A live telecast of the famous Rodgers and Hammerstein musical.A live telecast of the famous Rodgers and Hammerstein musical.A live telecast of the famous Rodgers and Hammerstein musical.
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- Won 1 Primetime Emmy
- 1 win & 6 nominations total
Sophia Anne Caruso
- Brigitta
- (as Sophia Caruso)
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Featured reviews
When I first saw the promos for this show, I thought sarcastically 'oh great, a country version of a classic. Just what we need.' I never particularly like the singing of Ms. Underwood, finding her voice rather harsh at times. But, as I flicked through the channels and noticed it was on (I had no intention of watching it), curiosity got the best of me and I tuned in. Well, I stayed until the end. While all of the performances were excellent, I want to give special recognition to Ms. Underwood. This was an extraordinarily brave undertaking in the face of preconceived notions, and she basically said 'in your face' people. Whatever voice training she went through worked, and the harshness and twang that accompanies some of her country stuff was virtually gone. So, congrats to all involved, and especially to Carrie Underwood. Many would never have attempted what she accomplished.
I have to be honest here, I originally had no intention of watching this special, but when I found out it would be performed live, as they used to do in decades past, it piqued my curiosity. I also happened to turn on the TV just about the time it started, so decided to check it out.
In no way was I expecting it to compare to the 1965 film. This was obviously supposed to be more akin to the stage production. Having said that, I was far more impressed than I anticipated. The music was fantastic and I loved the live acting quality to it. I only have a couple criticisms.
I understand that Carrie Underwood was probably selected because they wanted to get a name to draw in viewers. Her singing was actually quite good, but her acting was sub-par, especially to the rest of the cast. I understand she is not an actress, so I give her kudos for putting herself on the line.
As for the rest of the cast, I was happy that they decided to use mostly unknown actors, who appeared to be trained for stage productions. It definitely added to the credibility of the show. I thought the kids were all great, except Gretel, who was definitely a star in the film version. This one did not seem especially gifted in acting or singing and even lacked charisma. I wondered if she might be the daughter of a producer or something. That was a shame because its another stand out role that suffered.
I was pretty pleased with everything else. The sets were gorgeous! The transitions were seamless. The music overall was very fun and enjoyable, hearing those great Rogers & Hammerstein songs never gets old! Was also nice that they included some songs that were not in the film version. I definitely don't feel I wasted my evening when there is so much other rubbish on TV. I hope people were open-minded and supportive, so perhaps we'll see another live musical special next year!
In no way was I expecting it to compare to the 1965 film. This was obviously supposed to be more akin to the stage production. Having said that, I was far more impressed than I anticipated. The music was fantastic and I loved the live acting quality to it. I only have a couple criticisms.
I understand that Carrie Underwood was probably selected because they wanted to get a name to draw in viewers. Her singing was actually quite good, but her acting was sub-par, especially to the rest of the cast. I understand she is not an actress, so I give her kudos for putting herself on the line.
As for the rest of the cast, I was happy that they decided to use mostly unknown actors, who appeared to be trained for stage productions. It definitely added to the credibility of the show. I thought the kids were all great, except Gretel, who was definitely a star in the film version. This one did not seem especially gifted in acting or singing and even lacked charisma. I wondered if she might be the daughter of a producer or something. That was a shame because its another stand out role that suffered.
I was pretty pleased with everything else. The sets were gorgeous! The transitions were seamless. The music overall was very fun and enjoyable, hearing those great Rogers & Hammerstein songs never gets old! Was also nice that they included some songs that were not in the film version. I definitely don't feel I wasted my evening when there is so much other rubbish on TV. I hope people were open-minded and supportive, so perhaps we'll see another live musical special next year!
First, kudos for creating a live television presentation.
Please please please... more. I and I know many would flock to this kind of live performance.
Next, too easy to do the comparison thing. But unavoidable... so must qualify this by declaring the obvious intimacy of film versus the live TV/stage adaptation. And there it is... intimacy of film. One is hard pressed to not draw those comparisons in spite of this.
So let's... first Ms Underwood. Most excellent to give this a go. She is also not an actress. It was obvious. There is no substitute for having worked on stage, as an actress. There was a distinct lack of depth to the character. And the vocal performance that is markedly different from people with great voices as Ms Underwood has, and seasoned stage actors and actresses as for instance Ms MacDonald has. Ms Underwood hit her marks. And her voice is superb. But the performance lacked that *it* thing. If she would commit to doing more stage work, her depth would grow. As it was, it was a thin performance.
