Let Us Prey

An apparent victim of a hit and run, a mysterious stranger is held at a remote police station and starts to take over the emotional state of staff and inmates alike.

It's not a new premise, something which is being held against Brian O'Malley's film like it's a crime, but the execution, the technical guile, and atmospheric touches brought to the piece, mark this out as a horror film of some merit. Boosted by having the great Liam Cunningham in the lead role, it's a film that shocks and awes with each passing chapter. It revels in the bloody aspects that unfold, positioning the vile nature that some human's are prone to right at the forefront, and with bloody impact.

Piers McGrail's cinematography is superb, the bold and beautiful shine of the blues and golden browns mingle disconcertingly with the down and dirty feel of the police cells, the latter of which appropriately marry up with the characters on show. Steve Lynch's score is a treat, a real nerve bothering piece of work, gnawing away at the senses in the same way that Cunningham's character tugs away at the emotional conditions of his prey. It's a film of many pleasures for the so inclined, it does get away from itself a little at the end, asking a little too much of the viewer, but it doesn't kill the pic and this is very much a horror necklace worth wearing on a night out. 7/10

...from director Brian O'Malley. It's Rachel's (Pollyanna McIntosh) first night as a policewoman in a new town, and when a mysterious stranger (Liam Cunnigham) is brought into the police station, all Hell breaks loose, and the sins of the prisoners and the police officers come back to haunt them.

There's a lot of style on display, from the music to the moody widescreen cinematography. The performances from the leads Liam Cunningham and Pollyanna McIntosh are very good, and raise the material up a few points. The violence depicted is very graphic, almost to a comical degree at times, and the script could have used a little more polishing, as the mid-section, with frequent time-jumps and location changes, is disorienting. Still, this was better than many of the horror films of recent years, and I enjoyed the ending. Filmed in Scotland and Ireland.

... I've decided this was quite good. I'm hovering between a 7 and 8.

At first my main thought was "Meh. So Judaeo-Christian-specific that this atheist cannot find a thing scary about it." However, even if it is within that tradition, it does some surprisingly daring and fresh things inside of it. This is a movie with ambitions, and it is stylish enough and solidly-acted enough to pull most of them off.

I particularly liked the performances by the two leads. Both roles could have easily led to lots and lots of scenery-chewing, but neither Cunningham nor McIntosh go this easy and tired route: they are both subtle, varied and positively aces, as is Douglas Russell as the feral Sgt. MacReady (his role does call for some scenery chewing, and he does it well).

I absolutely adored the ending. Kudos.

The plot of "Let Us Prey" might very well be derivative and predictable (I can already list at least 5 similar titles without even thinking too hard), but debuting writer/director Brian O'Malley nevertheless managed to deliver a compelling, brutal and sinisterly atmospheric horror/thriller. Straight from the eerie opening sequences – with a particular fascination for black birds, by the way – you'll immediately notice that O'Malley must be a tremendous genre lover and definitely knows the classics. The script borrows all kind of ideas and elements from different horror sub genres, from raw 70's grindhouse features to grotesquely silly 80's slashers, but somehow everything neatly and coherently interweaves into a tense and gruesome little film. Liam Cunningham, the extremely charismatic and marvelous actor who previously starred in "Dog Soldiers" and Dario Argento's "The Card Player", is well-cast as the mysterious stranger (complete with beard and clichéd long raincoat) who comes wandering into the police precinct of a quiet and remote Irish community. He seems to know an awful lot about the darkest secrets of everyone that is there – cops as well as petty criminals – and clearly intents to penalize them and mess up their minds beyond repair. It's up to Constable Rachel Heggie, on her very first night at a new location, to deal with the overload of maniacal tendencies that suddenly come to the surface. The Brussels International Festival of Fantastic Films promoted "Let Us Prey" as a – and I quote – demonic version of John Carpenter's "Assault on Precinct 13". That is actually a rather apt description, and I can also add the film is properly produced and brings forward impressive special effects, make-up art and a handful of cool stunts. The primarily stern plot makes a couple of absurd loops near the end, including the most derailed serial killer in recent cinema history, and admirers of harsh violence and explicit slaughter certainly won't be disappointed. Cunningham receives good and solid support from the rest of the cast, including powerful females Pollyanna McIntosh (watch "The Woman" if you dare) and Hanna Stanbridge, whom I already admired in the obscure "Outcast" and whose accent makes Irish sound like the sexiest language on earth.

One of my great pleasures is to see a movie I know nothing about, and have it totally surprise me. The first 1/3 of this movie is odd, I had no idea what was happening, but it sorts it self out and turns into quite a good bloody little quasi-horror. Decent performances, script, direction etc. Check it out, like me you might be pleasantly surprised.🤔👍