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IMDbPro

Venom 3

  • Video
  • 1996
  • 1h 47m
YOUR RATING
Adult

This third entry in the series explores the lives of exhibitionists who perform intimate acts while simultaneously filming themselves, creating a layered experience where the camera becomes ... Read allThis third entry in the series explores the lives of exhibitionists who perform intimate acts while simultaneously filming themselves, creating a layered experience where the camera becomes an active participant in the encounter. The film focuses on the interplay between performe... Read allThis third entry in the series explores the lives of exhibitionists who perform intimate acts while simultaneously filming themselves, creating a layered experience where the camera becomes an active participant in the encounter. The film focuses on the interplay between performer and viewer, emphasizing the heightened sensations and vulnerabilities that arise from th... Read all

  • Director
    • Henri Pachard
  • Stars
    • Jeanna Fine
    • Davia Ardell
    • Cierra Brooks
  • See production info at IMDbPro
  • YOUR RATING
    • Director
      • Henri Pachard
    • Stars
      • Jeanna Fine
      • Davia Ardell
      • Cierra Brooks
    • 2User reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Top cast13

    Edit
    Jeanna Fine
    Jeanna Fine
    Davia Ardell
    Cierra Brooks
    Sophia Ferrari
    Channone
    Teddi Austin
    Teddi Austin
    Alex Sanders
    Ian Daniels
    Jon Dough
    Jon Dough
    Tony Tedeschi
    Tony Tedeschi
    Paul Cox
    T.T. Boy
    T.T. Boy
    Henri Pachard
    Henri Pachard
    • Self
    • (uncredited)
    • Director
      • Henri Pachard
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews2

    Featured reviews

    6CrimsonRaptor

    Self-shot thrills and visual flair, but uneven execution 🎥✨🔍

    This 1996 installment directed by Henri Pachard takes an experimental approach by incorporating self-filming techniques within its adult entertainment framework, attempting to elevate the visual experience beyond conventional boundaries. The film's premise revolves around exhibitionists who not only perform but also operate the camera themselves, turning the act of filming into an extension of their intimacy. This concept injects a fresh perspective into the genre, adding a layer of voyeuristic intensity that is both intriguing and occasionally unsettling. Cinematically, the film leverages this gimmick to create a raw, immersive atmosphere, though the novelty sometimes overshadows narrative coherence and pacing.

    Performances are a mixed bag; while most actors fulfill their roles with the expected enthusiasm, it is Sophia Ferrari who emerges as a standout, delivering a notably confident and engaging presence that anchors the film's more provocative scenes. Her work, particularly in sequences involving complex acts, showcases a professionalism and charisma that elevate the material. However, the overall acting lacks depth, which is understandable given the film's focus but does limit emotional engagement for viewers seeking more than surface-level stimulation.

    Visually, the film benefits from its glamorized aesthetic, with lighting and set design that emphasize allure and spectacle. The self-held camera work introduces a dynamic, albeit sometimes disorienting, perspective that aligns with the film's theme of self-exposure and control. Yet, this technique also contributes to uneven visual quality and occasional distractions, detracting from the viewing experience.

    In summary, this film offers a bold experiment in adult filmmaking, blending visual innovation with the genre's traditional elements. While it succeeds in parts, particularly through its lead actress and stylistic choices, it falls short of delivering a consistently compelling or polished product. Fans of the series or those interested in avant-garde approaches to adult cinema may find it worthwhile, but it likely will not resonate broadly.
    lor_

    Inmates running the asylum?

    Henri Pachard experimented in this series with letting the talent also fiddle around holding cameras. Result is extreme self-indulgence but generally a gonzo content very much like normal gonzo shoots.

    Some very attractive and stimulating femme talent is involved, clearly the only reason to watch. Jeanna Fine, Sophia Ferrari and Davia Ardell have far more interesting videos and movies to their credit, but sort of like Cliff Notes, this display omits any fantasy or "acting" -just gimme the explicit sex time.

    Other lesser-known performers clearly relish the chance to be spotlighted in this format, notably outspoken Cierra Brooks and magazine pinup Channone.

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    Details

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    • Release date
      • 1996 (United States)
    • Language
      • English
    • Production company
      • Vidco
    • See more company credits at IMDbPro

    Tech specs

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    • Runtime
      1 hour 47 minutes
    • Color
      • Color

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