All the other performances were serviceable, and some good. Or as in Ms Audra McDonald, she was superb. Ms McDonald of course is a trained stage actress, and it screams so.
The production quality not the least of which was the musical production was top shelf. And choreography. Well done here.
There was one huge mistake that overtook the entire production however. It must be pointed out. The lack of a live audience was a huge misstep. The 1965 version had the huge advantage of the intimacy of film. In choosing to do a live TV version, what would have bridged that difference would have been to honor what live stage productions have... and that is a living breathing audience. The energy, the ambiance, everything would have been greatly influenced by this. Not having it in my opinion crippled the experience. If there is a future attempt at a live TV production of anything.... do not make this same mistake. You must must must have the energy that a live audience brings to a production. This would have without question made a significant difference in this current production. Am not sure why there was a choice NOT to have a live audience....
Still, that this happened at all is big. Pleeeeeeeeeeeeeze take on another one, and another one. As the ratings would show, this art, this craft, is alive and quite well. I give mega props for taking this on and hopefully the learning experience will go into future productions...
Please please please... more. I and I know many would flock to this kind of live performance.
Next, too easy to do the comparison thing. But unavoidable... so must qualify this by declaring the obvious intimacy of film versus the live TV/stage adaptation. And there it is... intimacy of film. One is hard pressed to not draw those comparisons in spite of this.
So let's... first Ms Underwood. Most excellent to give this a go. She is also not an actress. It was obvious. There is no substitute for having worked on stage, as an actress. There was a distinct lack of depth to the character. And the vocal performance that is markedly different from people with great voices as Ms Underwood has, and seasoned stage actors and actresses as for instance Ms MacDonald has. Ms Underwood hit her marks. And her voice is superb. But the performance lacked that *it* thing. If she would commit to doing more stage work, her depth would grow. As it was, it was a thin performance.
All the other performances were serviceable, and some good. Or as in Ms Audra McDonald, she was superb. Ms McDonald of course is a trained stage actress, and it screams so.
The production quality not the least of which was the musical production was top shelf. And choreography. Well done here.
There was one huge mistake that overtook the entire production however. It must be pointed out. The lack of a live audience was a huge misstep. The 1965 version had the huge advantage of the intimacy of film. In choosing to do a live TV version, what would have bridged that difference would have been to honor what live stage productions have... and that is a living breathing audience. The energy, the ambiance, everything would have been greatly influenced by this. Not having it in my opinion crippled the experience. If there is a future attempt at a live TV production of anything.... do not make this same mistake. You must must must have the energy that a live audience brings to a production. This would have without question made a significant difference in this current production. Am not sure why there was a choice NOT to have a live audience....
Still, that this happened at all is big. Pleeeeeeeeeeeeeze take on another one, and another one. As the ratings would show, this art, this craft, is alive and quite well. I give mega props for taking this on and hopefully the learning experience will go into future productions...
If you're going to broadcast a live production of a much-loved, iconic classic (whether it's the stage or film version of ANYTHING), you had better prepare to hit the ball out of the park
NBC didn't even buy us a ticket to the game
And, that's sad, because kids today who've never before even seen such an animal (live production broadcast), now have their bar set so very low, it's a wonder they'll ever again even bother to reinvest the grueling, 2 ½ hours it took to get-through this challenging rendition.
Here's why Since NBC's live version of "The Sound of Music" was a rendition of the Broadway PLAY, one really cannot compare 'apples to apples', since the play has never been broadcast live before, and today's TV viewers have only seen the movie version (which one cannot compare to the play). So, to be fair, let's compare live TV of a play to live TV of a play. If you use Roger's and Hammerstein's TV production of Cinderella as a comparison (broadcast by CBS in 1965), you'll see why NBC's Sound of Music, blew-it.
You see, the TV 'suits' of the 1960's realized that, if you're going to present an iconic story, and you're going to broadcast the show live, in prime time, during the holidays, you have to bring big names with big talent. That's why "Cinderella", for instance, showcased Lesley Ann Warren, Walter Pidgeon, Celeste Holm and Pat Carroll, to name a few. Those actors could not only sing, but they could act, too (and the '65 Cinderella required a lot of both). Having the ability and talent to do both, makes a huge difference when vying for the highly critical, ever bored, TV audience of today. So, when NBC of today hired a country singer who cannot act (even slightly), and cast the rest of the production with names who aren't generally known, a flop was not expected, it was guaranteed (The exception here, of course, was the amazingly talented, Audra McDonald as the mother superior (Superior's an understatement) – what NBC SHOULD have done was broadcast 2 ½ hours of HER singing whatever she wanted).
