Dracula

It's been almost 30 years since the last Besson film I was thrilled with. It was The Fifth Element, a daring, dynamic film by a brilliant madman... it was a long wait, but Besson is back. The cast is great, the performances are mostly Oscar-worthy, and his new in-house actor Caleb Landry Jones is a very good replacement for the unique Jean Reno. And he would be a great Joker in the style of Heath Ledger in the event of a prequel. A film with heart and soul made for the audience with an anti-hero who is hard to love, but can be understood, and can be sympathized with. I never liked Coppola's version of Bram Stocker's Dracula, and I really wanted someone to make a better version, but I really didn't expect that someone would be my favorite director from the great nineties (Nikita, Leon). I only hope that I don't have to wait another 30 years for a film this great. 10/10.

It will be probably until the end of time - new Dracula features, year after year. This time (and I cannot really say I remember a lot others) it is focusing of Vlad's romantic character. He is not the Vampire born out of thin air - he has a beef with God almighty and he would rather die, then live countless lives without his beloved wife.

This is the base to the story and yes...Vlad carries new weapon: perfume. This one makes his surroundings to go wild and deliver him whatever he wants from them. His main goal is to retrieve his wife, and he doesn't perceive as a hedonistic person but as a man with great suffer.

The other characters are decorative and the most conspicuous from all other characters, that surrounds him is off course the Priest that we all missed lately on both types of screens: Christoph Waltz. This movie is pretty simple and doesn't try to re-invent the myth about Vampire Vlad but take another and more human direction.

Caleb Landry Jones is always a brilliant casting to main role and he is, off course, does his job fantastically. At the end of all things, it is a great version, which personally I will have difficulty to remember, due to overflowing versions over the years. And yet, it is pretty nice to see that Luc Besson is still got it.

Director Luc Besson's take on the legendary vampire myth, Dracula: A Love Tale, is a visually magnificent, if occasionally overwrought, gothic romance that succeeds largely on the strength of its lead performance. The film is, first and foremost, a feast for the eyes. The costume and production design are lavish, transporting the audience with an authenticity and opulence that is breathtakingly gothic. This visual splendor is matched by an intensely committed performance from (Caleb Landry Jones) as the titular Prince Vlad/Dracula. Jones delivers a portrayal of a 400-year-old soul consumed by grief and undying love that is both unsettling and deeply human. His 'old' Dracula is eerie and composed, while the anguish of his younger self is palpable. The film leans heavily into the love tale aspect, providing a compelling, passionate, and tragic core that successfully recaptures the sweeping melodrama of a classic Hammer horror or a Coppola adaptation. The chemistry between Jones and co-star (Zoë Bleu) is electric, providing the emotional fuel for the entire production. While the passion is there, the film often stumbles with its pacing. It rockets through centuries of lore and character development with a speed that sometimes feels jarring. We are given tantalizing glimpses into the lives of key supporting characters, including (Christoph Waltz's) Priest, but they feel underdeveloped, serving more as plot devices than fully fleshed-out individuals. The script, at times, struggles to balance the high romantic drama with the classic horror elements, occasionally defaulting to dialogue that feels a touch too cheesy or theatrical for its own good. It's a film that desperately needed a little more room to breathe in its middle acts to allow the audience to fully settle into its narrative rhythm. Dracula: A Love Tale is an undeniable guilty pleasure for fans of the gothic-romantic vampire genre. It's a gorgeous, over-the-top spectacle carried by a magnetic central performance that grounds the more fantastical elements. It lacks the cohesive polish or thematic depth to be a masterpiece, but its sheer visual flair and raw emotional intensity make it a truly captivating, if imperfect, cinematic experience. Go for the style, stay for Caleb Landry Jones' unforgettable Count!

I have to admit that when I sat down to watch this 2025 movie titled "Dracula: A Love Tale", from writer and director Luc Besson, I initially sat down with some hesitation.

Isn't the "Dracula" tale one that has been bled dry? No pun intended. I mean, no movie will ever come close to the 1992 movie "Bram Stoker's Dracula" from director Francis Ford Coppola. Yet, I still opted to check out this movie as Luc Besson actually does have some pretty good movies to his name.

The storyline in the movie is one that the most of us are more than familiar with, from exposure to it either through the book, or from the many, many renderings of a filmed version of the story. But there was still some new aspects brought to the narrative here, so it wasn't just a full-blown copy-paste work of previous told narratives in other "Dracula" movies. But of course the core of the narrative is one that is repetitive, as it has been brought to the screen so many times before 2025.

Of the entire cast ensemble, I was actually only familiar with Caleb Landry Jones and Christoph Waltz. At first, I was not really particularly keen on Caleb Landry Jones in the role as Vlad Tepes, but he really managed to carry it nicely, and the way that the make-up and special effects departments, and not to forget the wardrobe, brought the character to life really helped quite a lot. The acting performances in the movie were certainly good.

Now, visually, I have to say that the movie was quite nice. There were a lot of really nice things to witness, and the attention to detail was just phenomenal. Without such great effects, the movie wouldn't have been quite as effective.

While the movie is entertaining and enjoyable, I have to say that there was still a lingering sensation of this tale having been re-told too many times already, and thus made this 2025 movie feel somewhat unnecessary to have seen the light of day - pardon the pun. I am not saying that the movie is bad, far from it.

My rating of writer and director Luc Besson's 2025 take on the classic Bram Stoker story lands on a six out of ten stars.

It feels more like a moody fanfic than a fresh take. Visually, it's stunning. The castles, the costumes, the lighting - pure eye candy. But that's where the magic ends.

The script? Thin. The romance? Forced. Caleb Landry Jones tries hard, but the chemistry is dead on arrival. Even Christoph Waltz felt like he was sleepwalking through his scenes.

I get what Besson was aiming for-a tragic love story wrapped in gothic horror-but it never quite lands. The pacing drags, and the emotional beats feel hollow.

Is it worth watching? Maybe, if you're into atmospheric visuals. Otherwise, it's a stylish shell with not much soul.