's quite entertaining. Despite the 130-minute running time the film moves along at a brisk pace and is never dull. Initial plot setup is good, there are some surprises in the plot and the action scenes are great.
Idris Elba is great in the lead role, as expected, and while Dermot Crowley (as Martin Schenk) was irritating in the series, here he is okay. Cynthia Erivo puts in a solid performance as DCI Odette Raine. On the other hand, Andy Serkis (and his fake hair) is irritating as the villain.
Overall, not great but entertaining.
Being a fan of the TV series I was eagerly awaiting this. I wasn't expecting this film to be as good as the series: most films based on series aren't. Moreover, the quality of the series was due to being able to meticulously build a plot, create engagement with the characters and create tension through developments - a film wouldn't have time enough to do that. So I wasn't too disappointed when this didn't live up to the quality of the series.
Instead of the usual Luther psychological tension and tight plot we have an unoriginal "cop has to save a case while on the run from the law" story. Add in some contrivances, some reasonably predictable plot developments, a cartoonish villain complete with about the fakest-looking hair ever and a reliance on style over substance at times and this is definitely not in the same league as the series.
Yet, despite all this, it's quite entertaining. Despite the 130-minute running time the film moves along at a brisk pace and is never dull. Initial plot setup is good, there are some surprises in the plot and the action scenes are great.
Idris Elba is great in the lead role, as expected, and while Dermot Crowley (as Martin Schenk) was irritating in the series, here he is okay. Cynthia Erivo puts in a solid performance as DCI Odette Raine. On the other hand, Andy Serkis (and his fake hair) is irritating as the villain.
Overall, not great but entertaining.
I have but one thing to say: Police divers.
There is a plot convenience towards the end of this film that seems...well...totally stupid. In fact, there are several plot elements throughout the film that are ludicrous. But regarding the aforementioned 'convenience' in the third act; we see the police travelling, via helicopter, to an unknown snowy region to affect an arrest. Why would a last minute, 'time is of the essence', tactical operation in the snow have already geared up police divers?? In the snow? In helicopters? In wetsuits? It hurt my brain.
I have no issue with the occasional plot 'convenience' in order to propel the story forward, but this film takes tremendous liberties that insult the viewers intelligence. It seems lazy and ultimately does a disservice to our protagonist.
Having said all of this, it's still a watchable film. The first act is by far the strongest and most investing, whilst the second and third are serviceable, if not bloated - the film was 30 minutes too long. Our antagonist also lacks any realistic, discernable motivation. Andy Serkis is menacing and creepy in some scenes, whilst being laughably 'unmenacing' in others. I struggled to buy into his criminal 'genius' as well as his physicality in the fight scenes. Speaking of which, some of the fights are well choreographed and executed (particularly the prison scenes), whilst others look and feel fake.
All things considered, it's a solid if slightly forgettable outing for Luther. Elba is fantastic, as always, but is let down by a loose script.
There is a plot convenience towards the end of this film that seems...well...totally stupid. In fact, there are several plot elements throughout the film that are ludicrous. But regarding the aforementioned 'convenience' in the third act; we see the police travelling, via helicopter, to an unknown snowy region to affect an arrest. Why would a last minute, 'time is of the essence', tactical operation in the snow have already geared up police divers?? In the snow? In helicopters? In wetsuits? It hurt my brain.
I have no issue with the occasional plot 'convenience' in order to propel the story forward, but this film takes tremendous liberties that insult the viewers intelligence. It seems lazy and ultimately does a disservice to our protagonist.
Having said all of this, it's still a watchable film. The first act is by far the strongest and most investing, whilst the second and third are serviceable, if not bloated - the film was 30 minutes too long. Our antagonist also lacks any realistic, discernable motivation. Andy Serkis is menacing and creepy in some scenes, whilst being laughably 'unmenacing' in others. I struggled to buy into his criminal 'genius' as well as his physicality in the fight scenes. Speaking of which, some of the fights are well choreographed and executed (particularly the prison scenes), whilst others look and feel fake.
All things considered, it's a solid if slightly forgettable outing for Luther. Elba is fantastic, as always, but is let down by a loose script.
Luther: The Fallen Sun is a Netflix film that serves as a continuation of the BBC series Luther, starring Idris Elba as John Luther, a brilliant but troubled detective who breaks out of prison to hunt down a serial killer. While fans of the show might be excited to see Elba reprise his iconic role, they will likely be let down by this film's lackluster plot, weak villain and wasted potential.
The film suffers from a lack of originality and suspense, as it recycles many elements from previous seasons of Luther, such as Luther's relationship with Alice Morgan (Ruth Wilson), his former partner Justin Ripley (Warren Brown) and his new ally Angela Rose (Cynthia Erivo). The serial killer, played by Andy Serkis, is a cartoonish and unconvincing antagonist who has a vague motive and an unrealistic plan. The film also fails to explore Luther's character development or moral dilemmas, instead relying on clichés and contrivances.
The only saving grace of this film is Idris Elba's performance, which is still charismatic and compelling despite the weak material. He manages to convey Luther's inner turmoil and determination with subtlety and intensity. However, even he cannot elevate this film above its mediocrity. Luther: The Fallen Sun is a disappointing return for one of TV's most complex and captivating detectives.
The film suffers from a lack of originality and suspense, as it recycles many elements from previous seasons of Luther, such as Luther's relationship with Alice Morgan (Ruth Wilson), his former partner Justin Ripley (Warren Brown) and his new ally Angela Rose (Cynthia Erivo). The serial killer, played by Andy Serkis, is a cartoonish and unconvincing antagonist who has a vague motive and an unrealistic plan. The film also fails to explore Luther's character development or moral dilemmas, instead relying on clichés and contrivances.
The only saving grace of this film is Idris Elba's performance, which is still charismatic and compelling despite the weak material. He manages to convey Luther's inner turmoil and determination with subtlety and intensity. However, even he cannot elevate this film above its mediocrity. Luther: The Fallen Sun is a disappointing return for one of TV's most complex and captivating detectives.
Did you know
- TriviaThis film holds the notable accolade of managing to film at Piccadilly Circus for longer than any other production ever, with several night shoots having been filmed at the world-famous location.
- GoofsThe vehicles come faster and faster onto Piccadilly Circus and crash violently. A driver's first instinct is to brake, so there should be lots of cars bumping into each others but not at high speed as shown.
- ConnectionsFeatured in This Morning: Episode #35.45 (2023)
- SoundtracksMeet Me at Our Spot
Written by Tyler Cole & Willow Smith (as Willow Camille Smith)
Performed by The Anxiety, Willow Smith (as Willow), Tyler Cole
Courtesy of Roc Nation Records, LLC
Under licence from Universal Music Operations Ltd
- How long is Luther: The Fallen Sun?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
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- Also known as
- Luther: Cae la noche
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 2h 9m(129 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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