Le monde de Nathan

Genres at IMDb is WRONG.. not a comedy.

It is true this movie does have a few touching moment that will make you smile, this does not make it a comedy. The films subjects include the affliction of Autism, coping with illness, coping with lose and living without returned love, self inflicted boundaries and the struggle to overcome dealing with others regardless of your own struggle. The story is about a young boy with autism who faces the difficulties coping with life without the key person he was dependent on. Add to this his autistic ability at math which places him in a scenario where he placed in a new environment. Along with the boy, we also see the difficulties of his mother which must deal his affliction and teachers who must deal with his. Overall, not just about the child. The base of the film is in England and in China with great scenery. Added t this is fin acting and a good plot. Without a spoiler, he finally comes to a change in his life with the help of many who loves him. I found the ending touching.

Excellent performances all round for this charming story concentrating on a family who have a son on the autistic spectrum. The characters are very believable and put in sterling performances. The youngsters especially are great. It gives an accurate insight into the world of autism from everyone's point of view. Sally Hawkins as the mother gets it totally right! Fine actress she is. I know it's early days, but I would like to see some Oscar nominations for this movie. I would like to give this movie a 10, but I feel the ending is somewhat too simplistic and almost Disney-esque 'Happily Ever After' scenario. Autism isn't a one-size-fits-all condition, and people shouldn't come away with the idea that everyone with autism is a genius. The social awkwardness is portrayed beautifully as is the feeling of not fitting in and seeing the world in a way that's different to most people. I highly recommend this movie. The whole story about an International Math Competition is very engaging. You will wipe your eyes too!

'X+Y' is somewhat of a detour for its star and revelation, Asa Butterfield. He is already in popular demand, having been at the centre of Martin Scorsese's attention in 'Hugo' and the failed Young Adult fantasy adaptation 'Ender's Game'. It seems strange to me that Butterfield has forgone the realm of Hollywood Blockbusters to enter a profound and revealing Indie Drama. Consider me happy beyond measure.

'X+Y' sees Butterfield play the intelligent, but autistic Nathan. He finds it extremely hard to form bonds, even with his own mother. Nathan never admits it, but we can tell that he blames her for the awful car crash that proved fatal to his father. Whom he had always shared a special connection. He finds he is able to maintain new friendships when he gains a place on the British Squad at the International Mathematics Olympiad. This gives Nathan newfound confidence and the attention of a girl on the opposing squad. Nathan understands Mathematics better than anyone, even his parents at the age of five. But he is not able to work out why he has an attraction to this girl, by the name of Zhang Mei played with keen spirit by Jo Yang. He diverts so much of his attention to her, that he finds it increasingly difficult to keep his mind focused on what matters most for his future.

'X+Y' is the type of film that is all too rare to find in the cinema. When it finally does appear on the big screen, it lasts a week before it stops being shown. Therefore, if you are reading this then I am sorry, but at least you can pre order the DVD. I wish there were more films like this, with the same energy, style, charm, acting talent and intimacy. The movies would be a better place for it.

The script for 'X+Y' is handled with care and delicately, so that every line shows the audience what rapt attention to detail the screenwriter paid to make sure it flows smoothly, even containing laughs and many heartfelt moments scattered throughout its brief runtime. The most marvellous thing of all is that 'X+Y' contains two romances and both of them feel genuine and make sense. They do not slow down the pacing and only highlight what a joy the film is to behold. The casting from Sally Hawkins to Rafe Spall plays a large part in selling the romance to the audience. Not only making them invest in it, but believe it as well. The music feels soft and tender, never overbearing always hitting the right notes on the nose. The cinematography is excellent and proves that films do not need CGI fakery to look splendid or gorgeous; I am looking at you Peter Jackson.

'X+Y' may be ultimately too predictable, but at least it feels sweet and soothing, a truly lovely film to engage in and even shed a tear when it all ends. Hollywood simply does not make films like this anymore. Can you resist? Will you even want to try? I urge you to at least give 'X+Y' a chance, it deserves at the very least to be seen once.

I pre-ordered "X+Y" from the UK, not realizing it was being released in the US (under a different name). This ended up being one of my favorite movies of this year, but I feel like many people will not give it a chance for several reasons, but mainly the subject matter.

"It" is a delicate petal to step around to a lot of people. Nathan is not the epitome of all people on the spectrum, he is unique and also based on a real person (albeit loosely). You don't have to have any kind of "diagnosed condition" to understand the hardships portrayed in the film. His is not the only struggle, just the most emphasized.

I must say that I was impressed with Asa Butterfield's portrayal of Nathan. Not many actors can convey emotions or thoughts without actually saying much of anything. When you feel empathy for a character, you know the actor is doing far more than just saying their memorized lines. That being said, everyone did a pretty good job bringing their characters to life.

Since The Curious Incident of the Dog in the Night-Time seems to be staying on the stage rather than hitting the screen, I've been curious as to when UK cinema would dig into the perspective of a kid on the autism spectrum with the same affection. Disregard the dark aspects of Haddon's novel, and X+Y has a wonderful element of bringing someone who's inherently felt like an outsider into a world where they aren't alone with math competitions. It's nice and affectionate, though dips into gooey realms of sentimentality. But despite a few insincere or extraneous moments, it gets away with it due to director Morgan Matthew's earnestness. It's definitely easy to enjoy splendid moments where the photography has a chance to show off. It does tend to romantize far too much, particularly about China and England, but it's fairly balanced though it does have a rushed pace. I'd like to say Asa Butterfield is the highlight, but Rafe Spall steals the show in a gruff sharp performance that channels his dad in a way that makes me look forward to what he's going to do next. It's great to see a little Happy-Go-Lucky reunion with reliable support from Sally Hawkins and Eddie Marson. X+Y may rely on certain clichés, but it has a confident vision when it could've been bland.

7/10