Finding Fanny

Finding Fanny definitely helps you in finding the expected solace. The plot presents a road journey involving a post master and his troupe of hysterical companions.

I went inside the cinema hall with an expectation of experiencing something unusual and that was exactly what the movie bestowed upon me. Most of the Indian flicks in recent times are supported by hackneyed ideas and illogical story lines and this is the region where Finding Fanny stands out. Also, the film gets covered up convincingly within a tolerable run time of 110 minutes thus managing to keep the audiences awake. According to me, the conclusion drawn out was slightly stereotyped. But even then, it was acceptable.

The performers assembled were certainly top-notch. Naseeruddin Shah is charming as ever while enacting the character of a depressed post master belonging to a delirious village. Deepika Padukone looks completely adorable while playing a lonesome widow. The naturalness that she is able to carry along with her throughout the movie is unquestionably worth admiration. Arjun Kapoor as Savio is greatly expressive. His last couple of projects have undeniably managed to bring out the best in him unlike his initial performances which were not really up to the mark, in my opinion. Dimple Kapadia is bold while playing the role of Deepika's mother-in-law. Pankaj Kapur too is one of the several laudable elements.

Direction by Homi Adajania is fair. A quirky adventure where the protagonist tries to find his long lost love is wonderfully put on the big screen. Screenplay by Homi Adajania and Kersi Khambatta is odd yet likable. Editing and Cinematography departments have managed to pull of their respective jobs decently. Music by Mathias Duplessy is disparate and alluring.

In addition to the above mentioned qualities, a number of unpredictably bizarre sequences are bound to leave you hilariously flabbergasted. If you are someone who is tired of watching clichéd narratives and masala dramas, then this must be the movie that you're looking for.

The movie is not for everybody especially not for people who are used to the commercial capers which our dear old Bollywood is dishing out everyday!!

well with a star cast of Naseeruddin Shah and Pankuj Kapur(brothers-in-law sharing screen presence together for the first time!!) you go in with high expectations and fortunately they both deliver class performances!Dimpal Kapadia and Deepika both contribute significantly. The only wobbly performance was of Arjun Kapoor as a sulky boy but his diction was not clear at times and expression the same for most of the emotions!!

The movie is all about finding what we have lost in our lives but never had the courage to go about it to attain it. Though the dark humour and crisp editing is the movie's USP.

All in all Finding Fanny is a relief from some of the past torturous movies i had to endure!!

The cinematographer also has done a good job in capturing the picturesque Goa at its best.

Review Finding Fanny

Direction and Filmography is fantastic... Story was simple and dialogues made movie subtle comedy and fun ride... Music is enchanting and characters are made with very special treatment... Acting and actor chosen are really great.. weather it is Naseeruddin Shah as shy lover like teenager, Dimple Kapadia as Egoistic lady, Pankaj Kapoor as lecherous artist, Deepika Padukone as simple and sweet girl, and Arjun Kapoor all are simply superb...

Must watch for everyone's performance...Specially of Don Pedro(Lecherous Pankaj kapoor)

Naseeruddin Shah : is a shy, solemn loner, the post master in a village where no one posts or receives any mail, still is a choirboy singer even though his days of being a boy are well behind him. And he brays, nay, sobs inconsolably as he receives a marriage proposal he'd made to his beloved Fanny via mail, forty-six years ago. It was never posted ! And the only one who understands him, is willing to help him is the girl he considers to be like a daughter, who he thinks will make one lucky bugger a great wife and will also be a super mother…Deepika…

Deepika Padukone : ethereal, leggy, flashing that dimpled smile of hers, a vision in floral dresses, floating through their tiny Goan village, remains upbeat despite all that's happened to her, with her husband choking to death on her wedding day, she till today isn't sure whether she should've accepted her hubby's proposal or gone with his friend instead, her quiet admirer, the quiet, quite infatuated… Arjun….

Arjun Kapoor : left town the day Deepika was going to get married. Rumour has it he went to Mumbai and was successful in some business. Is now back in their village. Not happy about how things have turned out. Prone to angry outbursts. Alone in his dilapidated house, which is falling apart. And working on his old car, which is also falling apart. Which he's just sold to… Pankaj….

Pankaj Kapur : is the new man in town, an award winning artist, a painter who earns huge sums for his every brush stroke. Is enjoying his solitude, the idyllic sylvan surroundings, his alcohol. And is also indulging in his fetish for 'big' women…by ogling at Dimple…

Dimple Kapadia : who does have a really large ass ! Also happens to be Deepika's mother in law and house mate, the woman who makes the tiny village tick, the one who organizes everything and loves being the centre of attention…the type who will try to commit suicide but will cough first to make sure someone is watching…the stingy type who will hide the cookies if she thinks her guest is eating too many…the type who feels too many drinks don't agree with her legs. Gout? Inquires Pankaj, solicitously ? No, she laughs, it makes them spread open…

These five quirky characters set off on a drive to locate Naseer's precious Fanny. In the dilapidated car. From the village that we're assured is so tiny, you cant locate it on a map. And interesting things happen on the way.

This is one of those delicious movies where its not so much about the story but more about the characters and the conversations. Where the script and the dialogue is, quite refreshingly, actually king. Where the music sets the mood but doesn't overpower. Where the performances by the stalwarts, Pankaj, Naseer are every bit what you would expect – they get into the skin of their assigned roles, changing body language, their walk, their way of talking to ensure we believe in them. Pankaj, in particular, has more scope to display his intensity, especially in a little bit towards the end.

Dimple is very good too, dominating yet hesitantly finding her way through the challenges life has thrown at her. Arjun has probably the most unidimensional role and he does it credit. In acting chops, probably the one who has to go the furthest, but he can still hold his head high after this one. And Deepika…ah, sweet, lovely, Deepika! Anyone who doubts whether she can act…I mean, really act…better be advised to watch this one. None of the histrionics, over the top gestures and mannerisms of say, Chennai Express…just subtle changes of expressions, a slightly quizzical mien of inner happiness with just a smidgen of indecision.

This is one of those films which is about journeys, self-discovery, life and more. The lessons made easy with the humour and the idiosyncratic dramatis personae. Set in a place where we all wish we could be…simpler, where time seems to stand still. And its not so much about Finding Fanny, but finding love…at any age…

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Finding Fanny is a simple anatomy of love. Ending with the finding that true love is a false epiphany. And along the way reflects on ego, the short life of lust, the razzle-dazzle of courtship, the pleasure of love in its barest forms.

Very nice watch all along the way. Very good images, good aesthetics, authenticity of the location and Goan culture have been maintained. Music is good.The characters are all well developed and the actors, some of the best to come from India have portrayed them well. Except for the end where it rushes to an end, and leaves much less impact than it carries through the journey.