So, to 'review' NBC'S 'Sound of Music', I can only suggest that they start over (It was THAT bad). Instead, I say, think big, as those in Hollywood should. Cast Hugh Jackman (who can sing AND act) as the Captain. Pull one of the well-known witches who played "Wicked" on Broadway as Maria (singers, dancers, actors). Throw in someone a' la Timberlake as Rolf (and make him blond, for God's sake—it's a Nazi play), and you've got yourself a show. Otherwise, you're stuck for nearly 2 ½ hours with a big-named singer who not only can't act, but can't save the cast she's burdened with carrying...Shame on NBC.
Here's why Since NBC's live version of "The Sound of Music" was a rendition of the Broadway PLAY, one really cannot compare 'apples to apples', since the play has never been broadcast live before, and today's TV viewers have only seen the movie version (which one cannot compare to the play). So, to be fair, let's compare live TV of a play to live TV of a play. If you use Roger's and Hammerstein's TV production of Cinderella as a comparison (broadcast by CBS in 1965), you'll see why NBC's Sound of Music, blew-it.
You see, the TV 'suits' of the 1960's realized that, if you're going to present an iconic story, and you're going to broadcast the show live, in prime time, during the holidays, you have to bring big names with big talent. That's why "Cinderella", for instance, showcased Lesley Ann Warren, Walter Pidgeon, Celeste Holm and Pat Carroll, to name a few. Those actors could not only sing, but they could act, too (and the '65 Cinderella required a lot of both). Having the ability and talent to do both, makes a huge difference when vying for the highly critical, ever bored, TV audience of today. So, when NBC of today hired a country singer who cannot act (even slightly), and cast the rest of the production with names who aren't generally known, a flop was not expected, it was guaranteed (The exception here, of course, was the amazingly talented, Audra McDonald as the mother superior (Superior's an understatement) – what NBC SHOULD have done was broadcast 2 ½ hours of HER singing whatever she wanted).
So, to 'review' NBC'S 'Sound of Music', I can only suggest that they start over (It was THAT bad). Instead, I say, think big, as those in Hollywood should. Cast Hugh Jackman (who can sing AND act) as the Captain. Pull one of the well-known witches who played "Wicked" on Broadway as Maria (singers, dancers, actors). Throw in someone a' la Timberlake as Rolf (and make him blond, for God's sake—it's a Nazi play), and you've got yourself a show. Otherwise, you're stuck for nearly 2 ½ hours with a big-named singer who not only can't act, but can't save the cast she's burdened with carrying...Shame on NBC.
As a 40-something would-be tough guy, I like to think I'm Han Solo stuck in the 21st century so I sure as hell ain't gonna watch a girly show like The Sound of Music. After avoiding this program all these years I finally sat down and watched Carrie Underwood's version on Thursday night after seeing it advertised on my local NBC news. I figured I should make an effort to get in touch with the world of performing arts.
This presentation of The Sound of Music was wonderful. Now, I didn't know the storyline nor the original music, so for me, this was a blessing. Great singing, sets, costumes; just a fantastic production all around. I thoroughly enjoyed it. Carrie Underwood is really pretty, too.
This presentation of The Sound of Music was wonderful. Now, I didn't know the storyline nor the original music, so for me, this was a blessing. Great singing, sets, costumes; just a fantastic production all around. I thoroughly enjoyed it. Carrie Underwood is really pretty, too.
Did you know
- TriviaChristian Borle was terrified that he was accidentally going to break his teacup during the live broadcast.
- GoofsMembers of the Kriegsmarine(Navy of Nazi Germany) did not wear Swastika armbands. Only members of the Nazi party and Hitler Youth wore armbands. Members of the regular military were prohibited from joining any party.
- Quotes
Captain Von Trapp: Before you meet the children, you will put on another dress.
Maria Rainer: I haven't any other dress. When we enter the abbey, our worldly clothes are given to the poor.
Captain Von Trapp: What about this one?
Maria Rainer: The poor didn't want this one.
- ConnectionsFeatured in Chelsea Lately: Episode #7.186 (2013)
- SoundtracksPreludium
(uncredited)
Written by Richard Rodgers and Oscar Hammerstein II
Performed by Audra McDonald, Christiane Noll, Jessica Molaskey, and Elena Shaddow
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